Jimmy Gralton is a political activist in the 1930s with strong communist values. Unfortunately, this doesn't put him in the best light for Ireland's Catholic church, who consider he, his friends and associates to be antichrists. Jimmy runs a dance hall whereby he makes his views heard as the people of his town enjoy music and socialising as well as learning together and creating happy memories. The local priest doesn't see it as such a great thing though and he subsequently does his best to convince his parishioners that the hall brings nothing but evil to the neighbourhood. Those for the continuation of the hall's practises suddenly find themselves violently up against the protesting Catholic community, and two things that were always supposed to be about peace and civic spirit suddenly become armies who'll stop at nothing to defend their values.
'Jimmy's Hall' is a shocking Irish drama based on a true story during the 'Red Scare' in Ireland in the 1930s. BAFTA nominated director Ken Loach ('Sweet Sixteen', 'My Name Is Joe', 'The Navigators') is at the helm alongside screenwriter Paul Laverty ('The Wind That Shakes the Barley', 'The Angels' Share', 'Cargo'). It is scheduled to be released in the UK on May 30th 2014.
Laura Fraser and Karl Geary - The Entertainment Weekly Celebration Honoring This Year's SAG Awards Nominees Sponsored By TNT & TBS And essie - West Hollywood, California, United States - Saturday 18th January 2014
Ostensibly a Lovecraftian creature flick set in 1870s Dakota Territories, the film's monster plot is housed in a gorgeous Malick-like picture of homesteaders and Indians lost and wandering in the vastness of the American plains. And while it might have been tempting to get all political, the film eschews rough ideology for sweeping vistas, rugged men, tribal mythologies, and downright creepy flesh-dissolving grasshopper men.
Continue reading: The Burrowers Review
This updated 20th century Hamlet is brought to vivid realism by independent director Michael Almereyda. Almereyda places the play in the year 2000, creating the state of Denmark as a huge conglomerate, the slain king a CEO, and Hamlet as a digital video maker. This interpretation sounds almost like it's going to be as much fun as a ten-car pileup on the expressway; you want to turn your head away from in disgust but are strangely curious about what happened.
Continue reading: Hamlet (2000) Review
There's a lot of intrusively leaden, urban-industrial style and distracting, pop-edited minutia masquerading as cleverness in writer-director Michael Almereyda's modern Manhattan "Hamlet."
Just the inordinate amount of blatant product placement -- apparently a misguided commentary on consumerism -- is by itself enough to obscure Shakespeare's profundity and passion in a virtual haze. Ophelia listens to Moviefone in one scene for absolutely no reason -- she's not even going to the movies -- and the "To be or not to be" soliloquy takes place in the action section of a Blockbuster store, for cryin' out loud. Why the director would do such a thing is so confounding that you'll tune out half the speech trying to figure it out. Certainly that isn't what he had in mind.
But while it's burdened by such shortcomings, this Y2K date-stamped take on the melancholy Dane -- appropriately played by Ethan Hawke as a brooding, film student heir to a business empire called the Denmark Corp. -- is nonetheless a mildly compelling visitation on the Bard's most complicated tragic hero.
Continue reading: Hamlet Review
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