Marshall gives the film, especially its early scenes where Sayuri (Ziyi Zhang) gets schooled in the hard-knock ways of the okiya, a goodly amount of sound and fury that has more than a hint of Spielberg to it (the original director of the project, he stayed on as producer). Having one of the world's most photogenic period settings, Marshall makes all that he can of it, and the results are astonishing. This is a film of fluttering cherry blossoms and dark alleyways lit by paper lanterns, where all houses have their own deftly-maintained garden and everyone is dressed to the nines. The problem is that no amount of amped-up drama or pretty window-dressing can make up for the fact that the phenomenally talented cast has been stuck with hackneyed dialogue to deliver in English - a first language for none of them.
Continue reading: Memoirs Of A Geisha Review
Relying on the three pillars of Chandom -- blazingly fast fights, awesome stunts, and bad dubbing -- Chan once again turns out a crowd pleaser full of karate chops and busted skulls. Basically a continuation of Chan's Police Story series, fans of this genre will find themselves in familiar territory.
Continue reading: Supercop Review
The most exciting acts to watch out for at this year's event.
They'll release 'Joy as an Act of Resistance' in August.
He is apparently on the shortlist for the new movie.
'The Now Now' will be released on June 29th, and two new teaser tracks have appeared - 'Humility' and 'Lake Zurich'.
At the end of its near month-long festival, Brighton was lucky enough to play host to two extremely good acts: welcoming both Ezra Furman and Du...