Porn stars have reportedly been cast for scenes in the second season for 'True Detective'.
Porn stars have reportedly been cast for the season finale of True Detective. According to sources, they have been hired for a graphic sex scene which will feature dozens of naked bodies. 24-year-old Amia Miley, a former porn actress from the US, has allegedly been hired along with Peta Jensen, also 24. Ironically, sources suggest they are amongst the few extras that are not completely naked for the scenes. It seems the women were not cast because of their experience in the porn industry but simply as extras.
Colin Farrell filming for True Detective in Los Angeles.
Continue reading: 'True Detective': Porn Stars Reportedly Cast For Season 2 Scenes
French filmmaker Cedric Klapisch keeps the tone light and the serious themes just under the surface as he revisits the lively characters from The Spanish Apartment (2002) and Russian Dolls (2005). Despite its comical plotting, the film remains grounded in real life, this time in an ethnically blended corner of New York City as the characters turn 40 and face major life changes. It's a relaxed, enjoyable romp that sometimes feels rather silly but continually catches the whiff of an important issue.
Our hero Xavier (Romain Duris) is living in Paris, exhausted by the surprises life won't stop throwing at him. The latest shock comes from his girlfriend Wendy (Kelly Reilly), who announces that she's taking their children (Pablo Mugnier-Jacob and Margaux Mansart) and moving back to Manhattan, where she plans to live with another man. Stunned, and knowing he can write anywhere, Xavier follows her and moves in with his old pal Isabelle (Cecil De France) and her girlfriend Ju (Sandrine Holt) in Brooklyn. Perhaps now Xavier might also be able to be in the life of the child he has helped Isabelle conceive to raise with Ju. So he finds a woman, Nancy (Li Jun Li), who will marry him so he can get an American visa. Then his ex-girlfriend Martine (Audrey Tautou) comes for a visit, sparking old feelings that complicate everything.
Yes, the scene is set for a wild farce of a final act as Martine, the immigration investigators, Isabelle and Ju and a variety of kids all converge on Xavier's new Chinatown flat. This wacky slapstick gets rather grating, since there are so many more interesting places this film could have gone, but it's funny and very nicely played by the cast of shamelessly charming actors. Each portrays a person who is incapable of making the most important decisions in their lives, which gives the film a loose sense of authenticity even if the events feel rather contrived.
Continue reading: Chinese Puzzle Review
The reviews for 'Heaven is Real' aren't looking good
It’s always a risk, taking a New York Times bestseller and adapting it for the silver screen. Heaven Is Real documents the near-death experience of a small child, who then recounts with startling detail seeing his sister – lost in a miscarriage – and grandfather, who died 30 years before he was born.
Greg Kinnear at the 7th Annual Kidstock Music And Art Festival
It’s an emotive story, and one that was ripe for a movie re-telling, but it would appear as though Randall Wallace (director) and Chris Parker (screenplay, co-written with others) haven’t been able to recreate whatever it was that made the preceding book so popular.
Continue reading: Turns Out 'Heaven Is Real' - Real Bad. Critics Slate Greg Kinnear Drama
The troubled priest troubled Gleeson
Brendan Gleeson and Kelly Rielly star in 'Calvary'
A good priest in a small town populated by people with dark thoughts, James Lavelle’s life is threatened during a confession. Of course, they’re anonymous things, confessions, and he spends what he believes to be the rest of his living days attempting to narrow down his would-be murderer.
Continue reading: For Brendan Gleeson, His Role in 'Calvary' Was Mental Grind
'Calvary' is one of the finest movies of the year.
John Michael McDonagh's Calvary is an early contender for best independent movie of the year, while Brendan Gleeson's lead performance as a good priest facing a death threat is perhaps unrivalled as the year's finest.
Brendan Gleeson [L] and Kelly Reilly [R] in 'Calvary'
Gleeson's Father James Lavelle is the flip side to Sergeant Gerry Boyle in McDonagh's critically acclaimed The Guard - a good man intent on making the world a better place. However, one day, is life is threatened during confession and the forces of darkness begin to close in around him.
Continue reading: Is Brendan Gleeson's 'Calvary' The Best Movie of 2014?
After the 2011 black comedy The Guard, Brendan Gleeson reteams with writer-director John Michael McDonagh for a darker comical drama grappling with issues of faith and forgiveness. McDonagh's usual jagged dialogue and snappy characters are on-hand in abundance while the film digs deep through a rather meandering, episodic plot.
In rural Ireland, Father James (Brendan Gleeson) is quietly enduring confessionals when one of his parishioners says he's going to kill him next Sunday. Shaken, James begins to explore his faith and mortality over the coming week. His daughter Fiona (Kelly Reilly) arrives following another suicide attempt, and he consoles a grieving French visitor (Marie-Josee Croze) and visits an imprisoned killer (Domhnall Gleeson). But almost anyone in the village could be the aspiring murderer: the over-emotional butcher (Chris O'Dowd), drug-addict doctor (Aidan Gillen), ladies-man African (Isaach De Bankole), shifty millionaire (Dylan Moran), eccentric fisherman (M. Emmet Walsh).
Intriguingly, it never really matters who issued the threat (James has a pretty good idea), because that's not the point of the film. McDonagh is exploring bigger ideas here, adeptly mixing riotously funny dialogue with startlingly bleak emotions. The film's languid pace nearly lulls us to sleep, then wakes us up with another sparky scene-stealing performance from the gifted cast. Gleeson is wonderfully muted, expressing more with an exhausted sigh than most actors can manage with a Shakespearean monologue. His moments with Reilly crackle with honest emotion, and the deceptively simple scene between father and son actors Brendan and Domhnall is a heart-stopper.
Continue reading: Calvary Review
The critics agree: this dark, Irish comedy hits the mark
Michael McDonagh wrote ‘Calvary’ while filming ‘The Guard’ with Brendan Gleeson towards the end of 2009. Almost five years later, the black Irish comedy is hitting cinemas in the U.K, and ahead of that release, the critics are in a doting mood, to the tune of a 90% score on Rotten Tomatoes.
Gleeson, Reilly and dog in Calvary
Gleeson plays Father James Lavelle, a priest trying to do his best in a world of moral deprivation and cultural bankruptcy. “Continually shocked and saddened by the spiteful and confrontational inhabitants of his small country town,” Lavelle’s life is thrown upside down when a member of that fragmented community threatens his life during a confession.
Kelly Reilly - LOS ANGELES - JAN 17: Kelly Reilly at the Disney-ABC Television Group 2014 Winter Press Tour Party Arrivals at The Langham Huntington on January 17, 2014 in Pasadena, CA - Pasadena, California, United States - Friday 17th January 2014
It's dark, it's funny, it's Irish - it's John Michael McDonagh's new film.
The trailer for dark Irish drama Calvary (with black comedy twists) has hit the net, giving us a better look at John Michael McDonagh’s follow up to The Guard. Featuring an immensely talented cast, weaved into a compelling, dangerous plot, it’s got us excited for sure.
The story follows good natured and widely-liked priest James Lavelle (Brendan Gleeson) who receives an odd confession, in which a man says he will kill him, a week on Sunday, once he has his house in order. The rules of the 'Seal of the Confessional' mean he can’t go to the police with his newfound information, and must embark on a quest to discover who has murderous intentions for him – if anyone at all.
Oscar hopeful Flight has it's long-awaited box office unveiling today (Feb 1) in the UK and if critical reception and US box office takings is enough to go by then Paramount shouldn't have too much to worry about when it comes to audience numbers.
The film's star, Denzel Washington, delivers yet another powerhouse of a performance that makes his entry into the Best Actor category at the Oscars totally justified as he takes on the role of a veteran commercial pilot who fills his days with women, alcohol and drugs. Supporting Denzel in the flick is Don Cheadle, Kelly Reilly, Bruce Greenwood and Melissa Leo, as well as John Goodman who both delivers a scene-stealing performance - as he so often does.
Whilst Contact Music's own review of the film isn't wholeheartedly positive, the singling out of Denzel's performance is a mainstay among contemporary reviews, such as Rolling Stone and The Guardian, who single out the performance for being "detailed, depth-charged, bruisingly true" and maintaining Washington's "natural gravitas" respectively.
Continue reading: 'Flight' Expected To Take Off At UK Box Office This Weekend
With another deeply committed performance, Washington brings badly needed complexity to what is otherwise a contrived, overstated drama about addiction. It helps that the film is directed by Zemeckis as a kind of companion piece to his last live-action movie, 2000's Cast Away, another film about a man whose life is dramatically changed by a plane crash. Although here he's lost in a wilderness of substance abuse.
Washington plays Whip, a veteran commercial pilot who fills his days with women, alcohol and drugs. Even when he's flying a plane full of passengers. On a routine flight from Orlando to Atlanta, a catastrophic malfunction sends his airliner hurtling toward the ground, prompting an outrageously inventive reaction that saves 96 of the 102 lives on board. Then the investigators discover that he had both alcohol and cocaine in his system at the time. His union rep (Greenwood) hires a high-powered lawyer (Cheadle) to represent him, but Whip doesn't even try to straighten up until he meets young junkie Nicole (Reilly), who's serious about cleaning up her life.
The main problem here is that Gatins' script completely misses the point of his own story, never remotely touching on the central theme of a flawed hero who has no real moral compass. So drugs are the villain; it has nothing to do with Whip's personal failings. Instead, the script just uses a variety of contrived characters to confront him with his drug problems until he finally cracks under all this pressure. Fortunately, Washington is excellent as the high-functioning addict, and the supporting cast is solid in providing whatever element Gatins needs at the moment: Cheadle's straight-arrow efficiency, Reilly's hopeful anguish and Greenwood's steadfast friendship, plus scene-stealer Goodman as Whip's hilariously honest dealer-buddy and Leo as a ruthlessly tenacious investigator.
Continue reading: Flight Review