Continue reading: Long Day's Journey Into Night Review
On Golden Pond was definitely one of the latter category -- a manipulative, Oscar-ready mainstream drama. But surprisingly, it's not a bad movie.
Continue reading: On Golden Pond Review
Not much that hasn't already been said. I fall in line with the conventional wisdom that Philadelphia is one of the smartest comedies you'll find. At the film's opening, C.K. Dexter Haven (Cary Grant) and Tracy Lord (Katharine Hepburn) are seen in the midst of their breakup. Fast-forward a few years and Tracy's engaged again, and Dexter shows up with two Spy magazine reporters (James Stewart and Hussey), determined to throw a wrench into things.
Continue reading: The Philadelphia Story Review
Justifiably famous for a rapid-fire script jam-packed with barbed remarks and caustic retorts, the film makes you stifle your laughter so you don't miss the next oncoming zinger. At one point, an exasperated Terry Randall (Katharine Hepburn) says to the delightfully bitchy Jean Maitland (Ginger Rogers), "It'd be a terrific innovation if you could get your mind to stretch a little further than the next wisecrack." Indeed.
Continue reading: Stage Door Review
Watching these cinematic treats is nothing short of delicious. Since revenge is a dish best served cold, it seems appropriate that the grand dame of these films takes place in the bleak midwinter of 1183, when the royal family has gathered for the Christmas holidays.
Continue reading: The Lion in Winter Review
Sure, Winona Ryder was 23 when she starred as the "little" Jo March, but Katherine Hepburn was 26, and Kate has always looked old for her age. The credibility problem is just one issue I have with the film, which isn't terribly well-acted (Hepburn's phony crying ruins many a scene) or compellingly plotted. It speaks volumes about the quality of films in the early 1930s (when the Depression made sap look good) that Little Women was nominated for Best Picture and won Best Writing at the Academy Awards.
Continue reading: Little Women (1933) Review
Continue reading: Guess Who's Coming to Dinner Review