Despite his business acumen and ability to land important deals, one businessman named Dan Trunkman (Vince Vaughn) still managed to get a pay cut from his uncaring boss - who may be hot but she's still widely hated throughout the company. A year later, he's set up his very own business with only two employees: one man who's old enough to have retired a decade ago (Tom Wilkinson), and a boy who's barely out of college (if he ever managed to get that far) hilariously named Mike Pancake (Dave Franco). Even in spite of the unsual trio, they still manage to secure a lucrative deal with a top company and make way for a trip to Germany to shake on it. However, another company threatens to disrupt everything - Dan's former employers. In order to be noticed over his busty blonde former boss, he has to pull out all the stops. And we mean all of them.
Continue: Unfinished Business - Red Band Trailer
On this evidence, not really
Barely two years after the French-language Canadian comedy Starbuck became a sleeper hit, writer-director Ken Scott was hired by Hollywood to shoot an American remake called Delivery Man.
Delivery Man hasn't proved to be Vince Vaughn's finest hour
By all appearances, he didn't bother rewriting the script at all, merely shifting the action from Montreal to New York and casting Vince Vaughn in the lead role as a man who discovers that he has more than 500 children as a result of youthful sperm donation.
Continue reading: Delivery Man: Do remakes really work?
In remaking his 2011 French Canadian surprise hit Starbuck, filmmaker Ken Scott doesn't really try to do anything new. Aside from transplanting the story to New York and casting Hollywood star Vince Vaughn, it's exactly the same movie: likeable enough, even without attempting to do anything new or solve the problems of the original film.
Vaughn plays David, a slacker trying to pay off his debts and support his newly pregnant girlfriend (Smulders) by delivering meat for his butcher dad (Blumenfeld). Then David learns that, after donating sperm 20 years earlier, he has 533 biological children. When 142 file a class-action suit to learn the identity of the donor "Starbuck", David hires his inexperienced lawyer pal Brett (Pratt) to represent him in court. In the mean time, he begins to quietly follow his "kids" around like a sort of guardian angel. Then the press gets hold of the story, and he worries that his identity will be revealed.
Without trying too hard, Vaughn brings considerable charm to this character, so we like him even though David has no direction in his life. Vaughn is great at balancing the comical and dramatic elements of the story, notably in his hilarious scenes with Pratt and the more emotional interaction with three of the kids (Reynor, Robertson and Chanler-Berat). There's also a significant, moving sequence at the end between Vaughn and Blumenfeld.
Continue reading: Delivery Man Review
David Wozniak may be a lazy, middle-aged slob now, but he certainly did enough in his younger years to get himself into a situation that no man could ever dream of happening to them. After donating a vial of sperm to a sperm bank some 20-plus years ago, he is visited by an official from the clinic who informs him that he has in fact managed to father a colossal 533 children. Unfortunately, a good percentage of those 'kids' are now taking legal action in a bid to discover the identity of their biological father, nicknamed Starbuck. His lawyer has managed to pick up an envelope of all their profiles, giving David a strict instruction not to open it. Curiosity overcomes him when he opens it and he suddenly finds himself overwhelmed with a desire to take care of every one of his offspring and help them in any way he can. However, with a sceptical girlfriend, an unsupportive best friend and a lawyer who thinks he should stay away, he has got so many tough decisions to make.
This hilarious and heartwarming movie is based on the recent French film 'Starbuck'. Both were directed and written by Ken Scott ('Sticky Fingers', 'The Rocket: The Legend of Rocket Richard') and it tells a tale of responsibility and the true meaning of parenthood. 'Delivery Man' will be released in the UK on January 10th 2014.
David Wozniak is a 40-something year old slob who did some stupid things to earn a living when he was much younger. When he is visited by an official from the local sperm bank, he discovers that one of those stupid things has led to him fathering no less than 533 children after donating his seed back in the nineties and now he is up against a lawsuit from 142 of them who are demanding to know his real identity after only being aware of his alias 'Starbuck'. With a lawyer who thinks the best course of action is to plead insanity in court, David must consider whether or not he should follow his intrigue and come forward, or retreat and fight for his anonymity. Meanwhile, his current girlfriend is having second thoughts about him as she becomes pregnant, fretting over his suitability to face up to his responsibilities.
Continue: Delivery Man Trailer
By taking a warm, witty approach to a rather outrageous situation, Canadian filmmaker Ken Scott helps us see past the plot holes to the underlying emotional resonance. And the result is a startlingly engaging comedy that not only keeps us laughing but also gets us thinking about what parenthood really means.
The story centres on an irresponsible Montreal butcher, David (Huard), who works for his dad (Ovadis) and does as little work as he can. His pregnant cop girlfriend (LeBreton) has finally had enough of this and tells him she wants to raise their child on her own. Then he discovers that after donating sperm nearly 20 years earlier, he has fathered 533 children, and 142 of them have filed a lawsuit to discover the identity of their donor "Starbuck". With a lawyer friend (Bertrand) fighting to protect his anonymity, David decides to find out more about these young people, working his way into their lives as a kind of guardian angel. Which of course sparks a sense of paternal responsibility.
The script focusses on human interaction rather than trying to make the premise believable. There's no mention that these young people actually have families of their own (one reference to "adoptive" parents is actually offensive). And the events in which David gets involved in the lives of his "children" aren't entirely plausible. But Huard gives David a scruffy charm that's infectious: we can understand why these strangers warm to him. And even as the script throws all kinds of obstacles in his way (including the global press getting hold of the story), we know he'll manage to make it through and probably triumph in the process.
Continue reading: Starbuck Review