Films of this nature usually need a gruff, salt-of-the-earth type to provide hard-earned wisdom, and here it's the Lair family's elder statesman, Henry (Michael Caine), an ailing archaeologist who despairs at how little fun that his grandson, Jason (Josh Lucas) is letting his own boy, Zach (Jonah Bobo), have in life. Jason is an uptight banker type who's basically raising Zach alone after his wife absconded to Nepal (women, right?), leaving the business of taking care of Henry to the live-in Danish nurse, Katrina (Glenne Headly). On the eve of Henry's impending death - which he's able to foretell with preternatural accuracy - the bombshell dropped in their laps is the arrival of the family's missing link, Turner (Christopher Walken), Henry's son and Jason's father (never mind that Walken is only 10 years younger than Caine and looks even closer to him in age), who wants to make up for his wasted decades of crime, addiction and familial neglect.
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