Karen Black will be sadly missed in Hollywood.
Karen Black, the Illinois-born actress who appeared in more than 100 movies including the classic 1969 road movie Easy Rider, has died at a Los Angeles clinic aged 74 following a battle with cancer, reports BBC News.
Black, who almost always played troubled characters, earned an Oscar nomination and a Golden Globe award for her hugely accomplished performance as a waitress who dates an upper class dropout (Jack Nicholson) in Five Easy Pieces. However, despite her impressive filmography, the actress was forced to turn to the public for help with treatment for her ampullary cancer.
An online funding appeal was set up by her husband Stephen Eckelberry in the hope of raising $60,000 for Karen to travel to Europe for treatment as part of a clinical study.
Continue reading: How 'Easy Rider' Karen Black Turned To The Public For Healthcare
Karen Black, the Golden Globe winning actress, died on Thursday (August 8th) after battling cancer for nearly three years.
Karen Black, the actress famous for her roles in films such as Easy Rider, Five Easy Pieces and Nashville, died yesterday (Thursday 8th August). Her husband, Stephen Eckelberry, made the announcement on his Facebook page. She passed away in a nursing facility in Santa Monica, CA after a lengthy battle with cancer. She was 74 years old.
Karen Black after a performance, at the Metropolitan in New York, of her How I Learned to Stop Worrying and Sing the Song.
Eckelberry wrote: "it is with great sadness that I have to report that my wife and best friend, Karen Black has just passed away, only a few minutes ago." He thanked Black's friends and fans for their "prayers and love", adding "they meant so much to her as they did to me."
Karen Black, the actress who starred in Easy Rider, will undergo cancer treatment in Europe thanks to a successful crowd-funding campaign.
Karen Black's cancer fundraising scheme is taking off, pulling in $32,000 of the initial $30,000 goal. The actress, whose credits include Five Easy Pieces, Airport 1975 and the classic Easy Rider, is reaching out over the internet in a bid to raise the money for her medical treatment - she had been battling cancer on and off for over two years.
The crowd-funding campaign on GoFundMe.com is looking to raise the cash to send Black for two-months of treatment in Europe. Her husband, Stephen Eckelberry, explains on the campaign's web page that Black, now 73, was first diagnosed with ampullary cancer in November 2010. She underwent surgery to remove a third of her pancreas and had extensive chemotherapy and radiation therapy and was declared clear of the disease in July 2011. However, by June 2012, the cancer had returned and spread to her lungs and lower back.
The actress now weighs just 96 pounds, down from 156 when first diagnosed with cancer. Eckleberry says the actress his living on "a modest pension" and that the couple have already used up their savings on previous treatment. "We have nothing left," Eckleberry wrote on the campaign page. "And the European treatment is not covered by insurance."
Continue reading: Karen Black's Cancer Crowd-Funding Smashes Goal Of $30,000!
Karen Black, Peter Fonda and Grauman's Chinese Theatre - Karen Black, Peter Fonda Friday 2nd November 2012 "Hitchcock" World Premiere - AFI FEST 2012 Presented By Audi, held at Grauman's Chinese Theatre
Lainie Kazan, Karen Black and Grauman's Chinese Theatre - Lainie Kazan; Karen Black Friday 2nd November 2012 "Hitchcock" World Premiere - AFI FEST 2012 Presented By Audi, held at Grauman's Chinese Theatre
Mimi Rogers, Lainie Kazan, Karen Black and Grauman's Chinese Theatre - Mimi Rogers, Lainie Kazan, Karen Black Friday 2nd November 2012 "Hitchcock" World Premiere - AFI FEST 2012 Presented By Audi, held at Grauman's Chinese Theatre
The Independent is Jerry Stiller's show, starring him as Morty Fineman, a Roger Corman/Andy Sidaris-style filmmaker who makes lovingly crafted low-budget, borderline-exploitation films that the world largely dismisses as junk. The film follows Morty and daughter Paloma (Garofalo) as they try to revive Morty's sagging career and reflect on decades of schlocky work like Brothers Divided (about Siamese twins in Vietnam) and Foxy Chocolate Robot (about a foxy chocolate robot). The film uses present-day footage intercut with scenes ostensibly from Morty's body of work, all appropriate in graininess, streaks, and rotten acting quality. Real-world directors like Roger Corman and Ron Howard appear to offer commentary on Morty's oeuvre, all of whom declare him an underrated genius.
Continue reading: The Independent Review
Possibly the most celebrated film of the 1970s -- at least among film snob circles -- Robert Altman's sprawling case study of five days in the Tennessee city is self-absorbed, overwrought, and dismissive. Nor is it particularly well-made, with poor sound (even after being remastered for its DVD release) and washed-out photography, not to mention a running time (2:40) that's at least an hour too long.
Continue reading: Nashville Review
And we are all the worse for it. With scenes of shitting supermodels, a blubbering "virgin hunter," and even a Godfather spoof starring Joey Buttafuoco, terming this as "comedy" is a real stretch. At its lowest point, Underground is wholly unwatchable, most notably during a vignette in which an Arnold Schwarzenegger type has sex with a faux corpse.
Continue reading: The Underground Comedy Movie Review
Dipping back into the world of the micro-indie film - which she seemed to have mostly abandoned after the passing of her cinematic mentor, Derek Jarman - Tilda Swinton plays four roles here, but Dr. Strangelove it ain't. Her primary role is as Rosetta Stone (get it?), a bio-geneticist who, in a strangely-reasoned attempt to help the world by creating robots equipped with artificial intelligence, has discovered how to download her own DNA into a computer and thus create three SRAs (Self Replicating Automatons) in her image. The SRAs are named Ruby, Marine and Olive and dresses them each according to color (red, blue, and green). This doesn't serve much purpose besides being pretty look at, and also giving us an easy way of telling the Swintons apart (aside from the fashion-victim wigs Ruby and Olive wear). Rosetta herself is easy enough to ID: as the nerdy scientist, they put her in the most frightful and unattractive of the wigs and make her goggle out at the world from behind a pair of giant glasses.
Continue reading: Teknolust Review
Adapted for the screen by Francis Ford Coppola in just three weeks after Truman Capote was fired (so the story goes), Gatsby tells the story of the mysterious and elusive Jay Gatsby (Robert Redford), a superrich businessman who likes to throw wild weekend-long, gin-soaked parties at his sprawling Long Island estate. But who is he? Where did he come from? Rumors abound, but no one seems to know for sure, and as long as the band keeps playing and the booze keeps flowing, no one seems to care all that much.
Continue reading: The Great Gatsby Review