With his most stylish film yet, horror specialist Alexandre Aja takes a wildly irreverent approach, packing the screen with rude humour, visual flourishes and spiky characters. But it's assembled in such a rapid-fire way that it's difficult to get a handle on anything, which makes the movie feel like a series of outrageous set-pieces without a coherent plot to hold them together. The likeable actors help bring their characters to life, but the film is too hyperactive to let us engage with any of them.
It's set in a small town near Seattle, where Ig (Daniel Radcliffe) is in shock after his childhood sweetheart Merrin (Juno Temple) was violently murdered. Then he becomes the prime suspect, and the media have a field day. So he hires his lifelong pal Lee (Max Minghella) as his lawyer, partly because he's the only person in town who believes he's innocent. This includes Ig's parents (James Remar and Kathleen Quinlan) and brother (Joe Anderson). As the situation continues to deteriorate, Ig suddenly discovers that horns are growing on his head and no one seems very shocked by this. They also seem unable to lie in his presence, so he decides to use this to find out who really killed Merrin. Along the way he gets a shocking glimpse into what everyone in town really thinks about each other.
The film is an assault on the senses, as Aja packs every moment with outrageous sights and sounds, encouraging the actors to sometimes drift over the line into broad slapstick. He also fills the screen with religious imagery, including churches, crosses, pitchforks and snakes, all hinting that Ig's transformation is connected with his loss of faith. Or maybe it's just part of the film's jokey attitude. But as pieces of the central mystery slowly fall into place, the movie seems to become looser and less coherent. Even when the real villain is identified, there's still at least half an hour of flashbacks and revelations, confrontations and conclusions, none of which are particularly surprising or satisfying.
Continue reading: Horns Review
Following the mysterious death of his girlfriend, Merrin Williams (Juno Temple), Ig Perrish (Daniel Redcliffe) wakes up from with a hangover and no recollection of the night before. When horns begin to steadily grow out of his head, and the local people begin to believe that Perrish is guilty of raping and murdering Williams, Perrish decides that the time has come to find his girlfriend's killer, once and for all - so that she may finally rest in peace, and he can save both his name and his soul from eternal damnation.
Continue: Horns - Alternative Trailer
Following the vicious rape and murder of his girlfriend Merrin Williams, Ig Perrish goes on a grief-ridden binge and awakens the next morning with the mother of all hangovers. He also discovers two horn like growths pushing through his temples which appear to be growing larger. He visits a friend and shows her his new appendages, but to his surprise she seems untroubled by the unusual deformity - as do the reporters that Ig is struggling to shake off since being acquitted of Merrin's murder. More unusual still, he also finds that everyone is sharing their darkest secrets and desires with him, including his doctor who is also unfazed by his appearance. As he becomes used to the horns, Ig also discovers he has another ability - he has the power to control the actions of nearly everyone he comes into contact with.
Continue: Horns - International Trailer
Ig Perrish wakes up after a particularly drunken night with a very sore head - though, as it turns out, this is no ordinary hangover. He finds that he is somehow growing horns from his tempes, following the brutal murder of his girlfriend. Having been the prime suspect in the case, the media are swamping him everyday since he was absolved, and it seems no-one actually believes he was really innocent. Checking out his new growths, he visits one of the few friends he still has but is amazed to see that she neither looks surprised or troubled by them. As the day goes on, he visits a doctor, but soon discovers that everyone appears to be being painfully honest with him about their private thoughts - and not only that, but he seems to have to power to control their actions too.
Continue: Horns Trailer
Today, Tom's a self-made (and self-absorbed) millionaire who spends his evenings with random bimbos and his days with best friend Hannah (Michelle Monaghan).Though they form the perfect pair, Tom doesn't view Hannah as girlfriend material until she leaves Manhattan on a six-week business trip to Scotland. Like a lovesick pup, Tom fidgets and whines until his loved one returns. Too bad for him Hannah's baggage includes a strapping Scottish fiancée (Kevin McKidd).
Continue reading: Made Of Honor Review
We decide to stick it out and sure enough, Aykroyd turns to Brooks and says, "Do you want to see something really scary?" Brooks agrees and the rest is scary movie history. Cue audience screams. We were, indeed, in the right movie.
Continue reading: Twilight Zone: The Movie Review
Following possible terrorists and their contacts, Eric O'Neil (Ryan Phillipe) eagerly tries to discuss bureau protocol with his team, only to be ignored and have his well-prepared report on the subject shoved back in his face. That is, until he is dragged into a bureau conference room on a Sunday to meet with his superior and head agent Kate Burroughs (Laura Linney). It's here that O'Neil is asked to shadow Russian intelligence specialist Robert Hanssen (Chris Cooper) for what is originally agreed to be sexually perverse activities. It isn't till O'Neil is taken under wing by the intelligence expert that Burroughs reveals that Hanssen has actually been selling information to the Russians for some time and has cost the government billions of dollars and uncountable agent lives.
Continue reading: Breach Review
The plot concerns a scientific spaceship - the Event Horizon - that was sent into a black hole with a full crew. The ship, naturally, vanishes and reappears years later, empty and sulking in a space fog. A small rescue crew is sent out to rendezvous with the Event Horizon, comprised of all your traditional stock characters (stoic Captain Miller (Laurence Fishburne), Dr. William Weir (Sam Neill), Med Tech Peters (Kathleen Quinlan), and the usual spacefaring grunts). Once onboard the desolate Event Horizon, all manner of bizarre things begin taking place, and it's quite clear from the outset that wherever the Event Horizon was, it didn't come back alone. We're not talking Alien territory here, nothing that tangible, but the residue of some otherworldly hell that has infested the hulk of the ship and imbued it was a hideous life of its own. Or perhaps, it really did go to the hell. It's a bit unclear.
Continue reading: Event Horizon Review
And yet here it is.
Continue reading: The Doors Review
A cinematic collection of slightly exaggerated memories from Lucas' senior year in high school (1962), Graffiti was well-timed; it caught a wave of fifties nostalgia that would crest with Happy Days, Grease, etc. While the iconoclasm of the sixties and seventies would continue to take youth culture in a very different direction, Graffiti helped spark a cultural backlash (or at least a flashback) after the free-love/acid-rock/anti-war era.
Continue reading: American Graffiti Review
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