Just starting university, 18-year-old Smith (Dekker) hasn't decided yet whether he's gay or straight. It doesn't help that his often naked roommate Thor (Zylka) claims to be straight despite evidence to the contrary. His best pal is the sardonic Stella (Bennett), who has a crush on a hot girl (Mesquida). Yes, everyone's obsessed with sex, and they're experimenting rather a lot. But Smith is also haunted by nightmarish dreams about a redhead (LaLiberte). And when these dreams start invading real life, he's not sure what to do about it.
Continue reading: Kaboom Review
As a movie lover, I feel it's important to see the clunkers so I can appreciate the classic stuff. Part of me felt incomplete for not seeing Rowdy Herrington's 1989 anti-classic. When the time came to review it -- so that watching the movie felt somewhat legitimate -- I jumped at the chance. The verdict: In terms of sheer awfulness, I think 13th Child, SuperBabies: Baby Geniuses 2, and House of the Dead beat it. Oh, sure, Road House is bad. It's just not awestruck bad.
Continue reading: Road House Review
Sid (Russell Crowe) is version number 6.7 of a compilation of 183 personalities: mass murderers, serial killers, and Hitler-types. The ultimate villain, Sid is imbued with the ability to regenerate damage at the touch of glass (silicon), almost superhuman powers, and the cunning and mental imbalance of history's worst killers. And who would have thought...when you let Sid out of the lab, Sid wants to kill. Preferably on national television.
Continue reading: Virtuosity Review
The story of an ex-G.I. (Cruise) who can't get a job in the Manhattan business world and turns to bartending to make his fortune is as a bartender, pouring with style, jumping on the counter, and spouting poetry. The love story with rich girl Elisabeth Shue is hilarious -- but watch for Kelly Lynch and Gina Gershon, both unknown at the time, in small tryst roles.
Continue reading: Cocktail Review
The movie is a tightly constructed drama about Louis Pinnock (John Travolta), a reliable blue collar man who works in a factory owned by high-society elitist Thaddeus Thomas (Harry Belafonte). At home, Louis has to deal with a rough neighborhood, gang violence, and trying to provide for his wife (Kelly Lynch) and two kids.
Continue reading: White Man's Burden Review