An unusually inventive approach brings this story to life, as the filmmakers get into the mind of the Beach Boys' Brian Wilson to reveal how he created those unforgettable songs. Even more impressive is the depiction of Wilson's troubled personal life, which plays out with an unnerving resonance rarely matched by rock-star biopics. This is due to artful direction and writing plus committed performances from Paul Dano and John Cusack, who play Wilson at two key points in his life.
As a young man in the 1960s, Brian Wilson (Dano) is a prodigious genius, preferring to stay in the studio while his brothers Dennis and Carl (Kenny Wormald and Brett Davern) and their bandmate Mike Love (Jake Abel) head out to meet girls on tour. They don't understand Brian's obsession with oddball sounds, but let him do his thing until it becomes clear that he's mentally unstable. Years later, in the late 1980s, Brian (now Cusack) falls for Cadillac saleswoman Melinda (Elizabeth Banks), who realises that he is being over-medicated and possibly abused by his controlling psychiatrist guardian Eugene (Paul Giamatti). And instead of leaving, as Eugene orders her to do, she fights for Brian.
These two time periods are interwoven together in a strikingly seamless way, shifting back and forth to build a potent dramatic and emotional momentum. By seeing everything from Wilson's perspective, the filmmakers are able to take the audience on a remarkable journey through his life, avoiding the usual predictable formula. Wilson's life may follow the usual trajectory of success followed by drug abuse, but his mental illness adds an involving angle that's depicted with sensitivity by Dano and Cusack, as well as director Bill Pohlad and writers Oren Moverman and Michael Alan Lerner. Even more impressive is Banks' performance, which is the key that takes us right into the story. It's a beautifully textured turn that reminds us that she can do a lot more than steal movies in comical roles (see Pitch Perfect, Magic Mike and The Hunger Games).
Continue reading: Love & Mercy Review
In the mid-1960s, The Beach Boys were at the top of their game. Having released ten classic albums, a young songwriter and leader of the band, Brian Wilson (Paul Dano), was preparing to create the greatest album in history. His aggressive pursuit of the perfect sound for the band's eleventh studio album, 'Pet Sounds', had a negative effect on his psychological well-being. Almost two decades later in the 1980s, Wilson (John Cusack) is trapped in his own mind, sedated by medication and a troubled psychiatrist. But a young woman, Melinda Ledbetter (Elizabeth Banks), believes that she can restore him to the great man he once was, through a mixture of Love and Mercy.
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Nick Tortano has always felt under pressure to do well in his life, no matter what that takes. He's constantly been the subject of bitter disappointment from his Italian father, who deeply disapproved of the life of petty crime and dodgy dealings that Nick had entered into. Having become so used to his criminal ways, Nick knows no other way to live his life, but is still ultimately ambitious in his career of violence and covert money making. Thus, the next step for him led him to join the Boston mafia, and while he may have found true status, he soon finds out that there's a lot more to this criminal underworld than he initially realised, and when he falls in love with a young girl named Ali Matazano, he suddenly discovers for the first time that he finally has something to lose - and he's in more danger of that than he thought.
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Kenny Wormland - Los Angeles premiere of 'Cavemen' held at the ArcLight Hollywood - Los Angeles, California, United States - Wednesday 5th February 2014
Instead, it centres on the interpersonal drama and exhilarating dance moves.
After his mother dies, Boston teen Ren (Wormald) moves to small-town Bomont to live with his aunt and uncle (Dickens and McKinnon). Teens here are prohibited from dancing due to a tragedy three years earlier, so Ren is soon at loggerheads with the local minister (Quaid), whose daughter Ariel (Hough) is a wild child with a redneck boyfriend (Flueger) and an eye for Ren. As Ren deals with his own issues, he teams up with new friends Willard and Woody (Teller and Blain) to take on the system.
Continue reading: Footloose Review
Ren McCormack moves to Beaumont, Tennessee from Boston. He soon becomes friends with a boy named Willard, who tells him that the council has banned dancing and loud music, due to a tragic accident a few years' prior involving teenagers after a night out.
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