Kathleen Kennedy

Kathleen Kennedy

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65th Annual ACE Eddie Awards

Frank Marshall and Kathleen Kennedy - 65th Annual ACE Eddie Awards at The Beverly Hilton Hotel - Arrivals at the Beverly Hilton Hotel, Beverly Hilton Hotel - Beverly Hills, California, United States - Saturday 31st January 2015

Frank Marshall and Kathleen Kennedy
Frank Marshall and Kathleen Kennedy
Frank Marshall and Kathleen Kennedy

The ADG Awarda

Kathleen Kennedy - The 18th Annual ADG Awards - Los Angeles, California, United States - Sunday 9th February 2014

Kathleen Kennedy

2013 Crystal Lucy Awards

Kathleen Kennedy and Frank Marshall - Women In Film's 2013 Crystal + Lucy Awards at The Beverly Hilton Hotel - Los Angeles, California, United States - Wednesday 12th June 2013

Kathleen Kennedy and Frank Marshall
Kathleen Kennedy and Frank Marshall

2013 Crystal + Lucy Awards

Kathleen Kennedy and Frank Marshall - 2013 Crystal + Lucy Awards held at The Beverly Hilton Hotel - Los Angeles, CA, United States - Wednesday 12th June 2013

Will Star Wars Episode 7 Start Filming Next January?


Jj Abrams Kathleen Kennedy George Lucas

Director Jj Abrams has strongly hinted that production for Star Wars VII could begin in early 2014 by revealing that he will be moving his family to London at the end of this year, according to Digital Spy; reporting from the "Produced By" conference (a film production event held in Los Angeles).

Speaking at the conference this weekend, Abrams announced: "We are most likely, if all goes as planned, going to be moving to London at the end of the year for the Star Wars movie."

This comes quickly after May's confirmation that LucasFilm struck a deal with Chancellor George Osborne to shoot the highly anticipated sequel in the U.K, taking advantage of new tax reliefs.

Continue reading: Will Star Wars Episode 7 Start Filming Next January?

Sally Field Presents the 2013 'Pioneer of The Year' Award to Kathleen Kennedy

Sally Field and Kathleen Kennedy - Sally Field Presents the 2013 'Pioneer of The Year' Award to Kathleen Kennedy at CinemaCon Las Vegas At Caesars Palace Resort and Casino - Las Vegas, Nevada, United States - Wednesday 17th April 2013

Sally Field
Sally Field
Sally Field
Sally Field
Sally Field and Kathleen Kennedy

Lincoln Review


Excellent

A historic epic from Steven Spielberg carries a lot of baggage, but he surprises us with a remarkably contained approach to an iconic figure. What's most unexpected is that this is a political drama, not a biopic. It's a long, talky movie about back-room deal-making on a very big issue: ending slavery in America. It also has one of the most intelligent, artful scripts of the past year, plus a remarkably wry central performance.

Daniel Day-Lewis constantly grounds Abraham Lincoln in his earthy humanity, good humour and tenacious desire to do the right thing, no matter what it takes. The film essentially covers just one month in which Lincoln works to outlaw slavery before ending four years of civil war. Secretary of State Seward (Strathairn) reluctantly supports this plan, enlisting three shady negotiators (Spader, Nelson and Hawkes) to convince wavering members of Congress to vote in favour of a constitutional amendment. Meanwhile at home, Lincoln is under pressure from his wife Mary (Field) to keep their oldest son Robert (Gordon-Levitt) off the battlefield.

All of this political wrangling makes the film feel like a 19th century version of The West Wing, and Kushner's script crackles with wit, nuance and passion, clearly echoing today's political debates about issues like gun control and human rights. We find ourselves wishing that our own politicians were this creative about getting the votes they need on important issues. This meaty approach gives the cast terrific dialog to bite into, although Spielberg never lets anyone run riot with scenery-chomping antics. The closest is probably Jones, as the fiery anti-slavery supporter Thaddeus Stevens. He's terrific in this role. And Field shines too in as the spiky Mary. Even if she's about a decade too old for the character, she brings intelligence and emotion to every scene.

Continue reading: Lincoln Review

War Horse Review


Good
Spielberg takes the hit stage play (based on the Michael Morpugo novel) to the big screen with guns blazing, not only recapturing the heart-stopping urgency of war, but also cranking up the emotion exponentially.

In early 1900s Devon, teenager Albert (Irvine) lives on a farm with his impulsive-drunk father Ted (Mullan) and his tough-minded mum Rose (Watson).

When Ted overpays for the wrong horse to work the fields, Albert adopts the horse, names him Joey and teaches him the ropes. But when war breaks out in Europe, Ted sells Joey to a cavalry captain (Hiddleston). At war, Joey changes hands between British and German officers, a young soldier (Kross) and a French farmer (Arestrup). Meanwhile, Albert joins the army, heading into the trenches to search for Joey.

Continue reading: War Horse Review

The Adventures of Tintin: The Secret of The Unicorn Review


OK
You just knew that when Spielberg and Jackson embraced 3D performance-capture animation, the results would be seriously eye-catching. And yes, this film looks amazing. It also borrows enjoyably from Spielberg's entire back catalog.

So it's a shame the story and characters aren't stronger.

When intrepid young journalist Tintin (Bell) buys a model ship called The Unicorn, he's suddenly launched into a mystery. Pursued by the relentless treasure-hunting Sakharine (Craig) and quizzed by the blustery detectives Thompson and Thompson (Pegg and Frost), Tintin and his faithful dog Snowy try to unlock The Unicorn's secret. This involves tracking down Captain Haddock (Serkis) on the high seas, then teaming up for a breathless chase through a North African desert to a bustling market town.

Continue reading: The Adventures of Tintin: The Secret of The Unicorn Review

Hereafter Review


Excellent
Eastwood's skilfully unrushed direction merges with Morgan's astute, thoughtful screenplay to create a thoroughly unusual film that holds our interest with a provocative, beautifully played exploration of mortality.

George (Damon) has a gift: he can see into the afterlife and help people communicate with their lost loved ones. But he feels it's more like a curse.

Meanwhile in Paris, star journalist Marie (De France) has just recovered from a near-death experience. Instead of working on her planned biography of Mitterand, she instead starts investigating why accounts of after-death experiences are so shunned. And in London, pre-teen Marcus is looking for ways to communicate with recently deceased twin (they're played by Frankie and George McLaren).

Continue reading: Hereafter Review

Ponyo Review


Good
As with Spirited Away and Howl's Moving Castle, Miyazaki takes us on a strange flight of fantasy with this adventure centred around two young children. While it continually stimulates our imagination, it's a little too odd to really resonate.

Sosuke (voiced by Jonas) is a 5-year-old living in a cliff-top house with his frazzled mother (Fey) while his fisherman dad (Damon) spends most of his time at sea. One day, Sosuke finds a strange little fish named Ponyo (Cyrus). What he doesn't know is that Ponyo's the daughter of the Mother of the Sea (Blanchett) and the keeper of balance (Neeson), and that Ponyo is using her powers to become human. Actually, Ponyo doesn't seem very aware of this either, but whatever she's doing is throwing nature out of balance.

Continue reading: Ponyo Review

The Curious Case of Benjamin Button Review


Essential
Every great filmmaker is allowed one bad film. For David Fincher, his first was his worst.

An intelligent director, Fincher cut his teeth on television commercials and music videos before making his feature debut in 1992 with a forgettable and regrettable installment in the Alien franchise. It was all uphill from there. Fincher's next five films arguably are modern classics, each impressively different from its immediate predecessor. Gen X fanboys idolize him for the basement-dwelling aggressions of Fight Club. The director brought flash -- and a needed backbone -- to pulp thrillers like The Game and Panic Room. And cineastes found plenty to appreciate in the meticulous musings of Fincher's cold-case police procedural, Zodiac.

Continue reading: The Curious Case of Benjamin Button Review

The Spiderwick Chronicles Review


Weak
It's time to declare the search for the next Harry Potter over and give J.K. Rowling and her boy wizard the title of ultimate family fantasy franchise in perpetuity. Perhaps that will keep audiences from suffering through more underwhelming wannabes like The Spiderwick Chronicles. After a year that saw Stardust, The Golden Compass, The Seeker: The Dark is Rising, and the anticipated arrival of another trip to Narnia, no one has yet to top Hogwart's or those who dwell inside its hallowed halls. Spiderwick is no different. It's all a big, implausible CGI payoff, lacking the necessary context to engage its audience.

It's been a tough few weeks for the Grace family. An impending divorce has seen Mom (Mary-Louise Parker) and her three kids -- oldest daughter Mallory (Sarah Bolger) and twin boys Jared and Simon (Freddie Highmore) -- leaving New York and heading to the country, where a crazy aunt's (Joan Plowright) rundown residence awaits them. After hearing a noise in the walls, one of the boys breaks open a secret section, revealing a long forgotten attic room. In it, he finds the Spiderwick Chronicles, a book written by his great uncle (David Strathairn) concerning a magical world beyond reality. In this enchanted domain, fairies and other sprites battle ogres and goblins for the fate of all.

Continue reading: The Spiderwick Chronicles Review

The Diving Bell and the Butterfly Review


Excellent
Jean-Dominique Bauby, Jean-Do to his loved ones, was an editor for the Parisian branch of Elle magazine before he suffered a stroke at 43 and became completely paralyzed save one eye. A playboy of sorts, he was also a great father, an irresponsible husband, and an excellent writer. Suffering from locked-in syndrome and communicating via a visual alphabet, Bauby dictated his abstract yet wholly absorbing account of his days trapped inside his own body, which he equates with living in a diving bell. His account became an autobiography of sorts and was published two days before he succumbed to heart failure.

Julian Schnabel's The Diving Bell and the Butterfly takes its title from said book, and, like its source material, the film has a spiffy discordance to it. When Bauby (the great Mathieu Amalric) opens his eyes, so does the camera, and we are struck by the light in the same petrified and blurry way that Bauby is. Manipulated to Brakhage-like lengths, the image has the same effect as Jean-Do's fumbling voiceover; we are as unsure of his footing as he is. His pleading to not sew up an eye threatened by infection becomes our begging; we don't want to lose the slight view we have. Then, with little preparation, we aren't with the protagonist anymore, and we are looking at a frozen, terminally-twitched face in a hospital bed.

Continue reading: The Diving Bell and the Butterfly Review

Hook Review


Grim
In Hook, Steven Spielberg's rather odd and flat update of Peter Pan, Robin Williams plays an adult Peter Pan as one Peter Banning, a big-money mergers and acquisitions attorney who drinks too much and misses his son's little league games because there's always that one last call on his cell. It's trying to be a modern and hip fantasy with the idea that Peter is a yuppie and has completely forgotten the magic and wonder of what we know to be his rather unique childhood.

But Captain Hook (Dustin Hoffman) hasn't forgotten. Since it's Peter's fault he has a hook instead of a hand, he wants revenge, so he kidnaps Peter's children. Tinkerbell (Julia Roberts) appears. She knocks Peter on the floor, ties him into a bed sheet, and then, in a lumpen image if there ever was one, flies him over the rooftops of London into Neverland where she drops him like a sack of coal (it is Christmas) so he can rescue his children from the evils of Hook, Smee, and the rest of the gaudily-costumed pirate crew.

Continue reading: Hook Review

Kathleen Kennedy

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