He promises to be back though.
Ken Watanabe fans no doubt rejoiced when they heard that he would be coming back to Broadway for another run of 'The King And I' after apparently ending his reign last year, but it seems fans may have to wait a little longer than they'd hoped as Watanabe has been facing a new battle with cancer.
Ken Watanabe is recovering well after treatment
Don't let yourself worry too much through; the 56-year-old actor has already undergone treatment for the disease and is well on the road to recovery having managed to catch the cancer extremely early indeed. However, he will have to spend the rest of the month resting up so he won't be in New York for his scheduled March premiere.
Continue reading: Ken Watanabe Postpones Broadway Shows Following Cancer Operation
Good news giant lizard fans- Godzilla 2 is officially going to happen.
The success of the franchise reboot Godzilla earlier this year has led to Legendary Pictures greenlighting a sequel, and they have announced a release date of June 8th 2018. In July at San Diego Comic-Con Legendary also announced that the sequel would feature Godzilla's fellow giant beastie friends, Rodan (a dinosaur), Ghidorah (a dragon) and Mothra (erm, a moth)
Bryan Cranston and Aaron Taylor-Wood in Godzilla
After over a decade in arrested development, Godzilla was released in May of this year, and was a hit amongst critics and punters. Featuring Bryan Cranston alongside young actors Aaron Taylor-Wood and Elizabeth Olsen (who will both be appearing next in Marvel's Avengers 2: Age of Ultron) the film was set in present day America, Hawaii and Japan and Godzilla appeared as a secret the US government had been hiding for sixty years- a conspiracy theorist's dream, or nightmare, depending on how you look at it.
Continue reading: Godzilla 2 Is Happening, Set For 2018 Release
No high-falootin' snobbery here: critics chew over the super-slick monster blockbuster.
It's going to be a big weekend for Godzilla: the monster action reboot has been teasing its entrance for months with irresistibly gloomy and stylised posters and trailers, whetting our appetite for an early summer movie with brains and bite. If that wasn't enough, the film has been earned a strong base of enthusiastic (but realistic) reviews that are sure to convince the more reluctant moviegoer that Gareth Edwards retake of the well-trodden tale is worth parting with cash for.
Still burned by the memory of Roland Emmerich's 1998 disaster of a disaster movie, many fans and critics didn't have particularly high hopes for a reboot even 15 years later. Bryan Cranston and Aaron Taylor-Johnson take centre stage as father-son duo Joe and Ford Brody who find themselves up against not Godzilla but some weird spider-dino hybrids called MUTO in this super smashy-smashy flick.
Continue reading: 'Godzilla' Is More Growling Than Roaring Success, But Still... [Trailer]
Godzilla on his poorest behaviour in the extended trailer for the upcoming film, rampaging through cities and successfully destroying any military forces who attempt to prevent him from wiping out the human race.
The extended trailer for Godzilla has been released and shows the large lizard at his very worst: causing Tsunamis, destroying cities and taking on the US armed forces.
Advertised by Legendary pictures as "An epic rebirth to Toho's iconic Godzilla, this spectacular adventure pits the world's most famous monster against malevolent creatures who, bolstered by humanity's scientific arrogance, threaten our very existence." This upcoming movie appears to be less tongue-in-cheek than the 1998 version starring Matthew Broderick but certainly boasts a larger budget and more terrifying creature as the central focus of this action movie.
Cobb (DiCaprio) invades people's dreams for a living, stealing ideas with the help of his sidekick Arthur (Gordon-Levitt). But a new client (Watanabe) wants him to try inception instead: implanting an idea in the mind of media heir Fischer (Murphy). So Cobb hires a new architect (Page) and two other skilled experts (Hardy and Rao) to create an elaborately layered dreamworld for the reverse heist. The problem is that Cobb's wife (Cotillard) is lurking in this alternate reality and could bring the whole plan crashing down around them.
Continue reading: Inception Review
We have an excellent featurette about Chris Nolan's (The Dark Knight, Batman Begins, Momento) latest movie Inception. In the video both Chris Nolan, the director, and Leonardo Dicaprio (Shutter Island, The Departed, Gangs of New York), plays Dom Cobb the lead role, are interviewed about making the film, it's many locations in different countries around the world, the challenges of transferring the dreams of a human mind to the cinema screen and how it was working with each other.
Continue: Inception Feature Trailer
Darren (Massoglia) is an A-student 16-year-old whose best pal Steve (Hutcherson) keeps getting him into trouble. When they hear about the underground Cirque du Freak, they can't resist a visit. There they meet ringmaster Mr Tall (Watanabe), bearded seer Truska (Hayek) a snake boy (Fugit), monkey girl (Carlson) and many more. But soon they're entangled with the show's star, vampire Crepsley (Reilly), and his mortal enemy Mr Tiny (Cerveris). And when Crepsley makes Darren a vampire, Steve gets so jealous that he joins the other side.
Continue reading: Cirque Du Freak: The Vampire's Assistant Review
Eastwood made cinematic history by being the first director of his stature (or any stature, really) to make two feature films about the same battle, each one about a different side in the fight. Flags of Our Fathers, which came out a few months ago, was about the American soldiers in the Iwo Jima invasion force involved in the raising of the flag which was captured in the iconic photograph. It was a skillfully made, if sometimes dramatically stagnant, piece about the dehumanization of wartime propaganda. In Letters, which tells the battle story from the Japanese perspective, Eastwood also deals with the same issues -- there are almost as many Japanese soldiers who are fiercely patriotic as those who are embittered by years of cynical manipulation -- but he achieves a greater effect by making us more privy to these men's inner lives.
Continue reading: Letters From Iwo Jima Review
Marshall gives the film, especially its early scenes where Sayuri (Ziyi Zhang) gets schooled in the hard-knock ways of the okiya, a goodly amount of sound and fury that has more than a hint of Spielberg to it (the original director of the project, he stayed on as producer). Having one of the world's most photogenic period settings, Marshall makes all that he can of it, and the results are astonishing. This is a film of fluttering cherry blossoms and dark alleyways lit by paper lanterns, where all houses have their own deftly-maintained garden and everyone is dressed to the nines. The problem is that no amount of amped-up drama or pretty window-dressing can make up for the fact that the phenomenally talented cast has been stuck with hackneyed dialogue to deliver in English - a first language for none of them.
Continue reading: Memoirs Of A Geisha Review
The franchise was left for dead, revived only by speculation of an absurd Batman vs. Superman movie in 2002. Most moviegoers seem to have bid good riddance to the series, which in its later years was notable only for generating more discussion about the nipples on the batsuit than anything else.
Continue reading: Batman Begins Review
No dice. For nearly three hours I did what I could to try to care about where this self-important vanity project was going, and concluded that it is Tom Cruise's destiny to never win an Academy Award.
Continue reading: The Last Samurai Review
Returning to the dark roots of the character, half themovie takes place before the stoic young billionaire even dons the now-bulletproofBatsuit, which Wayne eventually fashions from experimental body-armor builtby Wayne Industries, the war-profiteering conglomerate once owned by hismore altruistic late father.
Played with portentous, anguished magnetism by ChristianBale ("TheMachinist," "AmericanPsycho"), and still haunted by his parents'murder when he was a child, Wayne begins the film the last place Batmanfans would expect -- lost to the world in a Chinese prison after disappearingfrom a crime-gripped Gotham City. But he is sprung from this hoosegow bya shadowy ninja organization with a noble yet unrelenting master (LiamNeeson), who trains Wayne to channel his anger and defeat opponents withsilent deftness and dexterity in beautifully photographed scenes (thinkswordfights on Tibetan glaciers) that pay homage to traditions of the samuraigenre.
Then a staggering betrayal puts Wayne on a path back toGotham -- a vast industrial metropolis in the throes of a modern Depressionand in the grips of the mafia -- with a determination to "turn fearon those who prey on the fearful." Bale and Nolan make their Batmanalmost like a slasher-movie stalker in the eyes of the city's villains,and you feel their panic as he attacks from the shadows or strings a thugupside-down off the edge of a building to interrogate him for informationin a chillingly gravelly voice.
Continue reading: Batman Begins Review
Perhaps the title "Dances with Samurai" was already taken when "Gladiator" screenwriter John Logan began work on this grandiose Oscar-baiting epic about a drunk, disillusioned Civil War veteran who is sent to Japan to help Westernize its military, but instead comes to embrace the honor and discipline of the ill-fated warrior class he's meant to defeat.
"The Last Samurai" does bear an undeniable structural and emotional resemblance to Kevin Costner's 1990 American frontier drama, also about a 19th-century soldier who casts off his imperialist ways to be absorbed into a native culture. But in this film the white man is played by Uber Movie Star Tom Cruise with a melodramatic steamer-trunk's worth of emotional baggage -- two factors that tend to draw focus away from the fact that a culture is being obliterated and toward the interloper's personal journey through self-loathing to redemption and heroism.
With his feathered, over-conditioned hair and blinding white teeth, Cruise is inescapably incongruous with 1870s Japan, but he does turn in an otherwise strong performance as army captain Nathan Algren, a man haunted by memories and beset by the remorse for his part in the Indian Campaigns that wiped out thousands of Native Americans in the name of Manifest Destiny.
Continue reading: The Last Samurai Review
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