Katherine Borowitz, Ari Graynor, Julie Kavner, Lisa Emery and Marlo Thomas - Katherine Borowitz, Allen Lewis Rickman, Max Gordon Moore, Marlo Thomas, Lisa Emery, Patricia O'Connell, Ari Graynor and Julie Kavner New York City, USA - Opening night of the Broadway production of 'Relatively Speaking' at the Brooks Atkinson Theatre - Curtain Call Thursday 20th October 2011
The 23 episodes of Season 10, broadcast between August 1998 and May 1999, reveal a show securely positioned both as money-making endeavor for Fox and well-regarded repository for smarty-pants satire. The show's writers, one of TV's greatest collections of comic minds since the stellar days of Sid Caesar's Your Show of Shows, know exactly what notes to hit, and they hit them over and over again; meaning, in short: lots of Homer being an unthinking idiot. Homer could save Grandpa's life with a kidney transplant, but he's too scared of the operation and keeps running away, ala the climax of One Flew Over the Cuckoo's Nest. Homer becomes a bodyguard. And so on. But all this attention also means that the writers are constantly feeding Homer the best lines ("Are you sure this is a sci-fi convention? It's full of nerds."), though Bart gets plenty of one-liners as well ("Dad, you make a great hippie; you're lazy and self-righteous!").
Continue reading: The Simpsons: Season Ten Review
Not quite, Comic Book Guy, but the long-gestating and highly anticipated The Simpsons Movie does deliver a raucous feature-length venture that should satisfy faithful fans while still entertaining audience members who don't know Homer J. Simpson from a hole in the wall. By stretching a formula normally applied to a 22-minute episode, Simpsons lobs comically sacrilegious spitballs at an environmentally sensitive storyline that justifies its big-screen treatment. The humor stays irreverent without making the still-running sitcom irrelevant.
Continue reading: The Simpsons Movie Review
Sandler plays Michael, a workaholic architect who spends more time satisfying the whims of his demanding boss (David Hasselhoff) than he does with his family. Michael cancels camping trips with his kids and rushes (foolishly) through love-making sessions with his wife Donna (Kate Beckinsale) just so he can inch closer to that partnership he covets. Michael is out of control and out of the loop on everything going on at home. He can't even distinguish his television remote from the one that controls his garage.
Continue reading: Click Review
Pretty much taking pot-shots at everyone he's ever known, every establishment he can think of, every vice there is, and--mostly--himself... that's your basic summary of Deconstructing Harry. Allen is vulgar and crass, wholly unlikeable... but hysterical. Maybe the funniest part of the film is the cast of stars he's lined up, all of whom do nothing but get spit upon the whole time! Suckers! (The movie is told half in reality, half as visualizations of writer Harry Block's (Allen) stories, thus, the large cast.)
Continue reading: Deconstructing Harry Review
As the story goes, it is the second day of school and the fall is in full swing. David Gold (Aaron Harnick) has returned to his parent's home after spending time working in the film business in California. He runs into old high school classmate Judy Berlin (Edie Falco - from HBO's Oz and The Sopranos), an outspoken yet dimwitted aspiring actress on her way to Hollywood that very evening. The story follows their respective families as Judy and David spend the day reminiscing while a solar eclipse darkens the town.
Continue reading: Judy Berlin Review
The film is a series of vignettes, clearly drawn from Allen's days as a youngster, and only tangentially interrelated. It's almost overly upbeat -- to the point where you wish Woody would get a little more miserable from time to time.
Continue reading: Radio Days Review
Billy Crystal directs and stars in this Baby Boomer romantic fable about a pair of star-crossed lovers (Crystal, as Mickey, and Debra Winger, as Ellen) who can't seem to get their relationship right. Going through a dozen iterations of "boy meets girl, boy loses girl," the couple's story is told through a narrative from their friends over dinner.
Continue reading: Forget Paris Review
A sardonic yet adoring, antic allegory about a menagerie of neurotic Long Island oddballs following and/or abandoning their dreams, "Judy Berlin" is a strange little film that got left behind like a red-headed step child at last year's Sundance Film Festival.
Its creator Eric Mendelsohn won Best Director in Park City, but went home without a distribution deal -- which is the undeclared movie meat market's unspoken parting gift for award winners.
Then along came indie house Shooting Gallery, which has made this movie the flagship release for a touring series of six pictures the distributor feels went unfairly unnoticed during their festival tours.
Continue reading: Judy Berlin Review
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