In late-70s Dublin, brothers Neil and Ivan (Barnes and Sheehan) form a band called The Undertakers, creating a friendly rivalry with their friends Paul, David, Larry and Adam (McCann, Mark Griffin, Sean Doyle and David Tudor), who form The Hype. Then The Hype changes its name to U2 and becomes the biggest band in the world. Over the years, Neil's bull-headed attitude scuppers every chance he and Ivan get, even when they find minor fame in London with the help of manager/girlfriend Gloria (Ritter). he also indebts them to an Irish gangster (Townsend).
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Neil McCormick always had a dream of becoming a rock n' roll star. Having auditioned to join a band at school, Neil found himself losing out and his best friend Paul being picked as the lead singer of the hottest band in Dublin The Hype. Feeling he would've been the better person for the job, Neil sets up the band 'Shook Up' with his brother Ivan - their most important aim: to be more successful than The Hype.
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The Fall tells a story within a story, one being interpreted by an innocent child, and Tarsem does all he can to give us an honest version of this process. Little Cantica Untaru plays the child, Alexandria, in the hospital with a broken arm, and apparently the actress is not fully aware of the filmmaking process, which explains the striking naturalism in her conversations with the paralyzed Roy (Lee Pace). This leaves us unsure of Untaru's acting ability, but blissfully so, compared to the unnerving technique detectable in someone as young as Dakota Fanning.
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Chaos immediately descends into doldrums, with Conners and extremely strange partner Shane (Ryan Phillippe) trying to figure out who Lorenz is and why he robbed a bank but didn't steal anything. Cat and mouse ensues, Seven style, until we figure out the truth that's been telegraphed since the very beginning. (And trust me, everything you need to fill in the pieces can be found in the last two paragraphs.)
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OK, fair enough, so what do we have here? Well, Thr3e is a kind of riff on your Saw movies and Seven, giving us an unseen psychopath who's stalking our hapless hero Kevin (Marc Blucas), who wants nothing more than to complete his thesis and get out of seminary school. Problem is, he's got something iffy in his past, and the psycho stalker is trying to force Kevin to "confess" his sins... mainly by killing off Kevin's friends and spraying graffiti on his car before blowing it up. Each time he's in touch, he delivers a mysterious set of instructions and a limited time in which to complete them, or else something explodes.
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And it's got all of those earmarks of just about every Dracula, a director no one has heard of (Craven just bankrolled it), a series of barely recognizable actors, and a feeling of having been shelved for about four years... oh yeah, and a bunch of religious undertones so the crew can work through their theological schizophrenia a la Anne Rice.
Continue reading: Dracula 2000 Review
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