In rural pre-War France, Pascal is a widower (Auteuil) with six daughters. The oldest is 18-year-old Patricia (Berges-Frisbey), who's starting to notice boys.
She's reluctant about a plan to fix her up with Pascal's employee Felipe (Merad), and instead flirts shamelessly with Jacques (Duvauchelle), a dashing pilot who literally sweeps her off her feet. But her secret courtship with Jacques doesn't go as planned. Then war breaks out and both men are called to battle, leaving Patricia pregnant. And Jacques' parents (Azema and Darroussin) don't want to know.
Continue reading: The Well-digger's Daughter Review
Charly (Reno) retired from his job as a Marseilles mob boss to spend time with his family. But someone has it in for him, and after he survives being shot 22 times, Charly and a cop (Fois) start looking for who did it. Charly immediately turns to the other local bosses (Merad and Berry), childhood friends with whom he took a vow of loyalty. But soon all-out war breaks out between thugs on various sides, and the division of loyalty isn't as clear-cut as it should be.
Continue reading: 22 Bullets [l'immortel] Review
After living a life of crime, Charly Mattei decides to leave his past behind him and devote his family. It's been over three years since his last offence and as far as Charly is concerned his previous bad ways are far behind him. All is set to change when a previous friend leave Charly for dead with 22 bullets in his body.
Continue: 22 Bullets Trailer
Former aspiring musician Clément Mathieu (a charismatic Gérard Jugnot) is the new instructor at a school for uncontrollable adolescent boys which - under the strict orders of dastardly principal Rachin (François Berléand) - punishes bad behavior with swift violence in a policy referred to as "Action - Reaction." Such abuse doesn't sit well with Mathieu, a sensitive soul who believes that there's goodness hidden underneath these wayward kids' rough exteriors. Naturally, The Chorus wholeheartedly subscribes to this romantic theory, characterizing each and every pint-sized punk as an angel in disguise. Though initially intent on terrorizing their new teacher, Mathieu's students see the light once the music-loving professor turns their unruly class into a disciplined choral group, their vocal training indirectly inciting them to study, reconnect with their families (in the case of Jean-Baptiste Maunier's star singer Morhange) or find surrogate parents to embrace (such as with Maxence Perrin's impish Pépinot). As far as Barratier's rose-colored fairy tale is concerned, every bad seed - regardless of his vileness - is redeemable with a little Do-Re-Mi and TLC, and thus The Chorus goes to great lengths to play up the central conflict between compassionate care and corporal punishment embodied by the kindhearted Mathieu and wicked Rachin, a villain so groaningly cartoonish it's a wonder he doesn't twirl his graying moustache.
Continue reading: The Chorus Review
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