Claire Bennett is struggling to get through day-to-day life despite her buffet of pills, one-on-one medical support and the Women's Chronic Pain Support Group she regularly attends. She is forced to cope with the heart-breaking break-up of her relationship but becomes deeply obsessed with the suicide of Nina Collins, another woman from the support group. In a bid to learn more about her death and, indeed, her life, she persuades the group leader to pass on Nina's address. It's then she meets her widower Roy with whom she strikes up a significant relationship, with both of them dealing with the loss of a loved one and their own brand of chronic pain. Meanwhile, Claire frequently experiences hallucinations of Nina, who slowly draws her towards normality and, perhaps, a happier life.
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The sequel picks up 10 years later in 1850, where lovers Alejandro (Banderas) and Elena (Zeta-Jones, again convincing everyone she's not European) are now married. Alejandro is still working around the clock as Zorro to help the oppressed of California, a situation Elena is none too pleased with since she feels he's neglecting his family. After an especially nasty argument with Elena, Alejandro leaves his estate to get some space and to save some more peasant families. Several days later, he's handed divorce papers and a reason to start drinking.
Continue reading: The Legend Of Zorro Review
Call me cynical, but when was the last time you heard - outside of the movies, that is - about an assassin with a taste for the finer things in life? It's become a hip cliché in recent years (due in large part to The Sopranos) to present cold-blooded criminals as quirky, cultured people who struggle with the same daily dilemmas (family obligations, work-related stress) as "normal" people. Yet Duvall, despite a feisty performance as a weathered killer who, left stranded in Argentina when an assignment is delayed, wiles away his days learning the particulars of Argentine tango, can do nothing to make John Anderson seem like anything more than a fictional creation.
Continue reading: Assassination Tango Review
Clark teams up with co-director Ed Lachman (lauded cinematographer of Far From Heaven) and his bad-boy Kids screenwriter Harmony Korine to tell us that young people are the most tension-filled, powder keg group in the country. Witness the film's opening credits: the title teen (red-haired Adam Chubbuck) skateboards through a suburban town, enters his local skate park, and puts a bullet through his own head. Roll movie.
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