Kate Winslet (born 5.10.1975) is a British Oscar-nominated actress.
Childhood: Kate Winslet was born in Reading, Berkshire. Her mother, Sally Ann, was a barmaid and her father, Roger, was a swimming pool contractor. Both were also actors, as are her sisters, Beth and Anna.
Kate began to study acting at the Redroofs Theatre School when she was 11. Whilst she was still at school, Winslet appeared in an advert for Sugar Puffs, directed by Tim Pope.
Career: Kate Winslet's TV career began with a role in Dark Season, a BBC children's science fiction series. She also appeared in an episode of Casualty, a popular BBC weekend hospital drama.
Winslet's film career began successfully, when she appeared in Peter Jackson's Heavenly Creatures, playing a girl that helps a friend murder her mother.
Kate's breakthrough film was her appearance in Sense and Sensibility, alongside Emma Thompson, who had written the film's screenplay.
In 1997, Kate Winslet's performance in Titanic, alongside Leonardo DiCaprio saw her become an international star. The film was a huge commercial success and won 11 Academy Awards.
Following the massive success of Titanic, Winslet went on to make smaller independent films, such as Hideous Kinky and Holy Smoke! She has also turned down a number of roles that have gone on to be iconic, such as Éowyn in the Lord of the Rings trilogy. For some time, Winslet became known as 'Corset Kate' as she had a propensity for taking roles in period dramas, such as Quills and Finding Neverland.
In 2005, Ricky Gervais invited Kate Winslet to appear in his comedy show Extras, sending herself up. In the show she tells another character that she is doing a film about the Holocaust because she is tired of losing out on Oscars. Gervais has since commented that Kate Winslet was his favourite guest on the show.
In 2007, Kate Winslet and Leonardo DiCaprio signed up to be reunited onscreen again, in Revolutionary Road, a film set in the 1950s.
Personal Life: Kate Winslet dated the actor Stephen Tredre for five years, early on in her acting career. When Tredre died of cancer, Kate missed the premiere of Titanic to attend his funeral. She also had a relationship with another actor, Rufus Sewell.
In 1998, Kate Winslet married the film director Jim Threapleton. The pair have a daughter, Mia Honey, who was born in 2000. Winslet and Threapleton divorced in 2001 and Kate began dating Sam Mendes. She married Mendes in 2003, in the Caribbean. They have a son, Joe Alfie, who was born in 2003. They were divorced in 2011.
Winslet was speaking at the fourth annual WE Day in London about her experiences of being bullied in school.
Kate Winslet has urged young people that they should try to feel “indestructible” as they pursue their goals in life, opening up about her experiences of being bullied over her weight while she was at school.
The 41 year old actress and mother-of-three gave a speech at the fourth annual WE Day at London’s SSE Arena on Wednesday (March 22nd), and said that young people should try to ignore bullying and maintain their sense of self-worth as they follow their dreams.
Kate Winslet speaking at WE Day in London
Kate Winslet speaking at WE Day which is part of WE, an organisation that brings people together and gives them the tools to change the world locally and globally - London, United Kingdom - Wednesday 22nd March 2017
The star is due to speak at an event in Wembley on March 22
Actress Kate Winslet is joining a number of other high profile names to encourage children to change the world as part of a charity’s call to action day. The multi-award winning star will take to the stage in the SSE Arena, Wembley on March, 22 in a rallying cry to young people.
Kate Winslet will join a host of stars in call to action
The Titanic superstar will speak out and try to encourage the younger generation to make a positive difference to the local and global communities by tackling the issues of diversity, homelessness and access to clean water.
Continue reading: Kate Winslet Joins Call To Encourage Young Children To Change The World
Dramas exploring the nature of death and the true meaning of life are always in danger of tipping over into extreme sentimentality, and this one very quickly gets bogged down in buckets of syrup. It's a slickly made movie with a first-rate cast, but occasional glimpses of gritty honesty aren't quite enough to counteract sudsy philosophising that sounds profound but is actually rather shallow.
It's set in New York, where advertising company owner Howard (Will Smith) is still lost in grief six months after the death of his 6-year-old daughter. And his business partners are worried that the company is falling apart as a result. In desperation, best pal Whit (Edward Norton), protege Claire (Kate Winslet) and rising-star Simon (Michael Pena) hire a private detective (Ann Dowd) to determine Howard's mental fitness to run the company. They also hire three actors to confront him as Love (Keira Knightley), Time (Jacob Latimore) and Death (Helen Mirren), abstract concepts he's obsessed with. But they don't know that Howard is also considering attending a grief counselling meeting run by Madeleine (Naomie Harris).
Directed with a magical sheen by David Frankel (Hope Springs) and written to within an inch of its life by Allan Loeb (The Switch), there's nothing about this film that doesn't feel contrived and controlled. In addition to their scenes with Howard, each of the three actors has an impact on the colleague who needs their specific gifts. And there are a number of revelations and twists that feel annoyingly hokey. Even so, the cast is strong enough to add moments of lightness that lift the movie briefly out of the sludge. Mirren, Knightley and Latimore have a sparky edge as the story's catalysts. While Norton, Winslet and Pena bring some raw, honest emotion to their own personal dramas.
Continue reading: Collateral Beauty Review
When Myrtle (Tilly) was little, she lived a happy life, along with her mother in the small town of Dungatar. When the local school bully is found dead with Myrtle standing over the body, she is immediately accused of the murder and at the behest of the boy's father (who's also a town councillor) Tilly's packed off to boarding school to live a life away from the town and her mother.
Forced to grow up quickly, Tilly runs away to Europe where she finds herself being taken in by a skilled seamstress - sewing was one of the skills that her mother taught her before being forced to leave. Tilly eventually finds herself being recommended to a famous designer who teaches Tilly how to make wonderful clothes.
As years pass, Tilly's mother Molly Dunnage is still constantly talked about and at the centre of any rumours and little by little becomes less able to look after herself. Now living in her dilapidated home, there are few people who speak to her and even less willing to help the old lady to help look after her.
Continue: The Dressmaker Trailer
Kate Winslet - Celebrities attend 88th Annual Academy Awards at Hollywood & Highland Center in Hollywood. at Hollywood & Highland Center in Hollywood, Academy Awards - Los Angeles, California, United States - Sunday 28th February 2016
Kate Winslet , Edward Norton - Kate Winslet and Edward Norton on location filming 'Collateral Beauty' at Lower East Side Girls Club - New York City, New York, United States - Friday 26th February 2016
In the heist thriller Triple 9, Kate Winslet is almost unrecognisable as the fearsome Irina, a ruthless Russian-Israeli mobster.
This was her first chance to play a proper villain (her baddie in the Divergent series is more nuanced), and she threw herself into it.
"It's nothing like anything I've ever done before," she says. "Also, when I made this film I had just had a baby. And I have to be honest: just from an acting standpoint, I wanted a short, sharp jolt back into reality. I wanted to feel terrified, I wanted to feel out of my comfort zone and to work with a great group of people."
Continue reading: Kate Winslet Loved Playing A 'Trashy Slut' In Triple 9
The actress' school has been forced to release a statement denying the remark
Kate Winslet wowed the crowds with her best supporting actress BAFTA win for her role in the biopic Steve Jobs but the British star created immediate controversy with her acceptance speech. Taking to the stage with her award, the 40-year-old claimed as a young woman she had once been to “settle for the fat girl parts”.
The star took home the Best Supporting Actress BAFTA
The three times BAFTA winner dedicated her award to all women who have previously been the subject of criticism.
Winslet says that although he's more "centered" now, he's the same great friend he was two decades ago.
As co-stars in Titanic, the second highest grossing movie of all time, Kate Winslet and Leonardo Dicaprio’s romance as Rose and Jack captured the imaginations of millions of people around the world. Nearly two decades later, Winslet has spoken about how Leo is still basically the same great person he was back then.
The duo have remained close since they filmed Titanic back in 1996 in their early twenties. Winslet, 40, says that the 41 year old star of The Revenant may be a bit more “settled” than back then, but that he’s hardly changed since they first worked together.
Winslet and DiCaprio at the premiere of 'Revolutionary Road' in 2008
Yes Rose did just leave Jack to die at the end of Titanic, even Kate Winslet knows it.
Titanic stars Kate Winslet and Leonardo Dicaprio have been spending a lot of time together recently, as both actors are out on the awards show circuit. But while pictures of Leo and Kate together have been bringing back a lot of feels for Titanic fans, the two actors can’t believe that 20 years on there’s still so much love for Jack and Rose.
Kate Winslet has been speaking about her Titanic role.
Appearing on ‘Jimmy Kimmel Live’, Winslet was first forced to admit what we’d all been thinking for the past two decades, yes Rose did just leave Jack to die in those icy waters.
The actress spoke out about him at the London Film Critics' Circle Awards.
Kate Winslet remains one of the most down-to-earth British actresses ever, and proved as much in her hilarious tribute to friend and colleague Alan Rickman at the London Film Critics' Circle Awards, where she landed the best supporting actress prize for her role in 'Steve Jobs'.
Kate Winslet and Alan Rickman worked together more than once
The actress seemed especially emotional when she went to collect her award, first asking the audience to stand and applaud in honour of Rickman, with whom she starred on 2014's 'A Little Chaos' which he also directed. She first worked with him, however, on 1995's 'Sense and Sensibility' where she played Marianne Dashwood.
Sidestepping arguments about accuracy, writer Aaron Sorkin and director Danny Boyle take an artistic, impressionistic approach to this biopic about the iconic Apple founder. Using a structure that would work perfectly on stage, the film tells his story through just three extended scenes. In the process, it reveals even more about human nature than it does about Steve Jobs or the tech business.
The first segment is set in 1984, as Steve (Michael Fassbender) is about to launch the game-changing Macintosh computer with cofounder Steve Wozniak (Seth Rogen), marketing expert Joanna Hoffman (Kate Winslet) and developer Andy Hertsfeld (Michael Stuhlbarg). As he organises the launch event to within an inch of its life, he's interrupted by his ex-girlfriend Chrisann (Katherine Waterston), but Steve still refuses to accept that her 5-year-old daughter is his. He also has an important conversation with the Apple chairman John Sculley (Jeff Daniels) just before going on-stage. This same scenario is repeated two more times, at the 1988 launch of NeXT and at the 1998 launch of the iMac, tracing Steve's fierce business acumen, complex interaction with his colleagues, and his evolving connection with his daughter.
Fassbender bravely never hedges his bets as Jobs, finding a tricky balance in an innovator who changed the world but never quite made sense of his personal or professional relationships. This is a man who is likeable and cruel at the same time, eliciting both laughter and gasps of horror from the audience. Fassbender's kinetic energy is hugely engaging, matched cleverly by Winslet's Hoffman, the only person with whom Jobs speaks about his own flaws. With both Rogen's generous Wozniak and Stuhlbarg's determined Hertzfeld, Jobs is much more dismissive, although there's respect under the surface. And its the literate banter with Daniels' thoughtful Sculley that gives the film its brainy kick, especially as it's so inventively written and directed to weave conversations right into flashbacks.
Continue reading: Steve Jobs Review
Date of birth
5th October, 1975
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