Shown from left: Rod Steiger (Best Actor, Estelle Parsons (Best Supporting Actress), George Kennedy, (Best Supporting Actor), George Cukor accepting for Katharine Hepburn (Best Actress) Academy Awards Oscars, 1968 Featuring: Shown from left: Rod Steiger (Best Actor, Estelle Parsons (Best Supporting Actress), George Kennedy, (Best Supporting Actor), George Cukor accepting for Katharine Hepburn (Best Actress) When: 10 Jan 2013
Zero Dark Thirty and Skyfall tied the Oscar for Best Sound Editing.
Kathryn Bigelow's Zero Dark Thirty and Sam Mendes's Skyfall tied the Oscar for Sound Editing on Sunday evening (February 24, 2013) - the first dead heat at the famous awards show since 1968, when Katherine Hepburn and Barbara Streisand famously tied for Best Actress for their performances in The Lion In Winter and Funny Girl respectively.
Presenter Mark Wahlberg, who announced the award with Ted, seemed stunned by the result, telling the audience there was "no bullsh*t," and that the vote was indeed a tie. Zero Dark Thirty was the first winner to be read out, before the sound editors behind the James Bond movie Skyfall were also rewarded.
It's only the third time in Oscars history that a vote has been tied, with the other occasion occurring in 1932 when Frederick March and Wallace Berry shared the prize for Best Actor for their roles in Dr Jekyll and Mr Hyde and The Champ. It's a hugely unlikely result, given the amount of votes cast for each category - most of which contain five nominees.
Continue reading: Oscars 2013: Skyfall And Zero Dark Thirty Is First Tied Vote Since 1968
L, The Philadelphia Story, R, Katherine Hepburn, Tracy Lord, Breakfast, Tiffany, Audrey Hepburn and Holly Golightly - L) The Philadelphia Story - Katherine Hepburn as Tracy Lord; (R) Breakfast at Tiffany's - Audrey Hepburn as Holly Golightly Wednesday 17th October 2012 Hollywood Costume - press view held at the Victoria and Albert Museum.
Continue reading: Long Day's Journey Into Night Review
On Golden Pond was definitely one of the latter category -- a manipulative, Oscar-ready mainstream drama. But surprisingly, it's not a bad movie.
Continue reading: On Golden Pond Review
Not much that hasn't already been said. I fall in line with the conventional wisdom that Philadelphia is one of the smartest comedies you'll find. At the film's opening, C.K. Dexter Haven (Cary Grant) and Tracy Lord (Katharine Hepburn) are seen in the midst of their breakup. Fast-forward a few years and Tracy's engaged again, and Dexter shows up with two Spy magazine reporters (James Stewart and Hussey), determined to throw a wrench into things.
Continue reading: The Philadelphia Story Review
Long before Hollywood suits thought it was a good idea to hide Freddie Prinze Jr.'s hottitude under a pair of spectacles (see Boys and Girls, if you dare), it was decided that for a change of pace, Cary Grant should be similarly four-eyed and socially reticent. And so he was cast in Bringing Up Baby as Dr. David Huxley, a nebbish scientist about to marry his icy prig of a colleague and who's been roped into wooing a rich potential donor to their museum. It's not that Grant can't play this guy, he pulls off the role just fine, but the whole enterprise seems reminiscent of covering a fine antique in layers of shellac or casting George Clooney as an antisocial computer hacker with poor fashion sense. Just because you can do it doesn't mean you should.
Continue reading: Bringing Up Baby Review
Justifiably famous for a rapid-fire script jam-packed with barbed remarks and caustic retorts, the film makes you stifle your laughter so you don't miss the next oncoming zinger. At one point, an exasperated Terry Randall (Katharine Hepburn) says to the delightfully bitchy Jean Maitland (Ginger Rogers), "It'd be a terrific innovation if you could get your mind to stretch a little further than the next wisecrack." Indeed.
Continue reading: Stage Door Review
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