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Someone Like You Review


Good
Based on the Laura Zigman novel, Animal Husbandry, Someone Like You is a romantic comedy about a late night TV talent coordinator named Jane (Ashley Judd), whose luck in love is predictably bad. So predictable is her misfortune, in fact, that she has devised a pervasive theory on the subject, revolving around the notion that men are like cattle.

When she meets her show's new executive, Ray (Kinnear, You've Got Mail), however, her luck -- she thinks -- begins to change. But Ray, she discovers, is just a typical bull, looking to spread his seed in wider pastures. And it's not until he dumps her for his ex-girlfriend that she realizes the true depth of her plight. Jane, it seems, is an old cow. And Ray is looking for a new cow. This joke more or less carries the film, and -- though interesting at first -- it gets old after its twentieth or fiftieth appearance in the script.

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Antitrust Review


Excellent
The "paranoia thriller" can be beautiful or an ugly beast of burden. Most often, the audience is dragged through the most obvious of situations with a knucklehead of a leading man trying to find out who or what has destroyed his life, all without being able to trust anyone or anything. American audiences eat this stuff up for breakfast, lunch, and dinner.

With heavy cynicism on the brain, I sat down to watch AntiTrust with a smirk on my face. Here's the story: A young computer geek Milo Hoffman (Ryan Phillippe) lands a dream job with a large computer conglomerate, N.U.R.V. -- which stands for Never Underestimate Radical Vision. The company is run by eccentric, power-hungry Gary Winston (Tim Robbins) who needs Milo on his team to complete a new worldwide satellite communication program called Synapse, which will link all communication devices -- pagers, PDAs, and cell phones -- into one universal system. Leaving behind his dot-com family, Milo joins N.U.R.V. but gets suspicious when Gary keeps giving him discs full of code with no apparent author on staff. When Milo's friend is killed in a supposed hate crime, Milo begins investigating the inner workings of N.U.R.V. with the help of his girlfriend, Alice Poulson (Claire Forlani). During his investigation, Milo discovers exactly how Gary disposes of the competition, when of course, the dream job begins the nightmare he can't wake up from.

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15 Minutes Review


Weak
Point of fact: 15 Minutes is far longer than fifteen minutes long. It's pretty much a full 120 minutes long, and even with my rough math skills, that makes it 105 minutes over.

OK, the title is actually an apt reference to Andy Warhol's "fifteen minutes of fame," but that doesn't mean it isn't too long. Slow, plodding, and so far-fetched it stretches the boundaries of "suspension of disbelief," 15 Minutes does very little with a good cast, hoping instead you'll bite into its shock value and simply love the taste.

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