Keanu Reeves picks up his supremely efficient hitman immediately where the 2015 original left him: regrouping with his new, as-yet-unnamed dog after taking down the New York mob that he used to work for. Director Chad Stahelski and writer Derek Kolstad have created another unusually satisfying action thriller, with sharply developed characters and a plot that holds more water than most of these kinds of movies. Obviously, it can't be as fresh as the first film, but it's thoroughly entertaining.
Reeves' John still just wants to be left alone, but after taking care of one loose end, he is contacted by Italian mafioso Santino (Riccardo Scamarcio), who calls in a blood oath. Unable to refuse, John heads to Rome to carry out a hit he knows will make his life exponentially more precarious, especially as it puts him into conflict with his old friend Cassian (Common). Sure enough, he now has an army of goons chasing him, led by mute thug Ares (Ruby Rose). So he returns to New York and gets in contact with an underground guru (Laurence Fishburne) who might be able to offer some respite from the hordes trying to kill him. And manager Winston (Ian McShane) is also willing to help John, as long as he abides by the rules of the criminal underworld.
The film is another superb mix of cool imagery and coherent action that moves briskly from one brutal encounter to the next. Vicious gunfights and car chases abound in this movie, and all are staged with bracing energy and a heightened sense of realism. Through all of this, Reeves maintains a sense of weary dignity in finely tailored suits that are refreshed after each messy encounter. How he keeps walking and fighting after each bruising fight is another question.
Continue reading: John Wick: Chapter 2 Review
In 2014, Keanu Reeves' action thriller John Wick was a surprise hit.
The original John Wick movie caught the attention both of audience and critics, so a sequel was soon on the cards, and Reeves was happy to dive back in for Chapter 2.
"When we last left John Wick," he says, "he was going off into the sunset - the moonset - with his dog. John Wick Chapter 2 takes place maybe five days after that. Now John is on a mission to reclaim his life. To me, it's about John Wick fighting for John."
Continue reading: Keanu Reeves Perfected 'Movie Kung Fu' For John Wick Chapter 2
Reeves stars as the legendary hitman in 'John Wick: Chapter 2'.
Keanu Reeves is back as ex-hitman John Wick in the sequel to the 2014 box office smash and he couldn’t be happier.
John Wick: Chapter 2 sees Reeves’ character back out of retirement and on the run, after a bounty is placed on his head. For Reeves, getting to play Wick one more time was a ‘pleasure’ and left him feeling lucky to go to work every day.
Keanu Reeves is back as John Wick in John Wick: Chapter 2
Continue reading: Keanu Reeves 'Loves Playing John Wick'
John Wick returns for round two some time after being forced back into the criminal life he was so determined to abandon. He's still one of the greatest assassins of all his outlaw peers, and this time - with a bounty on his life - he's taking down every single armed crook that gets in his way and threatens to destroy him.
Keanu Reeves, along with director Chad Stahelski and stunt double Jackson Spidell, recently opened up about the intricacies of the action in the second installment in a short featurette, explaining how the actor got back into the fighting, the weapons training and the crazy driving. It's a mixture of different arts, and something that producers have dubbed 'gun-fu'.
'John Wick Chapter 2' arrives in theatres on February 10th 2017.
Former hitman John Wick is in Rome following events in the first movie where he sought bloody revenge on the man who killed his dog and stole his car. He's still bereaved from the death of his wife Helen (who died before events in the first film) but he has at least got himself a new puppy. While it can be argued that his revenge massacre doesn't necessarily mean he's back in the game even if it did find him in the company of his former associates, this time his vow of retirement is broken for sure. An old friend is trying to takeover over a nefarious group of international assassins, and he is forced to join him because of the blood oath he made many years ago. This is not the kind of job you can quit easily.
Continue: John Wick: Chapter 2 Trailer
Mike Lassiter finds himself being put on trial for the murder of his father. The Lassiter's are a rich family and Mike lives with his mother Loretta and father Boone. The body of Boone is found with a knife still in the fatal stab wound that killed him, Mike's fingerprints are on the weapon and when he is interviewed by the police he admits to stabbing his father.
With an incredible amount of evidence, the police arrest and charge the teenager with the murder of his father. Mike's mum, Loretta, recruits her attorney friend Richard Ramsay to defend her son and as Richard begins to develop his case more and more facts come to light about that night and Boone Lassiter.
It's uncovered that Boone is a vicious man who could be 'exceptionally cruel' and Mike witnessed events of abuse carried out on Loretta by his father - he'd even threaten his son. As the case proceeds, Richard asks another attorney to come on board and help keep Mike out of prison. Janelle is a young yet enthusiastic lawyer who believes that Mike is protecting his mother from the crime that she committed. It's possible either of the two family members could've killed Boone and what starts out to be a clean cut case for the prosecution soon becomes more convoluted.
Continue: The Whole Truth Trailer
Has Keanu come to save the day after the EU Referendum?
Actor Keanu Reeves unexpectedly turned up at Portcullis House on Tuesday (June 28) leaving us all to wonder if he’d come to save the country after Brexit. The actor posed for selfies with MPs during his visit, while Twitter rolled out every Matrix-related Brexit gag you could possibly think of.
The Neon Demon follows the journey of its protagonist Jesse (Elle Fanning) when she makes the move to Los Angeles as an aspiring model. Jesse is a young female that has been recruited by a fashion designer, as the typical girl from a small town with big dreams who wants to make it big in the modelling industry. However Jesse is not your typical model as she is described as a dangerous girl in the sense that the narrative soon takes a sinister turn.
Continue: The Neon Demon Trailer
Keanu Reeves changed his mind about participating in the movie when he saw the trailer, meaning director Peter Atencio had to find a role for him at the last minute!
The director of the imminently released movie Keanu have spoken about how they eventually managed to get Keanu Reeves to provide a voiceover role in the film – at the very last minute!
The action-comedy film concerns two friends, played by comedians Keegan-Michael Key and Jordan Peele, who go in search of the titular cat, who is lost. 51 year old Reeves was initially approached to take part in the movie, considering it bore his unusual name, but he turned the opportunity down last year.
So, the makers went ahead anyway and completed the movie, releasing a trailer in early February. This was seen by Reeves’ sister, who mentioned to him that it looked great and told him he should get involved.
Keanu Reeves - CinemaCon Bi Screen Achievement Awards held at Caesars Palace Hotel & Casino in Las Vegas, Nv on April 14, 2016 at Caesars Palace - Las Vegas, Nevada, United States - Thursday 14th April 2016
Rell has just broken up with his partner and he's in a complete self-absorbed world. Continuously housebound and alone, he feels like his life has ended. Enter Keanu. When Rell hears a faint meowing coming from outside his house he discovers a young kitten on his doorstep just waiting to find a new home. Suddenly, Rell feels a new sense of life, his kitten is the best thing to ever happen to him and Rell's best friend, Clarence, completely confirms these feelings.
Finally able to leave the house, Rell and Clarence go out only to return to find Keanu gone and only his little kitten collar left. So begins a quest to save Keanu. It turns out that the kitten has been taken by a local gangster, in order to get Rell's new pride and joy back, the two are going to have to get down and dirty in a world far from their usual suburban lifestyle.
Keanu was directed by Peter Atencio and written by Jordan Peele and Alex Rubens.
Scotty Galban and his partner Joey are New York City cops, whilst Scotty usually sticks to the rules, his partner has been tempted by dirty money. When Joey is found on an underground rail road track with a knife in his back, Scotty immediately goes to the scene.
Scotty wants justive for his partner but he also knows Joey was taking money from drug dealers and by finding his murderers, he might just bring a lot of dark secrets to light that are best kept unknown. With few leads, Galban begins to piece together his partners last steps and his dodgy dealings - one of his first leads him to a teacher, Isabel, who he feels is connected to the case in more ways than she's letting on.
Exposed is a gritty 'whodunnit' based in a modern day New York City directed by Declan Dale.
Keanu Reeves - Premiere of Lionsgate's 'Knock Knock' at TCL Chinese 6 Theatres in Hollywood - Arrivals at TCL Chinese 6 Theatres in Hollywood - Los Angeles, California, United States - Wednesday 7th October 2015
Indie filmmaking is one of the best niches to find super-talented directors and writers; and none more so than Richard Linklater. Having recently received a flood of praise for the extraordinary and innovative 'Boyhood' - a movie filmed over thirteen years with the same actors - actors and movie makers everywhere join this appraising documentary marking 21 years of amazing cinema from this artist. With works including the decade spanning romance trilogy 'Before Sunrise', musical comedy 'School of Rock', animated thriller 'A Scanner Darkly', crime drama 'Bernie' and underdog flicks 'Slacker' and 'Bad News Bears', the Texan cine-hero continues to produce imaginative and totally unique, genre-crossing stories with comedy 'That's What I'm Talking About' and a 'School of Rock' TV series marking his upcoming projects.
Continue: 21 Years: Richard Linklater - Clips
With Halloween just around the corner, "Ouija" had a clear advantage this weekend.
Clearly, moviegoers are already getting into the Halloween spirit this weekend and the not-so-highly rated horror flick Ouija reigns supreme at the box office. After a highly contested weekend, the film about a group of high-schoolers, who get into trouble after an attempt to contact their dead friend checked in with $20 million. Meanwhile, the Keanu Reeves starrer John Wick (a Tom Cruise-style action flick, except with less plot) came out of nowhere to score second place with $14,1 million (stats according to Box Office Mojo).
Fury, riding on favourable reviews and Brad Pitt-heavy marketing, ended up third, but it was a close race. The psychological war drama… thing checked in with $13 million. This brings Fury’s total to an impressive $46 million – not a great performance outside the winter season, but with a great fan approval rating (90% of fans liked it, according to Rotten Tomatoes) and great critical performance (77% “fresh”) it’s already gathering some early Oscar buzz.
Continue reading: "Ouija" Brings Scares To The Box Office Ahead Of Halloween
Brad Pitt's 'Fury' swept aside 'Gone Girl' - though it may struggle to pull in the audiences next weekend.
It was undoubtedly the star pulling power of Brad Pitt that helped David Ayer's World War II drama Fury accelerate past Gone Girl to the top of the box-office this weekend. Pitt and his tank buddies took $23.5 million in ticket sales to finish at No.1, whilst David Fincher's mystery thriller took a creditable $17.8 million to drop to second place.
'Fury' is said to be one of the most violent movies of the year
In third place was Fox's animated feature The Book of Life, which took $17 million, and Disney's Alexander and the Terrible, Horrible, No Good Very Bad Day took $12 million.
Continue reading: Is Brad Pitt's 'Fury' Too Violent?
Keanu Reeves came face to face with an intruder in his own home - check out his incredible reaction.
We've seen Keanu Reeves defy gravity and jump between realities as Neo in The Matrix, but we weren't prepared for how incredibly calm he reportedly remained when faced with a complete stranger in his own home.
Keanu Reeves remained calm when faced with an intruder in his home.
Gerard Butler has departed the 'Point Break' sequel.
Gerard Butler has quit the Point Break remake because of a confluence of factors, including creative differences and a scheduling conflict. Butler was set to play the Zen-infused thief originally played by Patrick Swayze, opposite Keanu Reeves' Johnny Utah in the 1990s classic action movie. Luke Bracey will take Keanu's role in the remake.
Gerard Butler, Chilling at the Beach
Point Break will start shooting in late June and will last several months, though Ericson Core and his team are on the hunt for a new star. Insiders say production company Alcon is intent on maintaining its start date and will recast the part in the coming weeks, according to the Hollywood Reporter.
Continue reading: Gerard Butler Quits 'Point Break' Remake, But Who Will Replace Him?
The actor promotes his new movie '47 Ronin' and describes his transformation into warrior Kai.
Keanu Reeves has spoken about his latest role as Kai, the orphan-turned-warrior, who is an outcast due to his half British, half Japanese background. 47 Ronin may not have fared well at the hands of critics but for those who love historical action movies, a little fantasy and enough CGI and special effects to make your eyes water, the action epic is sure to be a hit nonetheless.
Keanu Reeves Talks About His Character Kai In The Movie '47 Ronin.'
In the film, Kai is saved from a brutal life of slavery by the mysterious Tengu monks and joins a small group of Japanese samurai warriors. The group are exiled after the dishonourable death of their leader and Kai is enlisted into the "47 Ronin," an elite group of fighters who vow to seek revenge against the army that has killed their master.
It's not been a good decade-and-a-half for Reeves, and 47 Ronin hasn't changed that
It’s quite telling that Keanu Reeves’ best effort - on Rotten Tomatoes at least - is a documentary about the rise of technology in film – an interesting and engaging subject for film lovers and geeks, something nearly all movie critics would claim to be.
Will 'Ronin' become a cult hit?
After that, films from the 80s and 90s, like 'Dangerous Liasons', 'Speed', 'The Matrix' and 'Parenthood', are the only ones with unanimous critical praise. The reviews since the turn of the millennium, though, paint a slightly different picture, with 'The Matrix Reloaded' his biggest critical success at 73%.
Continue reading: Big Surprise: Keanu Reeves' 47 Ronin Is Total Rubbish, Critics Say
Dench, Gordon-Levitt, Winslet and Louis-Dreyfus are all in Britain to present their new films at the London Film Festival, and a raft of new trailers promise action, drama, fantasy mayhem and a starry WWII adventure...
The stars continue to be out in London in the second week of the 57th London Film Festival. Judi Dench and Steve Coogan were on-hand with their new film Philomena, Joseph Gordon-Levitt got the crowd screaming outside the cinema before the screening of his writing-directing debut Don John, and. Click here for Philomena trailer and pics, or here for pics and the trailer for Don Jon and you can browse through our photo gallery of this week's Labor Day premiere in London.
Julia Louis-Dreyfus was also at the festival with filmmaker Nicole Holofcener for the UK premiere of their intelligent, offbeat romantic-comedy Enough Said, which features one of the final performances from the late James Gandolfini. It opens in British cinemas this weekend. You can read our Enough Said review here.
Kai is an outsider, banished from his home, beaten and forced into slavery for being half-English and half-Japanese. He was among a small group of samurais exiled after the dishonourable death of their leader, and now his suffering has turned him into one of the land's most formidable warriors, able to defeat even the largest of beasts. He is enlisted to be part of an army of forty-seven ronin who vow to seek revenge against the infinite army that has taken over their home and killed their master. However, their plan looks almost impossible as the nation is rapidly becoming overrun with a myriad of colossal shape-shifting monsters with the ability to wipe out the ronin all at once.
'47 Ronin' is a fictional interpretation of the real events that happened in Japan in the 18th century, when a small group of samurais sought to avenge their leader. There have been many variations of the story and it has been described as Japan's National Legend. First time director Carl Rinsch is at the helm of this gripping fantasy war film and it has been written by Chris Morgan ('Fast & Furious', 'Cellular', 'Wanted'), Hossein Amini ('Snow White and the Huntsman', 'The Wings of the Dove', 'Drive') and Walter Hamada in his screenplay debut. It will hit the UK on December 26th 2013.
'47 Ronin' looks to pack a serious punch.
Keanu Reeves has made an explosive return to Hollywood in the action-adventure 47 Ronin, directed by The Gift's Carl Rinsch. The movie follows the story of 47 strong team of fearless samurai who seek vengeance after a treacherous warlord kills their master and banishes their kind.
The Poster for '41 Ronin'
Driven from their homes, the samurai seek the help of Kai (Reeves), a half-breed they once rejected, who helps fight across a savage world of mythic beasts, shape-shifting witchcraft and wondrous terrors.
The glitzy film festival is turning into a hotbed of crime
This year’s Cannes Film Festival is taking the movies a little too far; first we had the jewellery theft – that was right out of a film, then we had the crazed faux gunman, who claimed he had a grenade – that was right out of a film, albeit a comedy, and now we’ve got a Chinese film executive with stolen luggage.
Keanu Reeves in Man of Tai Chi
Granted, the Chinese dude with stolen luggage might not be the most heinous of crimes, but it’s a crime nonetheless. And besides, that film exec probably had loads of really important things in his luggage, like money and phones and photos. China Film Group vice president Zhang Qiang bailed out of his scheduled press conference appearance with Keanu Reeves for Man of Tai Chi – the Matrix star’s first film behind the camera. He did so because of the stolen luggage, having found out his bags had been pilfered from his rented accommodation at Pierre & Vacances Résidence, Cannes Beach. "Security in France is so bad, and the [people] are so arrogant," he posted on Weibo, China's version of Twitter, adding, "This film festival is not worth mentioning!"
Continue reading: Crime Spree Cannes – Yet Another Burglary At Film Festival
Director chosen for Point Break movie
The remake of Kathryn Bigelow’s classic movie Point Break has now got a director on board. According to Empire Online, Alcon Entertainment, who have been developing this one for some years now, have announced that they have Ericson Core on board to direct. Not only does Ericson Core have a superb name, for an action movie director, but he’s got pretty good form too. Rest assured, folks, he wasn’t selected on the basis of his name alone (we can’t actually verify that, we’re just assuming that he wasn’t).
It’s long been known that Kurt Wimmer has written the screenplay for the remake but now they have the man behind The Fast and the Furious, Daredevil and Payback (as cinematographer) on board. He’s also directed episodes of Family Law as well as the Mark Wahlberg-starring Invincible. According to IMDB, Core is currently attached to a project named Fair Trade, though no cast have actually been allocated to that one just yet, the site suggests. It’s likely that Point Break could well become the next project for Core, if Fair Trade isn’t going to fly.
The original Point Break, of course, starred Keanu Reeves as an FBI agent trying to infiltrate Patrick Swayze’s gang of adrenaline-hungry bank robbers. According to Empire, the remake “evolved” from an original plan to create a sequel.
Continue reading: 'Point Break' Remake Seats Ericson Core In Director's Chair
Roger Ebert has died aged 70, just days after announcing his cancer had returned.
Roger Ebert, the esteemed American journalist, movie critic and screenwriter, has died aged 70 after a long battle with cancer. Ebert worked as a critic for the Chicago Sun-Times from 1967 right up until his death, making him one of the best known film critics in America. He was the first writer of his kind to win the Pulitzer Prize for Criticism and had his columns syndicated to more than 200 newspapers in the United States and many abroad.
Many will remember Ebert for his barbed war with rival critic Gene Siskel, often verbally sparring whilst discussing films in public. The pair created the trademark 'Two Thumbs Up' when both hosts gave the same film a positive review. As a director, if you had the two thumbs up from either Ebert of Siskel, you were invariably onto a good thing. In 1999, Ebert launched his own annual film festival called Ebertfest and six years later became the first critic to receive a star on the Hollywood Walk of Fame. His colleague Neil Steinberg said Ebert was "was without question the nation's most prominent and influential film critic." A positive review from the Chicago native could boost a movie's box-office takings, though a mauling could ruin everything. Ebert gave out plenty of those during his long and distinguished career, though a few stick out:
Continue reading: Roger Ebert Dies Aged 70: The Five Movies He Hated The Most
Carl Rinsch, the director of 47 Ronin, starring Keanu Reeves, has been made to relinquish his editing duties following a disagreement regarding some important scenes and budget concerns, reports The Guardian.
Bizarrely, arguably the film’s biggest star – the Matrix actor Reeves – was absent in the climactic scenes of the samurai film, which has meant bad news for the first time director. Rinsch, making his directorial debut away from commercials, is now allowed nowhere near the film’s editing process, due to his decision to omit Reeves. A number of studio-ordered reshoots took place in the UK weeks ago, which now firmly place him at the centre of the action, adding a love scene, close-ups and extra dialogue. The film now finishes with a battle between Reeves' character Kai and a supernatural monster. Given that the majority of the film’s cast are Japanese, U.S audiences would have been confused by the 48-year-olds’ absence.
Budgetary issues also lead to the Hollywood studio Universal back-benching Rinsche, as the film's budget swelled to $225m (£139m) from an original $175m (£108m) although Universal has denied suggestions it will now cost that much. The finishing touches are now being applied by studio co-chair Donna Langley. Interestingly, The Wrap claims Rinsch would have been removed as director of the film prior to the reshoots were it not for a Director's Guild of America rule.
Henry (Reeves) is just drifting through life with his wife Debbie (Greer) when his old school friend Eddie (Stevens) leaves him to take the fall for a bank robbery Henry knew nothing about. His life in prison isn't much worse than outside, and his new friend Max (Caan) makes up for the fact that Debbie runs off with one of the robbers (Hoch). And when he gets out a year or so later, Henry decides that since he's done the time, he might as well do the crime.
Continue reading: Henry's Crime Review
Pippa (Wright) is married to the much-older Herb (Arkin), a publisher who hates that he's now retired. But it's Pippa whose world is starting to unravel, as she reaches the point where she needs more than being a trophy wife and mother to two now-grown kids (Kazan and McDonald). Her sleepwalking antics indicate that her subconscious has already figured this out, but it'll take a look at her childhood (played by Lively and youngster Madeline McNulty) to help her see what she needs to do next.
Continue reading: The Private Lives Of Pippa Lee Review
When a huge spherical object lands in New York's Central Park, a first response team led by members of the military and scientific community set out to explore its purpose. Dr. Helen Benson (Jennifer Connelly) makes contact with a strange being exiting the orb, but said creature is accidentally shot by a soldier, mandating immediate medical care. Eventually, the humanoid-looking alien named Klaatu (Keanu Reeves) explains his purpose. Mankind's lack of environmental concern and overall violent nature has led other civilized planets to mandate the destruction of the entire population. While the Secretary of Defense (Kathy Bates) plans an armed solution, Helen helps Klaatu escape, and along with her stepson Jacob (Jaden Smith), she tries to convince the extraterrestrial emissary that humanity is worth saving.
Continue reading: The Day The Earth Stood Still (2008) Review
Alcoholic police detective Todd Ludlow (Keanu Reeves) has just finished wrapping up a notorious kidnapping case when Captain Jack Wander (Forest Whittaker) gives him the bad news. His ex-partner Terrence Washington (Terry Crews) is talking to Internal Affairs, and bureau head Captain James Biggs (Hugh Laurie) is looking to take Ludlow down. Before he can intimidate his former friend into not snitching, a pair of gang bangers kill him. Desperate to clear his own name in the death, Ludlow begins to investigate. Soon, he's linking the crime to a couple of local drug dealers who seem incapable of committing the hit. With Wander on his side and Biggs on his back, it will take all the street savvy he has to solve the case -- that is, if someone doesn't try and permanently stop him too.
Continue reading: Street Kings Review
Kevin Kline plays Joey Boca - a guy who runs a pizza parlor in Seattle - as an oversexed, extremely Italian workaholic who is able to explain his chronic infidelity by saying with a straight face, "I'm a man, I got a lotta hormones in my body." It's a clown's performance, a filmmaker doesn't bring Kline in for this sort of role and demand subtlety but rather one that's so over-the-top it achieves a kind of genius that Kline also showcased in his similarly stereotypical role in A Fish Called Wanda (in that one, he played a clown's view of an American abroad, here he's the clowning pizza man, bad accent, bushy mustache and all).
Continue reading: I Love You To Death Review
The story is your basic high-concept Hollywood action premise. Utah is a young, eager FBI agent assigned to the Los Angeles bank robbery task force. His crusty veteran partner, Angelo Pappas (Gary Busey), has been trying for years to bring down a highly professional crew of bank robbers called the Ex-Presidents (known as such because they disguise themselves with novelty masks of former presidents during their robberies). Despite the ridicule of his colleagues, Pappas has long held the belief that the Ex-Presidents are surfers who use the robbery money to fund their presumably lavish lifestyle. So, with nothing else to go on, Pappas and Utah come up with the plan that Utah will go undercover as a surfer in order to infiltrate the beach-loving subculture and bring down the Ex-Presidents.
Continue reading: Point Break Review
When Richard Linklater released Waking Life in 2001, he became the granddaddy of a whole new kind of filmmaking process. The film had been shot and edited like a normal feature, then sent to computer jocks who basically painted over each frame, giving the images a surreal quality of undulating colors that fell somewhere between photography and animation -- an acid-trip philosophy lesson.
Linklater returns to the same technique once again (and for the last time, from what he has said, due to rampant production difficulties) for a much more literal acid trip. Based on the Philip K. Dick novel of the same name, A Scanner Darkly is a feature-length PSA on the evils of drugs and the potentially-as-damaging efforts to ferret them out of society.
Continue reading: A Scanner Darkly Review
Director Alejandro Agresti's The Lake House, based on a South Korean film called Il Mare, takes the premise that launched movies such as Back to the Future and Frequency and asks, "What would a good boyfriend do with these powers?" The powers in this case involve a mystical mailbox that connects two would-be lovers who are living two years apart. Unfortunately, the answer to that question ends up being "Nothing interesting enough to last for almost two hours."
Alex Wyler (Keanu Reeves) is an architect living in Chicago who has recently bought the lake house built by his cold, uncaring father (Christopher Plummer). Kate Forster (Sandra Bullock) is a doctor living in Chicago who has recently moved out of the same house. She leaves a note in the mailbox for the next tenant, which is received by Alex who, puzzled by the note's references to objects that aren't there (yet), writes back. Eventually the two figure out that they are, in fact, living in different years - Alex in 2004, and Kate in 2006. She doesn't bother to tell him how the election turned out.
Being lonely workaholic types and apparently lacking a broadband connection, they decide to continue the correspondence. Rather than ask for stock tips or sports scores, Alex opts instead to do little favors for Kate, planting a tree that will later grow out in front of her apartment complex, or leaving graffiti for her on a wall that no one bothers to clean or write over for two years. As they grow closer, Alex discovers why he can't be with Kate in his present, while Kate struggles with trying to meet him in hers.
The Lake House is the type of film that could make a fantastic half hour episode of The Twilight Zone, but needs to bring a lot more to the table if it wants to stretch to feature length. For starters, the dialogue does not sound like it came from the pen of a Pulitzer Prize-winning playwright, but that's David Auburn's name right there in the opening credits. Reeves and Bullock are serviceable in their roles, with Reeves playing 10 percent less wooden than usual and Bullock conveying forlorn with aplomb, but none of this is terribly new or interesting. If anything, Alex's B-plot relationship with his father, which prompts a speech Auburn must have copied and pasted from a better script he had lying around, merits more screen time than the A-plot it barely services.
Agresti's direction at times results in some interesting visuals, including clever attempts to show the pair occupying the same space at different times in one shot. Meanwhile, attempts to have the characters verbalize their written correspondence just make them seem like they're talking to themselves. And while the story has some fun with the notion of a postal bridge across time, the poorly concealed plot points make it seem like there's some mystical mailbox at the end of the film sending us everything that's going to happen before we're halfway into the movie.
In the end, The Lake House is not a particularly bad film, but it's not a particularly good one, either. It smacks mostly of wasted potential, and the sense that the phrase "close enough" informed too many choices. If I were sending letters back in time to someone advising them on which films to skip, I'd probably forget to even mention this.
Pass the salt, Sady.
Pretty badass, right? Definitely. Deep and meaningful? Hardly. This is a violent and apocalyptic story, based loosely on the Hellblazer graphic novels by comic book legend Alan Moore. And much to the relief of comic book fanboys everywhere, this adaptation adheres to the heavy, religious-war foundational spirit of Moore's work.
Continue reading: Constantine Review
Following one of the most pitiful title sequences I've ever seen, The Watcher actually proceeds to become one of the most pitiful thrillers I've ever seen. And that takes some doing... but let me tell you how.
Continue reading: The Watcher Review
All that's needed is a guy getting hit in the nuts and a food fight to have the first film solely based on cinematic clichés. I can't wait to see the deleted scenes when it comes out on DVD.
Continue reading: Hardball Review
Alas, it doesn't look good. Bill and Ted are walking mistakes as it is. They can't pronounce Socrates and believe Caeser was "a salad dressing dude." But their grasp of superlative adjectives like triumphant and gnarly is impressive indeed, so maybe there's hope.
Continue reading: Bill & Ted's Excellent Adventure Review
Bill & Ted's Excellent Adventure was a tremendous hit in 1989 and a sequel was immediately in the works. Where the first film took our stoner heroes through time, Bill & Ted's Bogus Journey upped the ante and took them to hell. Literally, the original title of the film was Bill & Ted Go to Hell. The plot is awash in weird humor and outlandish gags as Bill and Ted attempt to defeat two evil robotic versions of themselves, avoid death, save history, and otherwise remain cool.
Continue reading: Bill & Ted's Bogus Journey Review
The movie begins when a deranged mad bomber, Howard Payne (Dennis Hopper), severs cables to an elevator inside a Los Angeles skyscraper. The bomber demands $3 million ransom or he'll blow the emergency cables. LA Bomb Squad members Jack (Keanu Reeves) and his partner, Harry (Jeff Daniels), must defuse the bomb before Payne blows the cables. This situation alone could provoke a feature length thriller, but it merely serves as the first act for Speed.
Continue reading: Speed Review
To understand why, let's just dive right in.
Continue reading: The Matrix Revolutions Review
The Replacements is a hokey mistake of a football film, a mishmash collage of one-dimensional characters, rampant stereotypes of cultures and races, cliched emotional statements of purpose, and Keanu Reeves wishing for The Matrix sequel to start principal photography. The story is loosely based around the pro football players' strike in 1987 and a rag-tag team of replacement football players taking up the reins of professional play for a variety of teams with names like the Washington Sentinels. Keanu Reeves stars as Shane Falco, a has-been football college player looking for redemption. Gene Hackman dons a fedora like Tom Landry and speaks with gusto like a certain coach in Hoosiers.
Continue reading: The Replacements Review
The latest from Sam Raimi (For Love of the Game) is a muddled thriller, filled with tired clichés and some of the worst casting in years. Raimi, along with screenwriters Billy Bob Thornton and Tom Epperson, try so hard to create a "serious" psychic chiller that the film is practically drained of any excitement.
Continue reading: The Gift (2000) Review
The Matrix Revisited is now on hand to tell anyone who cares to listen and learn about the most minute facets of the making of The Matrix, exploring everything from the studio's early nervousness to fight training to storyboards to wardrobe to the pioneering and widely-copied "bullet time" camera trick. While you've seen a lot of these before on endless behind-the-scenes documentaries. (In fact, you've seen some of this on the original Matrix DVD, which some correctly feel is robbing us, at least a little, by not simply including this documentary with it in the first place.)
Continue reading: The Matrix Revisited Review
About half way through "The Matrix," the ostensibly intellectualand certainly expensive virtual reality sci-fi thriller starring KeanuReeves as a genius hacker, the movie turns suddenly simple, as if a WarnerBros. exec showed up on the set and said "I don't get it. You're gonnahave to dumb this down for me."
The writing-directing team of brothers Larry and Andy Wachowskicomplied, and once the movie peels away the mystery of the world in whichit takes place -- which happens about 40 minutes into the story -- it becomeslittle more than wildly over-produced string of action sequences, pausingonly for the obligatory smarmy remarks made between barrages of fancy weaponsfire.
Continue reading: Matrix Review
Here's your review of "The Matrix Reloaded" in a nutshell: One incredibly cool, gravity-defying, CGI-aided, swirling-camera kung-fu melee; one jaw-dropping, 100-mph, against-traffic freeway chase; and way, way too much long-winded, expository, circular, self-important, pseudo-philosophical yappity-yappity-yap.
Writing-directing brothers Larry and Andy Wachowski saddle their cast with endless equivocal prattle while toiling to buttress the complex plot and metaphysical undertone of this picture's uber-stylish 1999 predecessor, which saw what we think is the real world exposed as an elaborate virtual reality prison for the minds of all humanity. Mankind's suspended bodies provide a power source for a race of machines, which a small band of escapees are hoping to destroy in the post-apocalyptic world outside the Matrix.
"We can never see past the choices we don't understand," sage but elusive cyber-prophet The Oracle (Gloria Foster) preaches cryptically to Neo (Keanu Reeves), the cyber-Messianic hero whose realization that physical laws don't apply in the Matrix led to the first film's groundbreaking wire-work martial arts fights and bullet-dodging slow-mo stunts.
Continue reading: The Matrix Reloaded Review
While blessed with entertaining performances and uncommon earnestness (for a Hollywood movie) about the tribulations of middle-aged romance, there's something a little too artificial about "Something's Gotta Give."
Taking place largely in a Hamptons beach house (that is quite obviously a soundstage) where a divorcee playwright (Diane Keaton) has been duped into acting as nurse to an aging playboy (Jack Nicholson) after he's had a heart attack while fooling around with her flighty daughter (Amanda Peet), the film's snappy sense of humor is all too often undercut by affected romantic chemistry and by the overuse of facile cinematic conventions, like musical montages of characters laughing, talking and drinking wine while the camera circles them in the candlelight.
As written and directed by Nancy Meyers ("What Women Want," "The Parent Trap" remake), the unlikely love story that forms between Nicholson (who prefers "the complete, uncomplicated satisfaction of the younger woman") and Keaton (who has been adjusting to independence and getting over old-fashioned notions of spinsterhood) is a source of sophisticated laughs -- with the occasional low-brow guffaw thrown in for good measure (say, Nicholson's posterior peeking out of a hospital gown).
Continue reading: Something's Gotta Give Review
The eye-popping, heart-stopping last hour and a half of "The Matrix Revolutions" more than makes up for everything plodding and ponderous that has taken place since the mind-blowing first hour of the 1999 original.
Astonishing in scale and momentous in scope, it encompasses a spectacular battle between the scrappy, out-numbered but heavily armed defenders of Zion (humanity's last refugee city hidden deep beneath the Earth's scorched surface) and a million-strong swarm of enemy sentinels (those frightening, giant squid-shaped robots) invading from the machine-ruled surface world.
But the monstrous melee may be for naught if uber-human messiah Neo (Keanu Reeves) cannot defeat the invincibly evil, incalculably self-replicating rogue computer program known as Agent Smith (Hugo Weaving) in a simultaneous, nuclear-strength airborne-kung-fu showdown inside what's left of the crumbling Matrix (that virtual world pulled over the eyes of the comatose majority of mankind kept in stasis by the machines who feed off our life-force).
Continue reading: The Matrix Revolutions Review
Bisexual Scottish actor, Alan Cumming was recently made aware of the rumour that he and Keanu Reeves had secretly been married to each other - despite neither of them ever meeting!
Alan Cumming, the Scottish actor known for 'Goldeneye' and 'Spy Kids', was recently confused by the knowledge that he and Keanu Reeves were married. The bisexual actor was astonished by the news in 2004, mostly due to the fact that he had never met the 'Matrix' star.
In a recent interview, Cumming stated "Someone had sent me this thing from this website and it said I had got married to Keanu. We got married in a secret ceremony, I wept throughout the entire thing, he was very butch about it all and Melissa Etheridge was there and she hummed one of her songs whilst we were getting married. Can't remember, but some other gay people were there."
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