Kalin kicks things of in New York, not long after young Antony's birth and right in step with the early disintegration of the Baekeland marriage. Barbara (Julianne Moore) dotes on both her cold genius husband Brooks (Stephen Dillane), the grandson of the Bakelite plastics magnate Leo Baekeland, and little Antony with equal aplomb. By Antony's fourteenth birthday, the Baekelands are discovering naked teens in their son's bed and settling their disputes with carnal bouts in hotel rooms. By Antony's 21st, Brooks has left Barbara for Blanca (Elena Anaya), who's also been with Antony.
Continue reading: Savage Grace Review
Hunt is April Epner, a 39-year-old schoolteacher, married to Ben (Matthew Broderick), the puffy, neighborhood schlub. April is childless and longs for "a baby that is really hers." Being an adopted daughter in a close-knit Jewish family (she envies Ben Shenkman's Freddy, the biological family brother), she wants the biological connection of a birth child. As the film begins, her mother Trudy (Lynn Cohen) is in the hospital, her father has died, and April's comfortable world is about to explode. Things go awry from the get-go when April, obsessed with getting pregnant, greets Ben at home with a nightie under her coat, eager for a surprise tumble. But Ben tops her by announcing his decision to leave their months old marriage. Things continue falling apart -- April juggling the death of Trudy, having an affair with the embittered, divorced Frank (Colin Firth), and -- to top it all off -- the sudden appearance of April's biological mother, Bernice Graves, a brassy, unpretentious loudmouth and local talk-show hostess, played by Bette Midler (who else?).
Continue reading: Then She Found Me Review
Whether she knew it or not, Bettie Page was breaking a lot of taboos when she started posing in bondage films and photos (maybe she knew but just decided to not care?). Current trends in modeling, including Dita Von Teese and Suicide Girls, often cite Page as an inspiration for their work. In Von Teese there is a certain comparison, but Suicide Girls, whether they like it or not, are not celebrating taboo. If anything, they are destroying taboo and making everything normal, even the strange and macabre. The trick with Page was that she didn't really see it as a bad thing; she never had it in her mind to exploit the idea of "the bad girl." Whether this was on director Mary Harron's mind when she opted to take on the life story of Bettie Page is up for debate.
Raised in Tennessee to a strict, religious family and a father with a fondness for bathing suit areas, Bettie Page (Gretchen Mol) is set to become a teacher at college when she marries an army man and promptly leaves him when he hits her. After being sexually assaulted by a group of men, she makes her way to New York City to become an actress. The moment of fate comes when an off-duty police officer and amateur photog decides to take her picture. Soon enough, she's being sought out by famous photographers like Bunny Yeager (Sarah Paulson) and specialty photography siblings Irving and Paula Klaw (Chris Bauer and Lili Taylor, respectively). Her friends, mostly male, are astonished by her nonchalant attitude towards nudity and bondage. She just sees it as "silly pictures," but the Senate, led by Senator Estes Kefauver (David Strathairn, absolutely wasted), thinks it's warping the youth of America. Mostly, Bettie just wants to make a nice, God-fearing life for herself with a man who doesn't judge her.
Continue reading: The Notorious Bettie Page Review
This satire couldn't be more cutting edge. Former tabloid TV producer Daniel Minahan (and co-screenwriter of I Shot Andy Warhol) takes dead aim on glib, pre-packaged network formulas for success. A terse narrator (Will Arnett) offers mock-sympathetic encouragement for the contestants as well as in-depth play-by-play ring coverage. Opponents are given screen time for weepy confessions to their assigned guerrilla cameramen, dispassionately filming their fight or flight confrontations on hand-held digital video.
Continue reading: Series 7 Review
Camp's story centers on three young performers attending Camp Ovation: The sincere but unconfident Ellen (Joanna Chilcoat), the cross-dressing Michael (Robin De Jesus) whose homosexuality ires his parents, and the charming yet arrogant hunk Vlad (Daniel Letterle). Vlad has a winning smile and a straight-boy bravado that everybody else at Camp Ovation lacks, which makes him the subject of a half-dozen crushes. But there's work to be done: The assembled kids have to put on a new production every two weeks, managed by Bert (Don Dixon), a washed-out alcoholic whose stage successes are years behind him.
Continue reading: Camp Review
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