Take for instance context. If you have a very good story, then it can be understood without context. If you have a mediocre story, context is explained. If you have a low-rent spin-off of an established Japanese TV series, you basically just jump right in. Time is money, animators are expensive. Why waste screen time explaining what's going on to people that don't watch your TV show? It's not as if it the attention to quality in a movie couldn't, say, bring in new viewers.
Continue reading: Inuyasha: The Castle Beyond The Looking Glass Review
Anime may be cool. It may be occasionally pensive and truly artistic. It may be visually mind blowing and every other trite cliché used to describe the indefinable it of a graphical cool. But at the end of the day anime is mainly another country's pop, and pop works for one solid reason - everybody within the given culture gets it.
Continue reading: Inuyasha: Affections Touching Across Time Review
Five years after his first stint as hitman Arthur Bishop in The Mechanic, Jason Statham has returned to the role for Mechanic: Resurrection.
In a busy year that has seen John Krasinski star in movies and TV shows, he somehow managed to find the time to direct, produce and star in the new...