Kathleen Kennedy , Frank Marshall - 2016 Time 100 Gala, Time's Most Influential People In The World at Jazz at Lincoln Center at the Times Warner Center - Arrivals - New York, New York, United States - Tuesday 26th April 2016
Appealing both to a new generation of viewers and fans of the series since the beginning, this 30-years-later sequel to 1983's Return of the Jedi is a thrilling adventure. Filmmaker J.J. Abrams has managed to capture the tone of the original trilogy while telling a story about young, vibrant new characters whose connection to the overall saga deepens intriguingly as events unfurl.
Over the past three decades, the Empire has regrouped, forming the First Order to crush the Old Republic for good. And the plucky Rebellion hasn't offered much resistance since leader Luke Skywalker (Mark Hamill) disappeared. The Empire's top henchman Kylo Ren (Adam Driver) is searching for him just as diligently as the rebel leader General Leia (Carrie Fisher). But the real action is happening out of their grasp, as disaffected storm trooper Finn (John Boyega) teams up with rebel pilot Poe (Oscar Isaac) and then feisty scavenger Rey (Daisy Ridley) and expressive droid BB-8. Along the way, Han Solo and Chewbacca (Harrison Ford and Peter Mayhew) find themselves back in the fray. And everyone is startled when there's a strong stirring in the force.
Abrams beautifully recreates the scruffy, clanky mechanical atmosphere of the original trilogy, infusing scenes with witty banter and John William's soaring score to throw us right back into that familiar galaxy. This includes the saga's main themes: the temptation of power, how true heroism is often accidental, and the tension between parents and children. Combine this with a plot that propels itself with a series of unexpected adventures and battles, all centred on the characters, and the film taps strongly into the teen in all of us.
Continue reading: Star Wars Episode VII: The Force Awakens Review
Frank Marshall and Kathleen Kennedy - 65th Annual ACE Eddie Awards at The Beverly Hilton Hotel - Arrivals at the Beverly Hilton Hotel, Beverly Hilton Hotel - Beverly Hills, California, United States - Saturday 31st January 2015
Rumours abound that the new addition to the Star Wars franchise - episode 7 - will begin production in January 2014.
Director Jj Abrams has strongly hinted that production for Star Wars VII could begin in early 2014 by revealing that he will be moving his family to London at the end of this year, according to Digital Spy; reporting from the "Produced By" conference (a film production event held in Los Angeles).
Speaking at the conference this weekend, Abrams announced: "We are most likely, if all goes as planned, going to be moving to London at the end of the year for the Star Wars movie."
This comes quickly after May's confirmation that LucasFilm struck a deal with Chancellor George Osborne to shoot the highly anticipated sequel in the U.K, taking advantage of new tax reliefs.
Continue reading: Will Star Wars Episode 7 Start Filming Next January?
A historic epic from Steven Spielberg carries a lot of baggage, but he surprises us with a remarkably contained approach to an iconic figure. What's most unexpected is that this is a political drama, not a biopic. It's a long, talky movie about back-room deal-making on a very big issue: ending slavery in America. It also has one of the most intelligent, artful scripts of the past year, plus a remarkably wry central performance.
Daniel Day-Lewis constantly grounds Abraham Lincoln in his earthy humanity, good humour and tenacious desire to do the right thing, no matter what it takes. The film essentially covers just one month in which Lincoln works to outlaw slavery before ending four years of civil war. Secretary of State Seward (Strathairn) reluctantly supports this plan, enlisting three shady negotiators (Spader, Nelson and Hawkes) to convince wavering members of Congress to vote in favour of a constitutional amendment. Meanwhile at home, Lincoln is under pressure from his wife Mary (Field) to keep their oldest son Robert (Gordon-Levitt) off the battlefield.
All of this political wrangling makes the film feel like a 19th century version of The West Wing, and Kushner's script crackles with wit, nuance and passion, clearly echoing today's political debates about issues like gun control and human rights. We find ourselves wishing that our own politicians were this creative about getting the votes they need on important issues. This meaty approach gives the cast terrific dialog to bite into, although Spielberg never lets anyone run riot with scenery-chomping antics. The closest is probably Jones, as the fiery anti-slavery supporter Thaddeus Stevens. He's terrific in this role. And Field shines too in as the spiky Mary. Even if she's about a decade too old for the character, she brings intelligence and emotion to every scene.
Continue reading: Lincoln Review
In early 1900s Devon, teenager Albert (Irvine) lives on a farm with his impulsive-drunk father Ted (Mullan) and his tough-minded mum Rose (Watson).
When Ted overpays for the wrong horse to work the fields, Albert adopts the horse, names him Joey and teaches him the ropes. But when war breaks out in Europe, Ted sells Joey to a cavalry captain (Hiddleston). At war, Joey changes hands between British and German officers, a young soldier (Kross) and a French farmer (Arestrup). Meanwhile, Albert joins the army, heading into the trenches to search for Joey.
Continue reading: War Horse Review
George (Damon) has a gift: he can see into the afterlife and help people communicate with their lost loved ones. But he feels it's more like a curse.
Meanwhile in Paris, star journalist Marie (De France) has just recovered from a near-death experience. Instead of working on her planned biography of Mitterand, she instead starts investigating why accounts of after-death experiences are so shunned. And in London, pre-teen Marcus is looking for ways to communicate with recently deceased twin (they're played by Frankie and George McLaren).
Continue reading: Hereafter Review
I said "aims," of course. A Map of the World is deeply flawed yet still worth a look, especially if you're into grandiose, weepy, self-important dramas. And hey, who isn't?
Continue reading: A Map Of The World Review
Whether this was Spielberg's most desperate attempt to win an Oscar (didn't work: The Color Purple received a whopping 11 Oscar nominations and won precisely zero) or a genuine kinship with the black women of the 1910s we'll never really know. But Purple is a solid enough film, though it lacks true inspiration and gets a little wandering and lost after an hour of running time (and you've still got 1 1/2 more to go!).
Continue reading: The Color Purple Review
Christian Bale stars as Jim, a British kid born in Shanghai, the son of upper crust expatriates who feel the rising tide of Japanese-Chinese aggression will never reach there strata. Of course it does, and as the Japanese overtake Shanghai, Jim's family is torn asunder, scattering in the chaos. But eventually, like Ben-Hur, Jim returns home to discover his house in ruins and his loved ones gone, so he does the only thing he can think of -- surrender to the Japanese. Only the Japanese don't even want the worthless kid, until finally, after hooking up with a seedy scam artist named Basie (John Malkovich) and his flunkie (Joe Pantoliano), does he manage to get himself arrested and thrown into an internment camp where at least there is the promise of a daily potato and some gruel.
Continue reading: Empire Of The Sun Review
And so it is that in the terrorism-edgy mid-'00s, Steven Spielberg has resurrecteds War of the Worlds - again - and created the greatest alien invasion movie ever.
Continue reading: War Of The Worlds (2005) Review
A.I. Artificial Intelligence is, too my deep dismay, neither breezy nor particularly fun. The level of anticipation of the film, of course, would be impossible to effectively sate, but A.I. just doesn't cut it. It doesn't even come close.
Continue reading: A.I. Artificial Intelligence Review
Appealing both to a new generation of viewers and fans of the series since the...
A historic epic from Steven Spielberg carries a lot of baggage, but he surprises us...
Spielberg takes the hit stage play (based on the Michael Morpugo novel) to the big...
You just knew that when Spielberg and Jackson embraced 3D performance-capture animation, the results would...
Eastwood's skilfully unrushed direction merges with Morgan's astute, thoughtful screenplay to create a thoroughly unusual...
Every great filmmaker is allowed one bad film. For David Fincher, his first was his...
Jean-Dominique Bauby, Jean-Do to his loved ones, was an editor for the Parisian branch of...
It's been a long, tough road watching Steven Spielberg grow up. Too often, the great...