Few bad movies are more aggravating than a sequel that betrays everything which made its predecessor entertaining.
The B-movie, wild-ride brilliance of 2002's "The Transporter" stemmed from the filmmakers (producer-writer Luc Besson, co-writer Robert Mark Kamen and especially director/fight-choreographer Cory Yuen) not letting the plot get in the way of the tongue-in-cheek, out-sized action of incredible car chases and slick kung-fu. The flick embraced its own simplistic silliness -- revolving around a glibly stoic ex-Special Forces operative who makes a living delivering anything, anywhere with no questions asked -- and had a ball doing it.
Star Jason Statham retains his scruffy but well-dressed, bad-ass smirky-cool in "The Transporter 2," but he's continually tripped up by ridiculous, amateur-hour car chases and crashes (on the level of old "CHiPs" episodes), by over-choreographed fight scenes (so badly shot and edited that all you can comprehend is motion), and by the insultingly half-baked machinations of a convoluted screenplay.
Continue reading: The Transporter 2 Review
Music for a cold Autumn stroll.
Kent punk duo Slaves held up their pledge to headline a gig on the Kent coast this weekend when they once again took to the Hall By The Sea stage at...
The batsman is batting for the music industry these days.
He is set to unveil his new album 'Cowboys and Africans'.
'Ginger' is the kind of album that sees Brockhampton coming to terms with what they've been through.
It's time for our monthly round-up...
Buoyed by the success of last year's 'Ocean Av', Boston-born Brooklynite Emma Frank releases her fourth album 'Come Back'.
The Irish folk brothers have plenty of stories to tell.