This may be a slow-burning thriller about eco-terrorists, but it's also directed by Kelly Reichardt (Meek's Cutoff), a filmmaker who maintains an oddly aloof perspective while moving at her own steady pace. While this original approach offers fresh insight into the subject matter, it also creates a distance with the audience. But the subtle tone and complex morality add a strong resonance to the subject matter.
It's set in the rural American Northwest, where organic farmer Josh (Jesse Eisenberg) is collaborating with zen-retreat worker Dena (Dakota Fanning) and ex-military loose cannon Harmon (Peter Sarsgaard) to plan a bombing that will make people stop and think about what humanity is doing to the planet. Their target is a dam in Oregon that provides hydroelectric power, and their rationale is that no one needs to run their iPods 24 hours a day. After painstakingly setting up their subtle but devastating attack, they neglect to consider one possible outcome. And what follows forces them to re-examine their actions and motivations. It also causes a rift in their camaraderie that makes the outside threat feel even greater.
Despite the intense plot, this is definitely not an action movie, as Reichardt traces these three people's careful plan in sharp detail while quietly exploring the big issues that compel them to act. Oddly, these activist-terrorists seem oblivious that their violent plan is unlikely to make any difference in the grand scheme of things, and that very few people will ever understand their point. But they're such true believers that they simply can't see outside their circle. The acting is subdued and bracingly honest, creating complicated characters who say more without dialogue than with it. Sarsgaard has the most intriguing role, since Harmon has an undercurrent of menace that the others can't help but notice. And Reichardt lets the actors carry the scenes, using their expressive faces to fill in the details of the plot.
Continue reading: Night Moves Review
What we know about Jesse Eisenberg's latest film, Night Moves.
The international trailer for director Kelly Reichardt’s new thriller, Night Moves, is starting to get more British attention as the film hurtles towards its 29 August UK release date. The film, which stars Jesse Eisenberg, Dakota Fanning and Peter Sarsgaard, premiered at the Venice Film Festival last year to positive reviews.
Jesse Eisenberg as radical environmentalist Josh in Night Moves
The motion picture revolves around three radicalised environmental activists, Josh (Eisenberg), high-school dropout, Dena (Fanning) and ex-marine Harmon (Sarsgaard) as they endeavour to send a message to the industrialised world by destroying a hydro-electric dam in Oregon.
Continue reading: What Can We Expect From Suspense Thriller, 'Night Moves'? [Trailer]
Josh (Jesse Eisenberg), a radical environmentalist teams up with high school drop-out, Dena (Dakota Fanning), and ex-marine Harmon (Peter Sarsgaard) in an attempt to send a message to the industrialised world they stand against: the bombing of a hydro-electric dam. The suspenseful political thriller delves into the world of extremists, desperate to protest in favour of their beliefs - even if it pushes them into illegal activity, doing so.
Night Moves comes to us courtesy of indie film director Kelly Reichardt, and having made the rounds of various, prestigious film festivals, it is due for a UK release this month. It has already been chosen for the official selection for the London, Venice and Toronto International Film Festival, and has enjoyed favourable reviews from critics and the public worldwide.
It has, however, been criticised for having major similarities in both in both character and plot with Edward Abbey's novel, The Monkey Wrench Gang. In 2012, a lawsuit was filed against the film, as it clashed with the novel of which a film adaptation was in pre-production.
Production on Jesse Eisenberg's new film 'Night Moves' could be halted after 'American Psycho' producers Edward R. Pressman Film claim the forthcoming project is too similar to Edward Abbey novel, 'The Monkey Wrench Gang'.
Production on Jesse Eisenberg's new film 'Night Moves' is in danger of being halted.
Shooting on the thriller - which stars Dakota Fanning and Peter Sarsgaard - is due to begin next month but a lawsuit filed by 'American Psycho' producers Edward R. Pressman Film demands work on the project should be stopped after claims the motion picture is too similar to Edward Abbey novel, 'The Monkey Wrench Gang'.
According to the Hollywood Reporter, Edward R. Pressman Film - which purchased the exclusive film rights to the 1975 book - claim some of the movie's characters bear similar resemblances to the tome's, both of which tell a story about environmental terrorists and feature a plot to blow up a dam.
Continue reading: Jesse Eisenberg's Night Moves To Be Halted?
Michelle Williams was happy to team with director Kelly Reichardt for new movie 'Meek's Cutoff' but struggled to cope with the desert heat.
Michelle Williams "cursed the ground" constantly while making her new film.
The blonde beauty stars in period western 'Meek's Cutoff' and she admits she found filming in high temperatures in the Oregon desert made the shoot the most difficult she had ever done.
She said: "There were times that I cursed the ground. It's definitely the most demanding experience I've had in making a film.
Continue reading: Michelle Williams Struggled With Desert Heat
Danny Boyle will receive a British Film Institute Fellowship at the London Film Festival next month.
Danny Boyle is to receive a British Film Institute Fellowship.
The Oscar-winning director - whose new movie '127 Hours' closes this year's London Film Festival - has been bestowed with the accolade, previously given to Ridley Scott, Sir Michael Caine and Clint Eastwood, among others, in a move he admits he is "shocked and flattered" by.
The British filmmaker said: "A significant helping of humility is called for in the face of this honour and that is not difficult considering those awarded it before.
Continue reading: Danny Boyle Gets Bfi Fellowship
Williams plays the distraught Wendy, who finds herself desperately searching for her dog Lucy in a small town in suburban Portland, Oregon. Her shabby clothing, ramshackle hygiene procedures and ruffled bob of emo-black hair designate her as part of a burgeoning class of nomadic neo-hippies and wanderers, but she has ambition, yearning for a job and a warm place to come home to. Early on, Wendy -- on the run from something, we never know exactly what -- encounters a pack of fellow drifters -- Joy's Will Oldham naturally plays the alpha named Icky -- who point her towards fishery jobs in Alaska. She begins to count her money and things look OK, but then she is busted for stealing dog food from a local supermarket, an act that sets off a set of relatively minor but nevertheless tragic happenings that keep Wendy from leaving Portland and drain her wallet.
Continue reading: Wendy And Lucy Review
Larry Fessenden, Kelly Reichardt and Will Patton - Larry Fessenden, Kelly Reichardt and Will Patton New York City, USA - New York Film Festival 2008 - Premiere of 'Wendy and Lucy' - arrivals Saturday 27th September 2008
Mark (Daniel London) meditates on the back lawn of his tiny suburban home in the rainy desolation of Portland. Unlike his old best friend Kurt (Will Oldham), Mark has become a modern man: He has a wife, a kid on the way, and watches his health with a focused eye. Kurt, on the left hand, still makes his bed in his van or on a random friend's floor, has a hash pipe glued to his mouth, and still detests cell phones. It is Kurt's idea for them to hike into the maze of green foliage in the Oregon forest to find the hot springs they are so mildly excited about, accompanied by Mark's dog Lucy.
Continue reading: Old Joy Review
River of Grass, set amidst the endless weeds of the Florida Everglades, features to go-nowhere losers, a bored mother named Cozy (Lisa Bowman) and a homeless loser named Lee (filmmaker Larry Fessenden). They happen upon one another and decide, almost by accident, to head off on a new life of adventure (and crime, thanks to a stolen gun and an accidental murder) on the open road. Alas, they don't get far: They don't even have a quarter for the toll road. (And they didn't even kill the guy, either.)
Continue reading: River Of Grass Review
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