Born in a rugby-mad Welsh mining town, Howard Marks (Ifans) knew he didn't fit in and proved it by getting into Oxford against the odds. There he immediately falls into the early-1960s brainy/druggy crowd, dealing marijuana but never anything harder. Despite efforts to go straight, he continually returns to trafficking, arguing that it's not a crime to break an immoral law. But his associations with a notorious IRA terrorist (Thewlis) and a rule-bending Indian businessman (Djalili) attract the attentions of a tenacious American agent (Tosar).
Continue reading: Mr Nice Review
In the 1970's Howard Marks was one of the biggest weed smugglers in the world but the Welshman from the small town of Kenfig never indented to become such a major player in the industry. In the beginning Marks started out as a relatively minor drug dealer, supplying small amounts of dope but as his connections began to grow more opportunities became available.
Continue: Mr. Nice Trailer
It's silly -- in fact, it's unbelievably silly -- to the point where some of the film's more absurd one-liners might make you giggle. Sure there are points where it gets awful: the hoedown where a hillbilly band sings a song about the legendary worm that once terrorized the area (complete with people in a snake costume which Grant slices in half) is a lowlight. The "special effects" -- which use cardboard overlays under which actual action takes place -- are worthy of the 1950s.
Continue reading: Lair of the White Worm Review
The conceit this time: Each director takes a piece of classical music and sets it to film -- mostly without dialogue and invariably without any sense whatsoever.
Continue reading: Aria Review