Julie Baines

Julie Baines

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Triangle Review

Very Good
British filmmaker Smith (Severance) comes up with an effectively disorienting premise that consistently keeps us both unsettled and unsure what might happen next. It may be a bit vague for some viewers, but others will love it.

Jess (George) is clearly having a bad morning when she joins her friend Greg (Dorman) for a day trip on his gorgeous sailboat with his friends Sally and Downey (Carpani and Nixon), their friend Heather (Lung) and Greg's shipmate Victor (Hemsworth). After a sudden freak storm, they are rescued by an ocean liner that seems to be utterly empty. Except that they start dying one by one.

Sort of. And Jess is the only one who has an inkling that she may be able to stop the cycle of violence.

Continue reading: Triangle Review

Creep Review

I suppose a better title would have been Geek.

This is a prime example of what is common referred to as a geek show. In the olden days, that meant that carnival goers were ushered into a back tent (and usually asked to cough up a few more dimes) to view a geek doing geek things, like biting the heads off chickens or swallowing worms. It was the lowest rung of entertainment, the 20th century equivalent of bear baiting.

Continue reading: Creep Review

The Republic Of Love Review


The DVD case for The Republic of Love engages in a little harmless misinformation. The film is not actually based on a Pulitzer Price-winning novel. It's based on a book written by someone (Carol Shields), who wrote another book (The Stone Diaries), which did win a Pulitzer.

That's some comfort, too, because I can't fathom how a middle-aged romantic tragicomedy like this could possibly win a major award.

At its core is a story of a radio talk show host Tom (Bruce Greenwood) and "mermaid researcher" girlfriend Faye (Emilia Fox). Tom has a string of divorces behind him, the result of being too anxious to fall in love with every girl he meets. Faye is gunshy -- it seems that all of Tom's ex-wives are friends of hers. (And, strangely, she's never met him?)

None of this is played for laughs, really. We're supposed to feel bad for Tom and pine for he and Faye to find something lasting amidst an environment of bleak winter, dysfunctional families, and dying geriatrics. Cold and detached, it's hard to get behind either of these characters, who not only don't seem very right for each other, they don't seem very right for anyone. Case in point: When Tom is jogging with a friend, the guy (right next to him) collapses and keels over dead. Tom doesn't notice: He's distracted by a billboard with his face on it, concerned with the size of his nostrils. As for Faye: A mermaid researcher? I can't put my finger on it, but something just doesn't gel there.

Director Deepa Mehta does nothing to make this palatable. In fact, she goes out of her way to distance us from the story and the characters, most notably through washing the entire movie into total gray, giving it just a hint of color (in the end, the movie brightens up in a particularly awful scene that has animated flowers growing over the frame). Wintry symbolism has never felt so forced -- and in a film that ought to have been played as a romantic comedy, it's never been more out of place, either.

This film is one of Film Movement's simultaneous theatrical/DVD releases -- but I can't find any theater that's showing it. Film Movement is also the sole distributor of its DVDs -- releasing one a month -- so you can't usually get them at Amazon. This one's the exception.

Julie Baines

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Triangle Movie Review

Triangle Movie Review

British filmmaker Smith (Severance) comes up with an effectively disorienting premise that consistently keeps us...

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