Justin Henry

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Reaper Trailer

The Reaper (Mike Michaels) was formerly an ordained minister before embarking on a rampant killing spree with a brutal murder cult that believed in the homicidal cleansing of a corrupt society. After slaughtering a handful of convicted criminals from drug dealers to prostitutes, the Reaper was imprisoned and sentenced to death by electric chair, but when a power cut thwarts his fate, he manages to make an escape from the prison. He takes to a hotel where he knows various dangerous criminals will be meeting with the intention of another crazed massacre, but when one feisty girl (Shayla Beesley) finds herself fighting for survival, she is forced to face the dread she has been trying to forget. Can the Reaper be stopped once again? Or is his presence an unshakeable force damning a crime-rife society forever?

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Sixth Annual 2010 CARE Awards To Honor Showbiz Kids At The Globe Theatre - Arrivals

Brandon Killham Sunday 14th March 2010 Sixth Annual 2010 CARE Awards to Honor Showbiz Kids at The Globe Theatre - Arrivals Universal City, California

Brandon Killham

Kramer Vs. Kramer Review

Back in the late '70s, a wave of divorce swept across America, perhaps the first big mainstream reflection of the women's lib movement that had blossomed a few years earlier. All my friends' parents seemed to break up, and so did Dustin Hoffman and Meryl Streep in Kramer vs. Kramer, a zeitgeisty melodrama that fits right in with all the Upper East Side Woody Allen flicks of that era, only with lawyers instead of laughs. Showered with awards, including nine Oscar nominations and five wins, including Best Picture, it remains one of the most compelling films of the decade, even if time has tarnished a bit of its sheen.

Hard-driving and oblivious ad exec Ted Kramer (Hoffman, more jittery than usual) is blindsided when his alarmingly fragile wife Joanna suddenly abandons him and their six-year old son Billy (Justin Henry), claiming that she needs to go to California to, you know, "find herself." Clearly a woman on the verge of a nervous breakdown, she hands over the keys, the credit cards, and the dry-cleaning tickets and disappears, leaving Ted to answer Billy's question: "Where's Mommy?"

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6th Annual World Poker Tour Celebrity Invitational Held At Commerce Casino - Arrivals

Matthew Lillard Saturday 1st March 2008 6th Annual World Poker Tour Celebrity Invitational held at Commerce Casino - Arrivals Los Angeles, California

Finding Home Review

Ridiculously awkward direction and poor pacing are only two of the black marks on Finding Home, an overdone family drama that plays like a Hallmark special -- circa 1970s. Directed and co-written by Lawrence D. Folds, creator of action/horror entries like Don't Go Near the Park, this fluffy feature contains a curious combination: lead actors of minimal skill and three supporting actors with top-shelf pasts.

Oddly enough, all three were most visible -- and successful -- during the 1970s and early '80s. Louise Fletcher, noted for her Oscar-winning turn as Nurse Ratched in One Flew Over the Cuckoo's Nest, plays the just-deceased grandmother of the story, remembered lovingly through flashbacks; Jason Miller, intense Oscar nominee for The Exorcist, is here as grandma's helpful estate attorney; and Geneviève Bujold (Tightrope, Choose Me, Dead Ringers) plays the caretaker of the Maine lakeside inn Grandma owned for decades.

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Sixteen Candles Review

It's difficult to explain the draw that Sixteen Candles still exerts almost two decades after its original release - and next to impossible if you're talking to someone who wasn't in high school at some point prior to 1990. On the surface, the premise is nothing spectacular: Samantha Baker (Molly Ringwald) has just turned sixteen, but her family is so obsessed with her older sister's wedding the next day, that they forget. Further complicating Sam's life is the fact that she's hopelessly in love with senior über-hunk Jake Ryan (Michael Schoeffling (who?)) - who already has the prom-queen for a girlfriend - and she's being stalked by a freshman (Anthony Michael Hall, whose character is given no other name in the credits but "The Geek.")

Sam chases after Jake, while The Geek chases after Sam. After one school dance, your standard '80s teen party - including requisite shots of piles of junk food and empty beer cans, as well as throngs of kids in brightly colored sweaters dancing badly in somebody's suburban living room - and a late night ride in a Rolls Royce driven by a kid without a license, true love will somehow manage to prevail.

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