Kate Beckinsale on the red carpet at the 2017 Billboard Music Awards held at T-Mobile Arena. Drake walked away as the biggest winner on the night with Beyonce also picking up five awards - Las Vegas, Nevada, United States - Sunday 21st May 2017
If you could change absolutely anything in the world, what would it be? This is the ultimate question that Neil Clarke finds himself faced with when he wakes up with the ability to become whoever he wants to be, have whatever he wants and make the impossible very easily possible. Little does he know that this is a test set up by some disgruntled extra-terrestrial lifeforms, who have given the following ultimatum: use this ultimate power for good, or watch the Earth burn. Unfortunately, Neil has a lot of things in his own life that he would like to change, let alone important things in the rest of the world. He wishes for an easier life, to be more attractive and to win the heart of his neighbour Catherine. But, as Spider-Man once said, with great power comes great responsibility, so if he is thinking of making some big changes, he ought to make sure he's really thought them through first.
Continue: Absolutely Anything Trailer
Kate Beckinsale will star in the upcoming 'Underworld 5'.
Kate Beckinsale will be reprising her role as the vampire Selene in the fifth instalment of the Underworld franchise. Beckinsale has starred in the past four parts of the successful action-horror franchise.
Kate Beckinsale is set to star in Underworld 5.
Continue reading: Kate Beckinsale Reprising Role As Selene In 'Underworld 5'
An arch approach makes this bonkers thriller rather enjoyable, even if it never quite cracks the surface. The story comes from the Edgar Allan Poe story The System of Doctor Tarr and Professor Fether, written in 1845, so director Brad Anderson (The Call) has fashioned the movie as bit of riotous Victorian mental institution nuttiness. Cue the mad-eyed acting, gothic production design and ludicrously batty plot. But if you take it for what it is, it's pretty entertaining.
It takes place in December 1999, as the new century is about to dawn and young doctor Edward (Jim Sturgess) arrives at Stonehearst Lunatic Asylum in a freakishly isolated corner of England. Instantly smitten with the inmate Eliza (Kate Beckinsale), Edward struggles to concentrate on the tasks given to him by his sinister boss Silas (Ben Kingsley), while being constantly watched over by the glowering groundsman Mickey Finn (David Thewlis). Silas' revolutionary system of treatment involves indulging the patients in their specific delusions, which has created a deranged sense of community in the sprawling hospital. Then one night stumbling around in the darkness, Edward discovers a group of people locked in prison cells in the basement, and their leader Benjamin (Michael Caine) claims to be the true head doctor. Yes, the inmates have taken over the asylum!
This premise allows the cast to indulge in a variety of hilariously shifty performances, hamming up every scene with constant innuendo. There isn't anyone in this place who looks remotely sane. Sturgess is fine as the dull Edward, while Beckinsale keeps her character's madness just out of sight, so both of them pale in this colourful company. Kingsley and Caine camp it up marvellously, while Thewlis adds a strong sense of menace and Sophie Kennedy Clark almost steals the film as an amusingly sex-mad virginal nurse. It's also worth watching the background players, as each has a ball his or her brand of craziness.
Continue reading: Stonehearst Asylum Review
By taking a fictionalised approach to the Meredith Kercher murder case in Italy, filmmaker Michael Winterbottom sets out to show how tricky it is to find the truth in any case, but he actually ends up proving how impossible it is to make a movie based on complex, unresolved real events. The film has a fascinatingly mysterious tone to it, but never comes together into something the audience can properly engage with, mixing big themes with bizarre filmmaking flourishes that only serve as a distraction.
It centres on Thomas (Daniel Bruhl), a London-based filmmaker who flies to Sienna to make a movie about the case of a student (Genevieve Gaunt) who's been charged with brutally killing her flatmate (Sai Bennett). Thomas immediately locates the foreign press corps, which hangs out together to cynically discuss the case. And he starts working with Simone (Kate Beckinsale), who's writing a true crime book. But Thomas is worried that there are too many layers to the story for a movie, and he becomes increasingly confused after consulting with Edoardo (Valerio Mastandrea), an expert on the case who also wants to be a screenwriter. To try to find the root of what happened, Thomas hires the sexy young Melanie (Cara Delevingne) to show him around town.
All of this is complicated by the fact that Thomas has a coke addiction and is reading Dante's Inferno, which combines with his imagination to cause freak-out hallucinations that make everything even murkier. Winterbottom builds this atmosphere beautifully, but falls short of establishing the fever-dream style of an Italian Giallo horror movie. This is mainly because he's trying to have it both ways, creating a wildly disorienting mystery while at the same time trying to make a pointed comment on how the media exploit a personal tragedy.
Continue reading: The Face Of An Angel Review
The British model is taking to the big screen like a duck to water.
Cara Delevingne returns to the big screen in Michael Winterbottom's psychological murder thriller 'The Face Of An Angel' based on the true case of Amanda Knox. It marks the first of a string of movies she has lined up to properly kick start her acting career.
Cara Delevingne plays a tour guide in 'The Face Of An Angel'
The charismatic British model, best known for her extraordinary eyebrows, will make her second feature film appearance, having previously starred as Princess Sorokina in the 2012 adaptation of Tolstoy's 'Anna Karenina'. This time she plays a tour guide named Melanie who befriends a filmmaker named Thomas (Daniel Bruhl) in this unusual story of a brutal murder, with an unlikely suspect at the bottom of it. When a beautiful young woman named Elizabeth (Sai Bennett) is found dead in Italy, her supposed friend Jessica (Genevieve Gaunt) immediately faces scrutiny; however, with her own good looks, she seems just as unlikely a perpetrator as Elizabeth was a victim. Kate Beckinsale plays Simone Ford, a writer who's been obsessively covering the case from the beginning.
In 2007, a young British student was brutally sexually assaulted and murdered in the room of an Italian house. Her American roommate is arrested and tried for the murder, but there's a problem. The girl looks far too innocent for anyone to convict her of the horrific crimes she has been accused of. When a journalist and a documentary filmmaker arrive on the scene, they join together to try to get to the bottom of the crime, all the while raking up more and more of the dirt surrounding the case.
Continue: The Face of an Angel Trailer
Stonehearst Asylum follows the plot of Edgar Allen Poe's short story The System of Doctor Tarr and Professor Fether. It is a story about Edward Newgate (Jim Sturgess) - a medical school graduate in the 19th Century who travels to the titular Asylum to gain 'clinical experience'. It is here that Newgate meets Silas Lamb (Ben Kingsley) and Eliza Graves (Kate Beckinsale), the latter of which he becomes instantly infatuated with. Almost at once, things start to creepy as Edward encounters some of the inmates and realises that perhaps his new colleges are not entirely concerned with following regulations. As the plot thickens and Edward finds himself spiralling further down the rabbit hole, the questions seem pile up. Why does one of the inmates claim to be the asylum's superintendent? Why are the doctors so gleeful when using such barbaric 'treatments'? And why does the man in charge seem so adamant that 'we're all mad'?
Continue: Stonehearst Asylum Trailer
They were so good together...how could they?! Sniff!
A break up is rarely an easy time for a couple but ever get that feeling that some couples, i.e. NOT Rihanna and Chris Brown, were so well-matched that it was hard to imagine them not being an item? Yup, us too, so we restrained ourselves with a list of the top five celebrity couples we reckon never should have parted.
What is love now that we are no longer in a world where the Zooey Deschanels can't make a happy marriage with the Deathcab for Cutie frontmen? Woe is us indeed. Him: the sultry, thoughtful indie singer and guitarist who is responsible for such odes to eternal love as 'I'll Follow You Into The Dark.' Her: the cute, funny and (dare we say it?) quirky actress who, with one flick of her indie girl bangs in 500 Days of Summer, launched an odyssey of shy, introverted teenage dreams against a backdrop of The Smiths songs.
Continue reading: 5 Celeb Couples We Didn't Want To See Split
Hollywood actress Kate Beckinsale made a return to the hometown of her father, actor Richard Beckinsale, to unveil a prestigious blue plaque in Nottinghamshire's Chilwell.
Kate Beckinsale was accompanied by her mother, Judy Loe, and her husband, director Len Wiseman, in a Chilwell ceremony that saw the A-list Hollywood actress pay a visit to her late father's hometown for a very special ceremony. Actor Richard Beckinsale, who passed away age 31 in 1979 from a heart attack, is known for his comedy roles as Lennie Godber in the BBC's Porridge and Alan Moore in ITV's Rising Damp. He attended College House Junior School in Chilwell, in the 1950s, which is where his commemorative blue plague has been placed.
Kate Beckinsale's Father, Richard, Starred In UK Comedy Rising Damp.
Mark North, College House Junior School's head teacher, spoke of the school's excitement to host such a unique occasion to remember an accomplished ex-pupil: "It's a real honour for the school to be a part of this special occasion, dedicated to the memory of Richard Beckinsale. It was a once in a lifetime experience for us all. We are honoured to have hosted such distinguished guests.We place a high priority on the performing arts in school, and hope that pupils will continue to be inspired by Richard's career for many years to come."
That one good character is Doug, played with real depth by Farrell. After a chemical war has left just two inhabitable spots on earth (Britain and Australia), Doug is working as a robotics engineer and living a quiet life with his wife Lori (Beckinsale). But he keeps dreaming about running for his life with another woman (Biel), so he heads to a Rekall memory-implant centre to clear his mind. Of course he instead opens a can of worms, discovering that he's not who he thinks he is. But what's the truth? And who's side he really working for - the totalitarian chancellor (Cranston) or the violent rebel leader (Nighy)?
Continue reading: Total Recall Review
It is an uneasy period in human history, with the nation states of Euromerica and New Shanghai vying for supremacy a factory worker, Douglas Quaid, begins to question this new world order. With the questions mounting in his head it seems that the only thing that can clear his head is a decent vacation and Rekall looks to be the company to help him out with this desire.
Continue: Total Recall Trailer
Chris (Wahlberg) is a notorious smuggler who has gone straight to have a quiet life with his wife Kate (Beckinsale) and their two young kids. But when Kate's brother (Jones) falls afoul of New Orleans thug Briggs (Ribisi), Chris and his pal Sebastian (Foster) have to plan "one last job" to get the family off the hook. This involves Chris and Andy travelling by ship to Panama to collect counterfeit bills from a crazy dealer (Luna), then furtively returning to America. But of course nothing goes to plan.
Continue reading: Contraband Review
Sandler plays Michael, a workaholic architect who spends more time satisfying the whims of his demanding boss (David Hasselhoff) than he does with his family. Michael cancels camping trips with his kids and rushes (foolishly) through love-making sessions with his wife Donna (Kate Beckinsale) just so he can inch closer to that partnership he covets. Michael is out of control and out of the loop on everything going on at home. He can't even distinguish his television remote from the one that controls his garage.
Continue reading: Click Review
Beginning for beginners with a flashback to 1202 A.D. where two siblings - Marcus (Tony Curran), the original vampire, and William (Brian Steele), the first Lycan - are battling each other in a frosty village, the film does much to quickly remind us of its vampirical mythology. Marcus is betrayed by Viktor (Bill Nighy), stored away in the vaults of the family mansion, and William is trapped in a steel coffin for all of eternity. The twins are separated. With this effective piece of prehistory portrayed with some pizzazz and a lot of furrow-browed earnestness, director Len Wiseman treats us then to a series of flashbacks from the original film. Selene (Kate Beckinsale) has killed Viktor and his blood has revived a hybrid Marcus, now with wings. What he wants, and the very nature of his resurrection, are muddily explained in a film whose plot is too convoluted to be enjoyed, but whose occasional sparks of light work hard to make it float.
Continue reading: Underworld: Evolution Review
Ironically, this incident, where ship's cook Dorie Miller took charge and shot back during America's worst hour on December 7, 1941, is just about the only true event to be found in the entire, oppressive three-hour film. (And our producers are quick to remind us of just how ripped-from-history this little vignette is. Never mind that Gooding has a pitiful excuse for a role with maybe five minutes of screen time.)
Continue reading: Pearl Harbor Review
"Underworld" might have been one bad-ass B-movie, if only its plot about a war between vampires and werewolves had been seen by co-writer/director Len Wiseman as anything more than a token gimmick on which to hang "Matrix"-mimicking action and antiquated genre clichés.
Thick with mold-breaking potential that goes completely unexplored, the picture is populated by cardboard cutouts of aristocratic, clownishly Goth-fashioned bloodsuckers and sunken-eyed, greasy-haired, heavy-metal headbanger-styled lycans (a fancy word for werewolves). The two races exhaust every trite and tired facet of their respective horror folklore in a story that has obviously, and rather clumsily, had elements edited out -- including a romance between warrior vampiress Selene (Kate Beckinsale) and Michael (Scott Speedman), a human with werewolf ancestry.
When Kraven (ravenous scenery glutton Shane Brolly) -- the conniving, devious, temporary leader of the vampires while their sovereign is entombed in hibernation -- orders the human killed because his DNA could change the course of the centuries-old war, Selene risks her life to save the guy for reasons that aren't entirely clear in this final version of the film.
Continue reading: Underworld Review
Date of birth
26th July, 1973
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