A harrowing, soul-searching account of the Holocaust is presented from a very unique perspective in "The Grey Zone," which is based in part on diaries found buried at Auschwitz and the memoirs of Miklos Nyiszli, a Jew who served as the camp's doctor and aided the abominable Josef Mengele in his experiments on prisoners.
The story tells of a 1944 revolt by the "Sonderkommando," a squad of Jewish internees who chose to serve as wardens of the concentration camp's gas chambers and crematoriums in exchange for a few more months of comparatively privileged life. In exchange for their detestable duties, they got larger quarters, fresh bed linens, good food, cigarettes, and the right to loot the belongings of new arrivals.
The selfishness and cowardice of this choice tortures most of the characters in this film, none more so than Hoffman (David Arquette in a rare dramatic and anguished performance), whom we see early on herding naked throngs into the "showers," promising "The sooner you shower, the sooner you'll be reunited with your families." As the doors are closed, the camera slowly creeps in on Arquette, hearing the gas pipes rattle to life and the screams that come moments later.
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He's certainly not wasting his newfound talents.