Karey Kirkpatrick

Karey Kirkpatrick

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The 2015 Actors Fund Gala Arrivals

Karey Kirkpatrick and Wayne Kirkpatrick - The 2015 Actors Fund Gala held at the New York Marriott Marquis Hotel - Arrivals. at New York Marriott Marquis Hotel,, New York Marriott Marquis - New York City, New York, United States - Monday 11th May 2015

2015 Drama Desk Award Nominees Reception Arrivals

Karey Kirkpatrick and Wayne Kirkpatrick - 2015 Drama Desk Award nominees reception held at New World Stages - Arrivals. at New World Stages, - New York City, New York, United States - Wednesday 6th May 2015

Something Rotten Opening Party Arrivals

John O'Farrell, Christian Borle, Karey Kirkpatrick and Wayne Kirkpatrick - Opening night after party for Something Rotten held at Tavern On the Green - Arrivals. at Tavern On the Green, - New York City, New York, United States - Wednesday 22nd April 2015

Christian Borle
Christian Borle
Christian Borle
John Cariani, Brian d'Arcy James and Christian Borle
John Cariani, Brian d'Arcy James and Christian Borle

Something Rotten Opening Curtain Call

Kevin McCollum, Casey Nicholaw, Karey Kirkpatrick, John O'Farrell and Wayne Kirkpatrick - Opening night for Something Rotten at the St. James Theatre - Curtain Call. at St. James Theatre, - New York City, New York, United States - Wednesday 22nd April 2015

Kevin McCollum, Casey Nicholaw, Karey Kirkpatrick, John O'Farrell and Wayne Kirkpatrick
Casey Nicholaw, Karey Kirkpatrick, John O'Farrell and Wayne Kirkpatrick

Los Angeles Premiere of 'Imagine That' held at the Paramount Theatre - arrivals

Karey Kirkpatrick and Yara Shahidi - Karey Kirkpatrick and Yara Shahidi Hollywood, California, USA - Los Angeles Premiere of 'Imagine That' held at the Paramount Theatre - arrivals Saturday 6th June 2009

The Spiderwick Chronicles Review


Weak
It's time to declare the search for the next Harry Potter over and give J.K. Rowling and her boy wizard the title of ultimate family fantasy franchise in perpetuity. Perhaps that will keep audiences from suffering through more underwhelming wannabes like The Spiderwick Chronicles. After a year that saw Stardust, The Golden Compass, The Seeker: The Dark is Rising, and the anticipated arrival of another trip to Narnia, no one has yet to top Hogwart's or those who dwell inside its hallowed halls. Spiderwick is no different. It's all a big, implausible CGI payoff, lacking the necessary context to engage its audience.

It's been a tough few weeks for the Grace family. An impending divorce has seen Mom (Mary-Louise Parker) and her three kids -- oldest daughter Mallory (Sarah Bolger) and twin boys Jared and Simon (Freddie Highmore) -- leaving New York and heading to the country, where a crazy aunt's (Joan Plowright) rundown residence awaits them. After hearing a noise in the walls, one of the boys breaks open a secret section, revealing a long forgotten attic room. In it, he finds the Spiderwick Chronicles, a book written by his great uncle (David Strathairn) concerning a magical world beyond reality. In this enchanted domain, fairies and other sprites battle ogres and goblins for the fate of all.

Continue reading: The Spiderwick Chronicles Review

Charlotte's Web (2006) Review


OK
That's sooooooooooooooooome Dakota Fanning!

It's only a mild heresy to turn a beloved children's book and animated film into a star vehicle for the wee Miss Fanning, the go-to child actress who has become Hollywood's only A-list star under the age of 13. The only real surprise is that she doesn't have her own production company yet.

Continue reading: Charlotte's Web (2006) Review

Over the Hedge Review


OK
Audiences who peek Over the Hedge at DreamWorks' latest creation are destined to find a homogenized animated feature that's as polished as the pop-up suburban neighborhood that houses the bulk of the action. Blessed with beautiful visuals, Hedge furthers the notion that animation remains the only genre capable of improving in quality quite literally from film to film. Too bad the top-notch art is married to a standard comedy script that's instantly forgettable.

R.J. (Bruce Willis) is a smooth-talking raccoon who lands in hot water when he tries to steal food from a hibernating bear (Nick Nolte). To spare his life, R.J. now has one week to recover a red wagon full of junk food or meet a grizzly fate. Lo and behold, the quick-thinking con artist crashes into a family of foraging beasts as they arise from their winter slumber. Led by neurotic turtle Verne (voiced by neurotic Garry Shandling), the animals invade the pop-up planned community that surfaced while they slept and begin to rummage for sweet treats.

Continue reading: Over the Hedge Review

Curious George Review


OK
Parents who wisely decided against bringing their youngest to see Peter Jackson's ape epic King Kong will be pleased to learn that the animated adventure Curious George follows the exact same storyline to deliver a kiddie Kong that's accessible to all ages. Plus, at 87 minutes, it's half as long and nearly twice as entertaining.

The two movies are distributed by Universal Studios, hardly a coincidence. In fact, their plots share so many similarities one might want to investigate preliminary plagiarism charges. Both movies involve men facing financial devastation who traipse into uncharted territories in search of a valuable treasure that will put them back on their feet. Fortune eludes these guys, but they do discover a monkey - Kong in one, George in another - that follows them back to the mainland and proceeds to create havoc.

Continue reading: Curious George Review

James and the Giant Peach Review


Good
Lemme tell ya, this was the most unusual screening I've been to in a long time. After all, what better way to spend a Saturday morning than with 200 hyperactive children, all of whom are fawning over a guy dressed up in a giant, fuzzy, grey bat suit, complete with six-foot wingspan? (Note: as far as I can tell, the bat had nothing to do with the film.) And lemme tell ya, none of this was as strange as the film I was about to see....

Now I'm probably the last person in the world who ought to judge what makes for a good children's movie, but if you'd asked me that yesterday, I certainly wouldn't have said James and the Giant Peach. This is a story about a young boy, James (Paul Terry), whose parents are eaten by a spiritual rhinoceros. He is adopted by his cruel aunts (Miriam Margolyes and AbFab's Joanna Lumley), who abuse him cruelly. Then an "old man" (Pete Postlethwaite) gives James some "alligator tongues" which he spills on a peach tree, creating the aforementioned giant peach. Inside this peach, where James hides to get away from his aunties, he finds a bunch of giant bugs: a Brooklyn centipede (Richard Dreyfuss), a cowardly earthworm (which is, by the way, not a bug--David Thewlis), a sultry spider (Susan Sarandon), a matronly ladybug (Jane Leeves), and sundry other insects.

Continue reading: James and the Giant Peach Review

The Hitchhiker's Guide to the Galaxy Review


Good
Tolkein geeks have The Lord of the Rings. I have The Hitchhiker's Guide to the Galaxy. One of my most beloved book series as a youth (I still carry a towel in my trunk thanks to its advice), I even sat through (and enjoyed) the cheesy BBC miniseries made from the novels. So just so you know what you're getting into with this review: I'm a self-confessed overgrown fanboy on this one.

Decades in the making, Guide has been embroiled in controversy since the very beginning. The most recent round of complaints have covered pretty much the entire film, from casting (Mos Def taking a role commonly envisioned as a sort of British dandy) to directing (Garth Jennings is a music video veteran), to choice of writer Karey Kirkpatrick (a kiddie flick screenwriter best known for Chicken Run but also the writer of disastrous flicks The Little Vampire and Honey, We Shrunk Ourselves). Out of this, we've all been promised, genius would spring.

Continue reading: The Hitchhiker's Guide to the Galaxy Review

Chicken Run Review


Essential
Since the beginning of time (or at least the domestication of animals), the chicken has been man's feathered enigma. Like so many of its feathered friends, it has fallen into the realm of the metaphor (i.e. "He's a chicken."). Unlike so many of its edible counterparts, it has survived the hassles of religious communities unscathed (no one will persecute you for eating a chicken wing). It has found its way into the realm of ontological questions (which came first: the chicken or the egg), as well as into sanguine curiosity (why does a chicken continue running around after you cut its head off?). It has become the basic standard for all foods (tastes like chicken). It has changed with the times, entering the debate about genetic engineering (see the accusations against KFC using frank-n-roosters). It has even, through its progeny, entered into the world of our children (I do not like green eggs and ham, I do not like them Sam I am). As long as civilization has existed, the chicken has haunted our collective hubris with its often-charming idiocy.

Amongst both edible entrees and feathered friends, the chicken is the idiot God...

Continue reading: Chicken Run Review

Karey Kirkpatrick

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