My nominee for the culprit would be the plot, which is convoluted and plodding. In short, Paris is in flux as the Nazis make their advances in 1940. A spoiled, petulant actress (Isabelle Adjani) travels with her new beau of convenience, the Prime Minister, played by a slim Gérard Depardieu. Meanwhile, her childhood friend (Grégori Derangère) - whom she inadvertently framed for murder - has escaped from jail.
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