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Walter Review


Good

The shift from bright comedy to rather grim drama is gradual enough to carry the audience along, but it's rather startling to end up somewhere so serious after such a cheeky start. Director Anna Mastro and writer Paul Shoulberg set this up as a breezy coming-of-age movie before adding a supernatural twist and quietly moving the goal posts. Fortunately, the strong cast and assured filmmaking carry the audience along. So even if it ultimately begins to feel melodramatic, it's also surprisingly moving and meaningful.

Convinced that he has been called by God to decide who goes to heaven and hell, 18-year-old Walter (Andrew J. West) is a perfectionist who maintains order in his life both at home with his over-concerned mother Karen (Virginia Madsen) and at his job taking tickets in the local multiplex. At work, he has his eye on the smart-sexy Kendall (Levin Rambin), but is too shy to speak to her and is teased mercilessly about this by bullying colleague Vince (Milo Ventimiglia). Then a ghost named Greg (Justin Kirk) starts taunting him as well, and Walter finally agrees to see a shrink (William H. Macy) in the hopes of restoring order to his life.

Of course, the point is that Walter doesn't need order: he needs to face up to the truth about the death of his father (Peter Facinelli in flashbacks). But the more he acknowledges, the more his life seems to unravel around him. This is played beautifully by West, a likeable actor who manages to get even more engaging as Walter falls apart. His interaction with the rest of the cast is pointed and witty, packed with knowing commentary and some sharply funny observations. And all of the actors around him bring layers of emotion and energy to the film.

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Raising The Bar To End Parkinsons Event - Arrivals

Justin Kirk - A variety of stars were snapped as they arrived at the Raising The Bar To End Parkinsons Event which was held at Public School 818 in Sherman Oaks, Los Angeles, California, United States - Saturday 7th March 2015

Raising The Bar To End Parkinson's

Justin Kirk - A variety of stars were snapped as they arrived at the Raising The Bar To End Parkinsons Event which was held at Public School 818 in Sherman Oaks, Los Angeles, California, United States - Saturday 7th March 2015

Justin Kirk
Justin Kirk

'The Oldest Boy' opening night after party

Justin Kirk - Opening night after party for 'The Oldest Boy' at the Mitzi E. Newhouse Theater - Arrivals at Mitzi E. Newhouse Theater, - New York, New York, United States - Tuesday 4th November 2014

Justin Kirk
Justin Kirk

Mr Morgan's Last Love Trailer


Matthew Morgan is living in the romantic city of Paris after retiring from his teaching post as a philosophy professor. Despite having lived in France for some time, his knowledge of the language remains limited and so he more or less remains solitary since the tragic death of his beloved wife. However, soon he meets young Pauline Laubie, a dance teacher who also feels tremendously alone in her life and the pair develop an unusual bond of friendship. Their relationship is tested when she discovers that he has a son, with Matthew having never spoken about him. It soon becomes clear that he's struggling deeply to come to terms with his wife's death and is in dire need of a loving relationship once again no matter how platonic. Will he manage to find a way through his heartbreak with his new friend? Or do some wounds run too deep?

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Mr. Morgan's Last Love Review


Good

Complex emotions and a gentle exploration of interpersonal connections make this Paris-set drama worth a look, especially since it's so nicely played by the eclectic cast. German filmmaker Sandra Nettlelbeck (Mostly Martha) lets the story unfold slowly and steadily, getting deep under the skin of the characters in the process. The draggy pace sometimes makes the two-hour running time feel very long indeed, but it lets the cast to take the time to create rich, detailed connections that are easy to identify with.

It's been three years since Matthew Morgan (Michael Caine) buried his wife Joan (Jane Alexander) in a cemetery in Paris, their chosen home. Now he imagines her everywhere he goes, feeling her absence all the time until he runs into the young dance instructor Pauline (Clemence Poesy). Not only does she remind him of Joan, but he fills a gap left in her life after her father died. So the two begin an offbeat friendship that feels more like family than anything else. Even so, Matthew's loneliness sparks a visit from his son Miles (Justin Kirk) and daughter Karen (Gillian Anderson), who's too busy to stay for very long. They of course don't trust Pauline. And as she witnesses Matthew's interaction with them, she begins to understand that he has never related to them as a father.

While the premise sets things up for a whole lot of healing and sentimentality, the script avoids this by remaining earthy and raw, digging deep into the characters without trying to explain everything they are doing or thinking. There certainly isn't a right way to mend the problems between Matthew and his children, although it's clear that a bit of openness and respect will go a long way. Caine plays this beautifully, with a spark of wry humour alongside Matthew's relentless pain. His scenes with Poesy have a delicate chemistry that is refreshingly difficult to fully understand, and yet it feels authentic. And when Miles enters their world, things shift in even more interesting directions.

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FOX TCA Winter 2014 Party

Justin Kirk - FOX Television Critics Association Winter 2014 Party - Pasadena, California, United States - Tuesday 14th January 2014

Justin Kirk
Justin Kirk

2014 TCA Winter Press Tour FOX All-Star Party

Justin Kirk - 2014 TCA Winter Press Tour FOX All-Star Party At The Langham Huntington Hotel and Spa - Pasadena, California, United States - Tuesday 14th January 2014

Justin Kirk

Video - Justin Kirk And Elizabeth Reaser Talk Vampires On LA Trip


'Weeds' star Justin Kirk and 'Twilight' actress Elizabeth Reaser are snapped by paparazzi making their way to their car after taking a trip into LA. They are asked by a photographer why vampires always seem to have a lot of money in movies.

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Vamps Trailer


Stacey and Goody are two vampires cursed to remain young and beautiful forever after being bitten and changed in the 19th Century. Whilst they have dated numerous men in the past, they still prove to be putty in the hands of love when Stacey falls for the son of the notorious vampire hunter Dr Van Helsing. Joey Van Helsing is equally as taken with her as she is with him, however his father immediately knows Stacey's secret and tries to warn Joey but to no avail. He gets together an angry mob of hunters who threaten to expose the coffin-lounging lady vamps to the sunlight they hate so much - always being slaves to the night when they spend their time partying. When Goody meets her dream man from years ago, both girls are faced with a choice: eternal immortality or love.

This side-splitting Rom Com is a brilliantly light-hearted take on the classic vampire; the perfect comic relief after the serious subject matter of modern vamp stories 'Twilight', 'True Blood' and 'Vampire Diaries'. It has been directed and written by Amy Heckerling; the writer of high-school parody series 'Clueless' and movies 'Loser' and 'Look Who's Talking' and has the same hilarious style of humour that has captured audiences since the '90s. 'Vamps' is set for release on November 2nd 2012 in the USA.

Starring: Alicia Silverstone, Krysten Ritter, Richard Lewis, Sigourney Weaver, Wallace Shawn, Justin Kirk, Malcolm McDowell, Zak Orth, Marilu Henner, Scott Thomson, Todd Barry, Kristen Johnston, Natalie Gal, Meredith Scott Lynn, Joel Michaely and Dan Stevens.

Goats Trailer


Ellis is probably the most normal member of his weird family. His mother, Wendy, is a hippie who enjoys practising rituals of self-empowerment with a dubious boyfriend who lives in Tucson, Arizona. His father left him when he was young because of Wendy's eccentricities, leaving him to be raised by Goat Man; a long-haired, bearded botanist and goat tracker who has lived with him and his mother in their pool house for as long as he could remember. Ellis decides to attend the Gates Academy prep school on the East Coast that his father used to go to, devastating his mother who misses him dearly. He attempts to rebuild a relationship with his father who now has a beautiful girlfriend, a meticulous house and a baby on the way. Ellis is hurt that he was never informed about the imminent arrival of his half-brother but his dad takes the opportunity of seeing his son again to step up to being a proper father this time. Although Ellis settles into his new school well and meets a pretty girl from the area, he soon begins to realise how huge the gap between his life at home and his life on the East Coast really is.

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Flannel Pajamas Review


Weak
Sheesh. If this is what marriage is like then I'll just stay single. Flannel Pajamas is the badly-named chronicle of an intense courtship that results in a fatally flawed marriage, its two protagonists falling insanely hard for each other, and then taking a few years (more than two hours of screen time) to talk talk talk talk talk about what they don't like about each other.

Urban sophisticates may relate to the plight of Stuart (Justin Kirk) and Nicole (Julianne Nicholson). Set up by friends, the two feel an instant electric attraction. Stuart promotes Broadway shows for a living, while Nicole aspires to become a small-scale caterer. Since he's the better off of the two, it isn't long before she moves into his high-rise pad and gladly accepts his offer to pay off her student loans. Their first months together are a giddy dance of (full-frontal) sex and mutual admiration.

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Ask The Dust Review


Grim
If Robert Towne's Ask the Dust is the end result of 30 years of labor to bring John Fante's celebrated novel to the screen, it gravely calls into question Towne's current abilities as both a screenwriter and director. Towne's adaptation sheds no new interpretive light on Ask the Dust's literary legacy, and, even on its own terms, this is an anemic romance, undone by awkward performances and flat-footed filmmaking.

Twenty-year-old aspiring Italian-American writer Arturo Bandini, Fante's literary alter ego, is brash yet sensitive, fundamentally moral yet driven by an unquenchable, uniquely American thirst for love, lust, and romantic adventure. Bandini's conflicting values jolt and jostle inside him, finding expression primarily through Bandini's typewriter, as he tries to alchemize his experiences into fiction.

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Chapter Zero Review


Weak
Adam Lazarus's life is so sad -- gasp! -- that his first novel was rejected by one publisher! Can you believe it!? He's so despondent he throws the manuscript away along with his computer.

Putting aside the absurdity of the scenario that a writer would abandon his craft based on a single rejection for his first major work, Chapter Zero ultimately reveals itself as a pleasant enough -- though ultimately trivial -- little comedy.

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Angels In America Review


OK
There are times when Mike Nichols' long-awaited HBO adaptation of Tony Kushner's award-riddled Reagan-era AIDS epic play, Angels in America, just about achieves that grand moment of completion that it's been striving for, and the failure to do so is almost heartbreaking. There are numerous reasons why Kushner's play has never been brought to film before, despite serving for many years as the landmark theatrical statement on AIDS in the 1980s - the lyrical counterpoint to the factual reportage of the book and film And the Band Played On - and highest among them is its length. Nichols' version takes the play at its original, somewhat off-putting size, divided up into two three-hour parts, and does pretty much the best with its material that one could ask for; any problems with the finished product are likely Kushner's own.

Part one, "Millennium Approaches" is full of ominous portents, plague and destruction, the rampant spread of AIDS in the chilly clime of '80s conservatism, while the second, "Perestroika" makes the political issues bandied about earlier in the film devastatingly personal. The story runs from 1985 to 1990 and takes in a broad sweep of characters, but not nearly as many as other writers would have packed in, simply to give a broader demographic sampling. Central to the film is Prior Walter (Justin Kirk), a 30-year-old AIDS sufferer whose boyfriend Louis (Ben Shenkman) leaves him in an astonishingly heartless manner, only to take up soon after with recently uncloseted U.S. attorney Joe Pitt (Patrick Wilson). Left mostly to his own devices, with only his friend Belize (Jeffery Wright) to help, as Walter gets sicker, he begins to have visions of an angel (Emma Thompson, odd, arrogant and completely captivating), determined to make him a prophet, claiming that God has deserted the world and that humans are at fault.

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