Kelly Asbury

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Gnomeo & Juliet Review


Good
With its Toy Story meets Shrek approach, this animated romp feels somewhat derivative. It's all snarky dialog and whizzy action. But it's also silly enough to keep both adults and children chuckling.

Gnomeo (voiced by McAvoy), son of Lady Bluebury (Smith), is the leader of the blue Montague garden. Accompanied by his sidekick Benny (Lucas), Gnomeo engages in tit-for-tat warfare with the red Capulets next door. Then he meets Juliet (Blunt), daughter of Lord Redbrick (Caine), and it's love at first sight. Which sends red warrior Tybalt (Statham) into a rage. As they plot a secret life together, Gnomeo and Juliet are assisted by Juliet's frog friend Nanette (Jensen) and the garden flamingo Featherstone (Cummings). But can these star-crossed lovers find happiness?

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Gnomeo and Juliet World Premiere, held at the El Capitan Theatre - arrivals

Guest and Kelly Asbury Sunday 23rd January 2011 Gnomeo and Juliet World Premiere, held at the El Capitan Theatre - arrivals Hollywood, California

Gnomeo and Juliet World Premiere, held at the El Capitan Theatre - arrivals

Zendaya Coleman and Kelly Asbury - Zendaya Hollywood, California - Gnomeo and Juliet World Premiere, held at the El Capitan Theatre - arrivals Sunday 23rd January 2011

Gnomeo and Juliet World Premiere, held at the El Capitan Theatre - arrivals

Kelly Asbury Sunday 23rd January 2011 Gnomeo and Juliet World Premiere, held at the El Capitan Theatre - arrivals Hollywood, California

Kelly Asbury
Kelly Asbury

Gnomeo & Juliet Trailer


Some gardens just wouldn't be complete without the addition of a garden gnome or two. The gardens on Verona Drive are no exception; the owners of the houses are extremely fond of their little hat wearing friends. What the human residents don't realise is that when all's quiet and there are no humans around, their garden comes to life!

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The Prince of Egypt Review


OK
This was the one everyone had been waiting for. Dreamworks had had its varied successes with The Peacemaker, Deep Impact, and the recently released Antz. But The Prince of Egypt was to be the cornerstone of a new animation empire, the first that would match Disney. That is the whole reason Jeffrey Katzenberg was even allowed into this triumvirate anyway right? To recreate that magical formula for animation that he had supposedly perfected at Disney with the likes of Beauty and the Beast, Aladdin, and The Lion King. Well. . . better luck next year.

Don't get too far ahead of me now. The Prince of Egypt is a solid and consistent movie. The animation is first rate, the storyline is strong, and at first glance it is missing nothing from the formula of winning animation. Nonetheless, it rises more to the level of recent mid-range Disney successes like Hercules and Hunchback, than the pantheon of Belle and Simba. And its fundamental shortcoming is really no different than that of these two recent Disney releases, which is a basic disregard for the animation formula. In short, these movies seem to ignore the fact that they are first and foremost musicals. And the most important element of a musical is, or course, the music.

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