Jack Marcus is an eccentric English teacher at a prep school in the country who used to be intensely passionate about his line of work. However, over the years he has become increasingly demotivated by his students' lack of zest; they're well-behaved and polite, but not enthusiastic enough for Jack who spends most of his time drinking away his troubles when he's not working. The school has just employed a new art teacher called Dina Delsanto, who is also bitter about how her life has turned out considering she was once one of the top abstract artists in her field. Jack is facing losing his job if his performance review suffers, but he finds himself deeply attracted to Dina and filled with a new passion as he sets out to prove to the haughty artist that words are much more meaningful than pictures. As the two engage in a creative battle, it seems their lives are quickly becoming reinvigorated.
Continue: Words And Pictures Trailer
One of the more gratifying feelings a movie critic can have is the feeling of going into a picture expecting tiresome clichés of an overplayed genre, only to discover delightfully surprising freshness and soul where all the hackneyed conventions usually are.
"40 Days and 40 Nights" is such a movie. Misleadingly marketed as just another misogynistic romp through the young male libido, this often ribald comedy about a frustrated 20-something giving up sex for Lent is what the puerile, simplistic "American Pie," "Tomcats" and "Saving Silverman" might have been, had they been made by people with imagination and wit.
Directed by Michael Lehmann -- the man behind the twisted teen angst and irony of the subversive '80s cult hit "Heathers" -- "40 Days" finds many new and inventive ways to make sexual frustration funny.
Continue reading: 40 Days & 40 Nights Review
Aside from inventing absurdly elaborate and gory new ways of doing in the victims of its unseen supernatural menace, "Final Destination 2" is just another 100 minutes of proof that the people who make horror movies couldn't care less about acting ability, dialogue or common sense.
A sequel to a modest hit from 2000 about Death mercilessly stalking a handful of high schoolers who escaped a plane crash that was supposed to kill them, the flick burns what feels like 10 boring introductory minutes by following several unidentified, unrelated drivers as they unknowingly barreling toward a fiery pileup on a freeway somewhere.
The carnage is played out in its entirety before it's revealed that the whole thing was a premonition. Kimberly (A.J. Cook), the picture's generic brunette cutie-pie heroine, envisions the bloodbath, then deliberately blocks an on-ramp in a panic, thus saving the lives of the half dozen people that director David R. Ellis had just featured in her vision being splattered, decapitated and burned alive.
Continue reading: Final Destination 2 Review
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