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The best in competition for Cannes Film Festival 2017.
Cannes Film Festival 2017 kicks off this week and those officially selected for Competition are particularly exciting this year. The Palme d'Or nominees offer thrills, colour, mystery, poignant propositions as well as some of Hollywood's biggest stars. Here are nine of our most anticipated features.
Nicole Kidman stars in 'The Beguiled'
1. The Beguiled - For Academy Award winning Sofia Coppola's latest film, she adapts the Thomas P. Cullinan novel of the same name (originally called 'A Painted Devil') in a Western starring Nicole Kidman, Kirsten Dunst and Elle Fanning. They play the residents of a small Virginia girls' school who take in a wounded Union soldier played by Colin Farrell. Sexual tensions arise, which only results in pure vengeance.
A New York comedy with vivid characters and a contrived plot, this feels rather a lot like a Woody Allen movie. Although writer-director Rebecca Miller keeps it rather cute and silly, avoiding the more pointed issues raised in her script. Still, the snaky, farcical story is very entertaining, and the witty performances from the terrific cast make it well worth a look.
Greta Gerwig plays Maggie, a woman who has given up on finding the perfect man, so she sets out to have a child using a donation from a pickle entrepreneur (Travis Fimmel). Then just after she has the fertilisation procedure, she falls for her fellow professor John (Ethan Hawke), who's looking for a reason to leave his haughty Danish wife Georgette (Julianne Moore). Three years later, Maggie and John are settled down with their toddler daughter. But Maggie is frustrated that John has become aimless, unable to finish his long-in-the-works novel. She's also somehow ended up raising his and Georgette's kids (Mina Sundwall and Jackson Frazer). So she hatches a plan to get Georgette to take him back.
The premise is ingenious, and Miller fills it in with colourful characters and lots of detail, plus several convenient twists and implausible turns of the plot. This keeps the film from ever becoming more than a bit of nutty fluff, but at least it's entertaining fluff. Gerwig and Hawke are superb as self-involved people whose relationship develops in surprisingly resonant ways. Both are sympathetic but not hugely likeable in the way they remain oblivious to everyone around them, and watching them interact is a lot of fun. But the entire film is stolen by Moore in a hilariously spiky turn as the high-maintenance Georgette, who peers imperiously through her riotous array of furs and scarves but can only barely hide the fragile person inside.
Continue reading: Maggie's Plan Review
In the comedy-drama Maggie's Plan, Julianne Moore plays a woman caught in an unusual romantic triangle: the woman (Greta Gerwig) her ex-husband (Ethan Hawke) ran off with decides that she wants to send him back to her, and she doesn't think it's such a bad idea.
The film sprang from a conversation Moore had with her close friend, writer-director Rebecca Miller. "Years and years ago," she recounts, "I told Rebecca that I knew this woman who had gotten divorced, and because of the kids she was still involved with her ex-husband. Then her current husband also had children, so it was very complicated. And she said to me, 'If I were to do it all over again, I don't know that I would get the divorce.' Because she still loved her ex-husband."
Both Moore and Miller identified with this idea. "Rebecca and I are both in these very long relationships with all the ups and downs," Moore says. "Sometimes, no matter what's happening, you look at him and you just have to go, 'Well, that's my guy.' It's that question if another relationship is going to be that much different than the one that you've invested all this time in."
Continue reading: Julianne Moore Enjoyed The Pointed Comedy Of Maggie's Plan
Julianne Moore - Actors and Celebrities attends the opening Ceremony with "Cafe Society" at the Palais des Festivals for the 69th Cannes Film Festival. at Cannes Film Festival - Cannes, France - Wednesday 11th May 2016
Julianne Moore - Celebrities attend 88th Annual Academy Awards at Hollywood & Highland Center in Hollywood. at Hollywood & Highland Center in Hollywood, Academy Awards - Los Angeles, California, United States - Sunday 28th February 2016
Maggie's has always been practically minded and now that she's in her thirties and has decided that it's time to have a child, the small issue of not having a partner isn't going to stand in her way. She's never really experienced being head over heels in love so when she meets John Harding (an aspiring novelist) their instant connection comes as a shock to the sometimes bookish Maggie.
As Maggie and John's relationship becomes more and more serious, Maggie seeks advice from her best friends. Falling for John isn't just a usual case of starting a relationship, John has many other people to consider - namely his wife and kids. John has been married to a Danish academic for years but over recent times, the couple have become more and more distant.
Soon John realises that Maggie is a source of inspiration for him and he's ready to move on from his prior life. We fast-forward 2 years down the line and the couple have a child but Maggie isn't quite as head over heels in love with the man she thought John was. Maggie cannot bring herself to leave John and decides to come up a highly unconventional way to try and find a solution to her current predicament.
The drama Freeheld tells the true story of police officer Laurel Hester.
In 2002 Laurel was diagnosed with terminal cancer and had to fight for a change in the law so that her pension benefits would go to her civil partner Stacie Andree. This was a landmark case in marriage equality law in America.
Julianne Moore and Ellen Page play Laurel and Stacie in the film, and understood the importance of recreating real people on-screen. "You have a responsibility to that person, to become as close to them as possible," Moore says.
Ellen Page at the Berlin premiere
Continue reading: Freeheld Is Important For Moore And Page
Julianne Moore - The 66th annual International Berlin Film Festival (Berlinale) - Maggie's Plan - Photo Call at Grand Hyatt hotel at The Grand Hyatt Hotel - Berlin, Germany - Monday 15th February 2016
Julianne Moore - The 66th annual International Berlin Film Festival (Berlinale) - Maggie's Plan - Press Conference at Grand Hyatt hotel at The Grand Hyatt Hotel - Berlin, Germany - Monday 15th February 2016
Julianne Moore - EE British Academy Film Awards 2016 (BAFTAs) held at the Royal Opera House - Arrivals at Royal Opera House,, British Academy Film Awards - London, United Kingdom - Monday 15th February 2016
Julianne Moore - The 69th British Academy Film Awards held at the Royal Opera House, Covent Garden - Arrivals at Royal Opera House, Covent Garden, British Academy Film Awards - London, United Kingdom - Sunday 14th February 2016
Julianne Moore - 22nd Annual Screen Actors Guild Awards at The Shrine Expo Hall - Arrivals at The Shrine Expo Hall, Screen Actors Guild - Los Angeles, California, United States - Saturday 30th January 2016
Julianne Moore - 22nd Annual Screen Actors Guild Awards at The Shrine Expo Hall - Arrivals at Shrine Auditorium, Screen Actors Guild - Los Angeles, California, United States - Saturday 30th January 2016
Julianne Moore - 22nd Annual Screen Actors Guild Awards at The Shrine Expo Hall - Outside Arrivals at Shrine Auditorium, Screen Actors Guild - Los Angeles, California, United States - Saturday 30th January 2016
Birdman sweeps the top Academy Awards, stars attend the parties, then it's work as usual in New York, London and L.A. And first-glimpse trailers debut for Simon Pegg's action comedy Kill Me Three Times, Bradley Cooper's comedy-drama Aloha and Kristen Wiig's black comedy Welcome to Me...
Hollywood celebrated itself on Sunday night with the 87th Academy Awards, ignoring the critics' favourite Boyhood to present the best film, director and screenplay Oscars to the show business comedy Birdman. The lively presenters and winners were caught backstage by paparazzi in the press room.
Continue reading: A Week In Movies: Oscar Awards Birdman, Then The Stars Party And Return To Work. Trailers Arrive For Simon Pegg As An Aussie Hitman, A Bradley Cooper Romance And A Kristen Wiig Comedy
Critics' awards in Los Angeles and London bring out local stars, while Johnny Depp's Mortdecai premieres in Berlin, London and L.A. Ryan Gosling, Russell Crowe and Jesse Eisenberg are snapped on their film sets, and new trailers debut for Kidnapping Mr Heineken and Good Kill...
A-list celebrities turned out in Hollywood for the starry Critics' Choice Movie Awards last weekend, including Julianne Moore, Angelina Jolie, Jessica Chastain, Eddie Redmayne, Keira Knightley, Ethan Hawke, Rosamund Pike, Michael Keaton, Reese Witherspoon, Marion Cotillard, David Oyelowo, Felicity Jones, Jennifer Aniston, Amy Adams and Chris Hemsworth. Jared Leto even matched his outfit to the blue carpet.
The 20th Critic's Choice Awards showed up the Academy Awards by honouring people and films snubbed by the Oscars.
While the Academy Award nominations may have angered quite a few people, the Critic's Choice Awards took place on the same day (15th January 2015) at the Hollywood Palladium. Hosted by Michael Strahan, this year's Critic's Choice Awards was the twentieth anniversary of the ceremony, and continued the tradition of honouring some of the very best that the year's cinema had to offer.
Michael Keaton won both 'Best Actor' and 'Best Actor in a Comedy Movie' (Credit Christopher Polk - Getty Images)
The ceremony differed from the upcoming Academy Awards in several ways. One of these was how it took the stance of being one of the few prestigious award ceremonies to honour 'Guardians of the Galaxy' (awarding it 'Best Action Movie' and 'Best Hair and Makeup'), and furthermore awarding the title of 'Best Animated Feature' to 'The Lego Movie' (which was shockingly snubbed by the Academy Award nominations). Perhaps Chris Pratt is just a magnet for these things.
Continue reading: Critic's Choice Awards Honour Oscar-Snubbed Movies [Photos]
'Winter Sleep', the Turkish film directed by Nuri Bilge Ceylan, has won the Palme d'or at the 2014 Cannes Film Festival. Timothy Spall and Julianne Moore have also received awards for their performances in, respectively, 'Mr.Turner' and 'Map to the Stars'.
Timothy Spall and Julianne Moore have received the prizes at the 2014 Cannes Film Festival for best actor and actress in a feature film. Winter Sleep, a Turkish film, has won the Palme d'or, the highest award at Cannes.
Julianne Moore recieved the award for best actress at Cannes.
Winter Sleep has been awarded the highest honour at the 2014 Cannes Film Festival, the Palme d'or. The Turkish film, directed by Nuri Bilge Ceylan, stars Haluk Bilginer, Demet Akbag and Melisa Sözen. The film follows the family story of a former actor running a hotel in a small town in Anatolia. The film has been highly praised by critics and has beat off a series of films with far larger budgets and well known stars for the highest award including American and British films Foxcatcher and Mr. Turner.
Continue reading: Timothy Spall & Julianne Moore Win Cannes 2014 Best Actors Awards
David Cronenberg's new film could have a strong shot at the Palme D'Or if critics are on the money.
Maps to the Stars has finally received its premiere at the Cannes Film Festival and will compete in competition with nearly 20 other films for the top prize. Julianne Moore, John Cusack, Mia Wasikowska and Robert Pattinson lead the way in the movie, which is a scathing satire of Beverly Hills and certain roach-like denizens.
Robert Pattinson Plays Limo Driver Jerome Fantana In 'Maps To The Stars.'
Moore plays Havana Segrand, a famous but struggling star who is battling for another shot at fame playing the lead in a movie about her legendary movie star mother's life. Wasikowska plays Agatha Weiss, a badly scarred pyromaniac whose brother is a Bieber-esque child star with a similar attitude.
Jennifer Lawrence channelled Panem’s District 1 whilst appearing at the Cannes film festival. The 23-year-old actress appeared alongside her ‘Hunger Games’ co-stars wearing an unusual Dior skirt and top.
Jennifer Lawrence was joined by her fellow Hunger Games cast whilst in Cannes on Saturday 17th May. The actress, best known for playing Katniss Everdeen, has turned heads over the last year with her daring yet brilliantly executed red carpet looks.
Jennifer Lawrence's matching skirt and top certainly turned heads at the Cannes' photocall.
The 23-year-old looked lovely with her short hair curled and resting just below her ear. She wore an unusual outfit which included a white skirt complete with frilled mesh and a crop top which a pattern which would not have looked out of place in the Panem’s District 1. The Dior top was emblazoned with a motif, designed to look like a window in which a sea-side landscape could be clearly seen. The back of her unusual top was split and looked as if she were wearing a pair of wings. She completed the two piece ensemble with silver earrings and matching pointed silver heeled shoes.
'Hunger Games: Mockingjay Part 1' is still set to keep to its November release date, what can we expect from the upcoming movie?
Hunger Games: Mockingjay Part 1 is on track for its November 21 release date, despite the tragic death of cast member Philip Seymour Hoffman earlier this year. We’re keeping our eyes peeled for a Mockingjay trailer, which should hopefully be released over the coming weeks. But even with the absence of a trailer, what can we expect to see from the upcoming film?
Prepare to see less Katniss and Peeta, more Finnick and Gale
We left Katniss Everdeen in the unexpected hands of Hoffman’s character, Plutarch Heavensbee, and Finnick Odair, played by Sam Claflin. Claflin has revealed that the movie is “going very well and looks amazing”, adding, “There’s a lot more to come.”
Continue reading: What Can We Expect From 'Hunger Games: Mockingjay Part 1'?
Keith Richards isn't the only celebrity to write a children's book, check out these other celebrity authors who have dabbled in children's literature.
OK, so Keith Richards has released a children’s book called ‘Gus & Me: The Story of My Granddad and My First Guitar’, which was inspired by his own childhood and first experiences with music. There are lots of things that we think of Keith Richards as being, a children’s author is certainly not one. That said, we’re sure that the book will be magical and the sneak peek at illustrations indicate they will be beautiful, but it’s got us thinking about which other celebrities have written children’s books. And wow. You would not believe some of the celebs that have!
Keith Richards Has Penned A Children's Book
Bill Cosby wrote a book for children. Yep, the Bill Cosby, from The Cosby Show fame. The one who is always been accused of being inappropriate in a manner of ways. Cosby’s book is called ‘The Day I Was Rich’ and purports to teach children the value of friendship over money. When Little Bill (nothing Freudian to see here) discovers what he thinks is a huge diamond, which turns out to be a glass paperweight, he and friends are momentarily deflated before returning to the fun they had before they discovered the ‘treasure’. Heartwarming stuff.
It's rushed, implausible, convoluted and immensely fun, say critics.
We already know that Liam Neeson is good under pressure – or his characters are, anyway. Now we’re about to see what happens when you put the man up in the air. In his latest film, Neeson plays an air marshall on a non-stop flight, which (of course) gets hijacked. The critics are already (mostly) in love with Non-Stop and with Neeson’s performance in particular.
Believable this is not, but the critics are in love anyway.
“Non-Stop is a crisp, efficient thriller that benefits greatly from the intangibles Neeson can be counted on to supply,” says the LA Times’ Kenneth Turan, noting the tangible urgency in Neeson’s acting, as well as Jaume Collet-Serra’s expert direction.
Continue reading: "Non-Stop" Gets Cautious Thumbs Up From Critics [Trailer + Pictures]
With a premise not much more believable than Snakes on a Plane, this slickly made thriller entertains us from start to finish by never flinching once. It may be utterly ridiculous, but it's played with full-on dedication by a gifted cast and a filmmaker who knows how to ramp up tension out of thin air, so to speak. Yes, it's utterly idiotic, but it's so much fun that we want a sequel even before this film crashes to the ground.
Relapsed alcoholic Air Marshal Bill (Neeson) has far too much personal baggage as he heads to work on a trans-Atlantic flight. Still grieving over his daughter's death as he drinks a bit of coffee with his whiskey, his hopes of a quiet flight are soon dashed when he receives an in-flight text threatening to kill a passenger every 20 minutes if he doesn't pay a huge ransom. So he kicks into action-man gear. But things start getting seriously surreal as he struggles to find anyone on the plane who doesn't look shifty. He seeks assistance from steely stewardess Nancy (Dockery) and too-helpful passenger Jen (Moore). But everyone begins to wonder if Bill might be the real villain here.
Filmmaker Collet-Serra packs the screen with red herrings, as all of the passengers fire wary glances at each other, moan about the general chaos of the flight and do all of those stupid things that make air travel so tiresome. The only thing missing is a screaming baby. Not that you'd hear it above the crazed panic this cat-and-mouse situation induces. It's so frantic that we barely have time to wonder how someone could get on a plane with a briefcase full of cocaine. Or a bomb. So we just hang on as the turbulence escalates.
Continue reading: Non-stop Review
Ellen Page is an actress after all, so let's take a look at her upcoming projects.
The news that Ellen Page is gay is important to the public for one reason: she’s a celebrity, and can – by her actions – influence public opinion towards equality. But she’s an actress, and what we really want to know is what movies she’s working on.
Ellen Page in X-Men: Days of Future Past
Her biggest upcoming project is X Men: Days of Future Past, in which the 26-year-old plays Kitty Pryde/Shadowcat - a mutant with the ability to phase through solid objects and a part Page thought she’d never play again.
Continue reading: Ellen Page Is Gay. Cool. But What Movies Has She Got Coming Up?
A more feminine slant elevates this remake to something interesting, even if the film is overwrought and essentially unnecessary. Director Peirce calls this a new adaptation of the Stephen King novel rather than a remake of the 1976 Brian DePalma film. But while this is an efficiently made freak-out, Peirce packs the screen with nods to the earlier movie, which remains the iconic version of this story.
Carrie (Moretz) is bullied at high school because she doesn't quite fit in. Mean girl Chris (Doubleday) targets her ruthlessly, humiliating her in the locker-room when she first gets her period. But Chris' friend Sue (Wilde) thinks this went too far, and convinces her hunky boyfriend Tommy (Elgort) to take Carrie to the prom. Back home, Carrie's mother Margaret (Moore) is a religious fanatic who hates men, rejects any hint of sex and locks Carrie in a tiny closet to pray for forgiveness when she even mentions going to a dance with a boy. But Carrie's womanhood has also brought her telekinetic powers. And as the prom approaches, Chris is planning something nasty that will provoke Carrie to react.
The first problem here is in casting Moretz as a teen wallflower, because she's simply too confident and glamorous to believe as someone so socially inept. Thankfully, Moretz is a terrific actor, so she sharply catches Carrie's nervous energy and makes us believe that she's been pushed to the brink by both her mother and her classmates. Even so, she works out how to use her power far too quickly. Opposite her, Moore delivers a superbly detailed portrayal of a paranoid true believer.
Continue reading: Carrie Review
With this writing-directing debut, Joseph Gordon-Levitt delivers a remarkably assured comedy-drama while also giving himself a role that's far against his usual type. It's raucously hilarious but also surprisingly involving as it reveals the vulnerabilities of a strutting hard-man. And we're having so much fun that we barely notice that the script's approach to addiction is somewhat simplistic.
The title character is such a dude that his friends call him "the don", in reference to New Jersey gangsters. And Jon (Gordon-Levitt) has his life figured out, with a list of things he cares for: his body, home, car, family, church, friends and girls. In that order. But above everything else, his main obsession is porn. Then while hanging with his friends Bobby and Danny (Brown and Luke) he spots Barbara (Johansson), a perfect "dime" who's worth playing the long game for. Except that she has zero tolerance for pornography, so he has to hide his addiction from her, only confessing to his parish priest and an unexpectedly sympathetic fellow student (Moore) at night school.
Like a character from Jersey Shore, Jon is such a charming loser that we can't help but love him. But despite the macho swagger and gym-honed physique, he's also deeply devoted to his parents (the fabulous Danza and Headly) and happiest when he's cleaning his flat. Gordon-Levitt wouldn't be the first actor you'd think of in this role, but he plays it perfectly, letting us see the little boy behind the tough-guy posturing and making us believe that he's fallen for the charms of this idealised woman (Johansson is simply hysterical).
Continue reading: Don Jon Review
Liam Neeson doing what he does best: railing against bad guys.
Those with even a teensy fear of flying should click away now because new Liam Neeson thriller exploits just about every aeroplane-based fear there is, including terrorists, fire, a hurtling plummet and a killer on the loose.
You ready? Well Neeson plays Bill Marks, a US federal air marshal whose job it is to protect our skies but ironically hates flying. He boards a plane from New York to London and gets settled down in his seat next to Julianne Moore when his phone goes off, despite his supposedly secured network. He checks the message and it reads an eerie "Hello Marshal."
Bill Marks is a U.S. federal air marshal who ironically can't stand plane journeys. His hatred for flying is only about to get a lot worse when an anonymous person breaks through the secure network on his phone to send him a threatening text explaining that they're going to kill a person on the plane every twenty minutes unless $150 million is transferred to an offshore account number. With the crew sceptical that anything's amiss and insisting that no-one could get away with murder on a 6 hour flight between the States and the UK, Bill is forced to search for the culprit alone - but time is running out as the first victim is discovered. When it is revealed that the account number is actually in his name, news spreads across the world that he has hijacked the flight and he is forced to defend himself while keeping everybody else from being harmed.
This high-action mystery thriller will have you on the edge of seat this winter with an almost impossible to believe cat and mouse chase. 'Non-Stop' has been directed by Jaume Collet-Serra ('Orphan', 'Unknown', 'House Of Wax') and written by Ryan Engle ('On a Clear Day') and John W. Richardson and Christopher Roach in their feature screenwriting debuts. It is set to be released in the UK on February 28th 2014.
Directed by: Jaume Collet-Serra
Continue: Non-Stop Trailer
The prank to promote the new 'Carrie' movie terrified some New York coffee shop customers.
Ahead of the November release of the modern reboot of Stephen King's horror classic, Carrie, promotions are underway to build up as much buzz around the new movie as possible. The team chose to pull off one of the covert camera public pranks that often goes viral, but also chose to do it much, much better than anyone else has.
A quick explanation at the beginning of the video gets the viewer up to date and lets them sit with glee as the prank plays out on unsuspecting coffee shop customers in New York. We are show the erection of a large fake wall behind which a prank team watch the happenings on screens and control the different elements of this truly terrifying trick.
The acting veteran will play the role of President Alma Coin in the last two 'Hunger Games' movies
Julianne Moore has been announced as one of the stars of the upcoming Hunger Games movies Mockingjay Parts 1 and 2. Film distributor Lionsgate announced the news on Friday, 13 September, revealing that the Academy Award-nominated actress will be playing the role of President Alma Coin.
Julianne Moore has received a positive reception since her casting was announced
The 52-year-old's character is (spoiler alert) an integral part of the later novels in the Hunger Games series. Her character is the head of District 13 and leads the rebellion against the dictatorship of the Capitol in the final book in the series. Mockingjay is one book, but it will be extended to two films to ensure that as many details as possible can be retained.
Continue reading: Julianne Moore Cast In 'The Hunger Games: Mockingjay Parts 1 & 2'
Will Kristen be jealous? Robert Pattinson goes through awkward kissing scene with Mia Wasikowska for Cronenberg's 'Maps To The Stars'.
The 'Twilight' star is in the front of the limousine for once as he takes on the role of driver and aspiring actor Jerome in the new drama. As well as starring alongside Mia, who plays feisty pyromaniac Agatha Weiss, Pattinson will also appear alongside John Cusack, Julianne Moore and Carrie Fisher.
Getting the hang of cruising in a limo is one thing, but what Robert finds most difficult to get his head round is the romantic scenes, which he has previously admitted is 'awkward'.
Even though this drama is based on a 115-year-old novel, it feels powerfully timely today in the way it recounts events surrounding a particularly grim divorce. As we see the story through the eyes of a young girl caught between her self-involved parents, we are emotionally drawn right to the heart of the matter. Of course, it takes skilled filmmakers and a far-above-average cast to make this work.
Maisie (Aprile) is the 6-year-old daughter of fading rocker Susanna (Moore) and art dealer Beale (Coogan), whose marriage isn't dissolving quietly. As fiery arguments echo around their New York apartment, Maisie can't quite understand their anger but feels her hope fading. Sure enough, they separate, and when she goes to visit Daddy she's unnerved to discover her nanny Margo (Vanderham) is now living with him. Then Mommy marries nice-guy barman Lincoln (Skarsgard), who becomes Maisie's most reliable friend as her parents use her as a weapon in their bitter custody battle.
Directors McGeehee and Siegel (Bee Season) cleverly maintain Maisie's point of view all the way through the film, so we only see and hear things as she would. Much of what happens is never explained to her, but we get it and we understand that she probably does too. This includes the shocking irresponsibility displayed by both Susanna and Beale, who continually dump Maisie on each other as a kind of assault. And because they're preoccupied with their work, it's up to Margo and Lincoln to pick up the slack.
Continue reading: What Maisie Knew Review
The trailer for this fantasy epic has got us excited.
The last time we saw Jeff Bridges he was lumbering around the deep West as Rooster Cogburn, being harangued and harassed by the brilliant Hailee Steinfeld as Mattie Ross in 2010’s True Grit. Now he’s some sort of fantasy dojo teaching a young warrior to fight the evil spirits they plague their world in The Seventh Son.
Bridges looking troubled - it's not easy to relax when evil spirits want to eat your heart
Master Gregory – Bridges’ character in the film – bears no resemblance to anything we’ve seen from the Big Lebowski before. He’s nimble, wise and mysterious as he trains young Thomas played by Ben Barnes (Dorian Gray) in the art of battle.
John Gregory is a Spook charged with ridding the country of witches, beasts and malevolent forces. But, as the years tick by, he realises that he must enlist another to keep evil at bay in the form of Thomas Ward, the seventh son of the seventh son who possesses the power to see things others cannot. When the powerful witch Mother Malkin makes her return, after Gregory thought he'd defeated her years ago, Thomas is forced to confront her and slay her once and for all. But things aren't as easy they seem when he befriends a witch girl who convinces him that not all witches are bad. Will Thomas succeed in sending Malkin back to the grave? Or will he find himself putting his trust in the wrong people?
Continue: Seventh Son Trailer
Gwyneth Paltrow's underwear will be the most talked about moment from the 'Thanks for Sharing' trailer - though the film could turn out to be pretty decent.
Ok so this happened. Gywneth's Paltrow's underwear, well, lingerie, is on full show in the trailer for her new movie 'Thanks for Sharing,' about three people who undergo a 12-step treatment to cure sex addiction. The 40-year-old wife of Coldplay's Chris Martin strips down to her smalls in the new clip which rolled out online on Wednesday (June 26, 2013).
Gywneth Paltrow At The Iron Man 3 Premiere - She Plays Pepper Potts In The Movies
Obviously you may have better things to do than watching Paltrow parading about in lingerie, but just in case you don't, the trailer's below. The comedy-drama also stars Tim Robbins (Shawshank Redemption), Josh Gad (Book of Mormon), Mark Ruffalo (Zodiac) Joely Richardson (Nip/Tuck), Carol Kane (Annie Hall) and the pop-star Pink.
The first trailer for Joseph Gordon-Levitt's Don Jon is here.
Joseph Gordon Levitt [L] and Scarlett Johansson [R] In Don Jon
If you'd taken time to read any of the articles about Joseph Gordon-Levitt's directorial debut Don Jon, you would have been forgiven for assuming it was an expose of the dark side of porn addiction. It is that, but it's also a comedy and from the looks of the first trailer, a funny one at that.
As well as serving as writer-director, Gordon-Levitt also plays the movie's lead Jon Martello, a young guy who enjoys his swish apartment, working out, driving his car, going to church, socializing and...watching porn. Watching a lot of porn. His subsequent expectations of sexual relationships mean he is unable to build a long-lasting relationship with anyone, despite his friends dubbing him Don Jon for his ability to land any woman.
Jon Martello enjoys his routine lifestyle which involves working out, maintaining his apartment, driving a flash car, seeing his family, going to church, hanging with his boys, pulling pretty girls and, crucially, watching porn. The expectations he builds watching X-rated internet videos is a massive contribution to the fact that he doesn't have long lasting relationships with anyone, despite his friends nicknaming him Don Jon for his ability to take home a stunning woman whenever he likes. However, after setting eyes on a beautiful blonde at a club, he has more than just a one night stand on his mind and arranges to meet her for a date. When they appear to begin seeing each other regularly (to the delight of his grandchild-less mother) things seem to be going better for him than ever before; that is, until, she catches him enjoying his daily dose of obscene web action. Jon now realises he has a lot of lessons to learn if he wants to be with the woman of his dreams.
Joseph Gordon-Levitt ('Looper', 'Lincoln', 'Inception', 'The Dark Knight Rises') stars in his directorial feature debut 'Don Jon' which also marks his first full-length screenplay. It's a comedy about a seemingly normal New Jersey guy who, though happy as he is at the present, could be slowly destroying his future. It will hit UK cinemas in the Autumn on November 15th 2013.
'Magnolia' star Julianne Moore is interviewed about her new movie 'What Maise Knew' at the Soho Grande hotel in New York. She talks about playing music, balancing motherhood and work, and her upcoming projects.
Carrie White is a plain and very sheltered girl raised alone by her extremely strict Christian mother who frequently punishes her. At school she is habitually bullied, something that gets ten times worse after a both humiliating and terrifying experience in the girls' locker room which causes her mother to inflict yet more punishment on her. Through her tumultuous life, she discovers that she has the power to move objects with her mind, something that causes much distress to her mother. The only people to truly show any compassion is her gym teacher Miss Desjardin and one of the popular girls, Sue Snell, who encourages her handsome boyfriend Tommy Ross to take her to the school prom. Carrie accepts, believing that she has been accepted for the first time in her life, only to face the biggest and most destructive humiliation of her life.
The re-make to the Oscar nominated 1976 horror based on the book by acclaimed author Stephen King is due to hit screens this year in the first major rendition since the Brian De Palma flick's release. 2013's 'Carrie' has been directed by Kimberly Peirce ('Boys Don't Cry', 'Stop-Loss') with a screenplay by Roberto Aguirre-Sacasa ('Roberto Aguirre-Sacasa') and it is set for release in UK cinemas everywhere from November 29th 2013.
Maisie is a 6-year-old girl whose parents are the veteran rock star Susanna and the art dealer Beale. As high profile as they are, Maisie is hardly living the high life as her selfish and ignorant folks never seem to have time to think about being parents and when their rocky relationship ends in a fiery divorce, she is used merely as a weapon in court as the bitter custody battle gets underway. Being passed from mother to father and vice versa hardly has the effect of making each parent want to spend more time with her to make up for their time apart as Susanna is often busy on tour and Beale takes many long work trips away. As a result, their respective new spouses Lincoln and Margo (also her ex-Nanny) are forced to take on the responsibility of caring for Maisie together and the young girl finds herself becoming happier by the day.
This is a heart-warming movie challenges the idea of child custody and is viewed through the eyes of an innocent girl who tries to construct a new family after her own is bitterly torn apart. Based on the novel of the same name by Henry James, this adaptation of 'What Maisie Knew' has been directed by Scott McGehee and David Siegel ('Suture', 'Uncertainty', 'Bee Season') and written by Carroll Cartwright ('Dungeons & Dragons', 'Where the Money Is') and Nancy Doyne in her feature film debut.
Do you remember when Joseph Gordon-Levitt wasn't hot? No? Well, he wasn't. There was a time in the long distant past where he was, for a while, type-cast as a nerd. Remember 3rd Rock from the Sun and 10 Things I Hate About You? He was in those! And he was absolutely great in them, but he was a nerd. And he had long hair. Anyway, now he has written, directed, and starred in his very own movie. A raunchy, morality-driven film called Don Jon's Addiction, in which he plays, not a nerd, a stud.
Don Jon, played by Gordon-Levitt, is a lothario, a rake who can score any girl he wants and spends his entire life focused on 'things' (cars, his body, women...) and porn. "I think it's true that a lot of guys are learning what they think love and sex are supposed to be from the unlimited amount of porn available on the Internet," Levitt said at a press conference for the Sundance Film Festival. "I wanted to tell a story about love, and in my observation what's always getting in the way of love is how people objectify each other."
Co-starring is Scarlett Johansson, whose character champions the equally problematic traditional notions of Disney romance. She manages to create something that is something of a simulation of 'love', she doesn't sleep with him straight away, and she makes him work for it. Part of what she makes him do in his pursuit of sex is to join a night school. There they meet the moral root of the story; Esther (Julianne Moore), a mature student who smokes pot.
Continue reading: Joseph Gordon-Levitt' Don Jon's Addiction: A Feminist Movie About Porn
The Premieres section of The Sundance Film festival, which includes 18 films in 2013, historically includes some of the festival's highest-profile projects.
Ashton Kutcher's turn as Steve Jobs in 'Jobs' is one of several projects in the festival's noncompetition section that is headed by a mainstream stars. Festival director John Cooper believes Kutcher's portrayal of the enigmatic Apple founder will resonate with viewers. "Ashton Kutcher's performance I thought was quite remarkable," Cooper said. "It's a very formidable performance by him and it seemed like he really tried to grasp all the nuances of who Steve Jobs was." Since Kutcher's casting in Jobs was revealed in April, interest in the project has steadily grown. The Joshua Michael Stern-directed biopic was written by Matt Whiteley and also features Dermot Mulroney, Josh Gad, Lukas Haas, J.K. Simmons and Matthew Modine.
Other projects feature Scarlett Johansson, Julianne Moore and Joseph Gordon-Levitt, with all three appearing in Don Jon's Addiction. Shia LaBeouf (The Necessary Death of Charlie Countryman) and Amanda Seyfried (Lovelace) also feature. Don Jon's Addiction sees Gordon-Levitt's directorial debut, but the Looper actor also wrote and stars in the film, which is about a self-centered porn-addict attempting to reform his ways. Continuing the rise of music documentaries in the last several years, Foo Fighters' musician Dave Grohl looks at the history of Sound City studios in California, where Grohl's former band Nirvana had recorded their classic 1991 album "Nevermind."
Julianne Moore's daughter Liv took to the streets of New York this week, to take her pet pooch for a walk around the block. The 10-year-old looked the spitting image of her Hollywood mother, who walked by her side as if to hammer home the startling likeness to nearby photographers.
Liv has certainly inherited her mother's red hair and porcelain skin: it's basically a tiny little Julianne Moore walking around New York, which is a bit weird really. The 10-year-old, whose father is film director Bart Freundlich, is Julianne's only daughter though the couple also have a 15-year-old son, Caleb. In the harsh East Coast weather, Moore wrapped up in a knitted beanie hat, jacket, scarf, fingerless gloves and black boots, while daughter Liv opted for a puffa-jacket, jeans and simple tennis shoes.
After a stunning turn as Sarah Palin in Game Change, Moore is currently shooting the thriller Non-Stop with Liam Neeson. She also stars as the deranged mother of Chloe Moretz's Carrie in the highly anticipated horror remake and will appear in the porn-addict comedy Don Jon's Addiction, with Scarlett Johansson and Joseph-Gordon Levitt. However, perhaps her most intriguing project lies with Dan Fogelman's Imagine, about an old letter written by John Lennon and Yoko Ono to an aging musician which prompts him to reconnect with his son. The movie also stars Al Pacino and Jeremy Renner (probably not as John and Yoko).
Continue reading: Julianne Moore's Daughter Looks Weirdly Like Julianne Moore
A teaser trailer for the Carrie remake was unveiled at New York’s Comic Con last weekend and has now made its way online. Starring Chloe Grace Moretz and Julianne Moore, the re-visioning of the 1976 Brian De Palma classic will, of course, have horror fanatics cowering behind the sofa in fear, peering gingerly through the fingers that fearfully cover their eyes. This won’t be because they are particularly scared of whatever is happening on screen, though but because they are petrified of what director Kimberly Peirce may have done to their beloved Carrie.
The teaser trailer itself isn’t exactly very… teasing. As the camera pans over an American town that’s been pretty much entirely set on fire, it eventually zooms in on Chloe Grace Moretz, stood in the middle of the street, surrounded by flames and covered in blood, recalling the classic Carrie scene. Except, in the classic image of Carrie (played by Sissy Spacek), covered in blood, she wasn’t standing in the middle of the street. She was at her school prom. But hey, why let a massive detail like that upset you? Perhaps this scene is just from her walk home from the prom. (Cue thousands of horror purists reaching for their ventilators).
Over the action, a montage of voices spout various suspense-inducing phrases, such as “she wasn’t some monster — she was just a girl” and “her mother was a fanatic, I don’t know how she lived with her.” We don’t get much more than that from this first glimpse of the film; the movie’s producers will have to try a lot harder than this if they want to coax any fans of the original out from behind the sofa.
For most of his life, Nick Flynn has never known his father. He has remained absent for most of his life, serving time in prison for forging cheques. Nick's father, called Jonathan, is a self-proclaimed poet and spent most of his time in prison writing letters and poems.
Continue: Being Flynn Trailer
At first, he's a young, train-hopping wanderer who has taken the name Woody (Marcus Carl Franklin), from his hero Woody Guthrie. He also plays a guitar with "This Machine Kills Fascism" painted on it. Later, the man appears as an aged Billy the Kid (Richard Gere) who can't understand why the locals are being bullied out of their land by a decrepit Pat Garrett (Bruce Greenwood). Fitfully, the sequences are shot in the dusty browns of Peckinpah and the hippie westerns of the late 1960s and 1970s. Both stories, along with the others, are consistently interrupted by a press conference with poet Arthur Rimbaud (Ben Whishaw), who speaks in a particularly American sarcasm while scrutinizing everyone who questions him, half-mumbling with cigarette in hand.
Continue reading: I'm Not There Review
Nicolas Cage plays Cris Johnson, a Las Vegas entertainer disguising his true abilities with a cheesy stage show. FBI Agent Callie Ferris (Julianne Moore) has decided that the best way to stop a smuggled nuclear bomb from detonating somewhere in the U.S. is to use Johnson's talent for prognostication. Never mind the fact that he can only see two minutes into the future, giving her a very brief window in which to act if he were to see the bomb. That's about the level of logic at which this film operates.
Continue reading: Next Review
Imagine my shock; Nine Months is pretty good.
Continue reading: Nine Months Review
I said "aims," of course. A Map of the World is deeply flawed yet still worth a look, especially if you're into grandiose, weepy, self-important dramas. And hey, who isn't?
Continue reading: A Map Of The World Review
It's not really Spacey's fault, it's just the script. Spacey is Quoyle, a newly single father, after his slutty whore of a wife (Cate Blanchett) is killed while selling their daughter on the black market to earn spending cash for her latest biker boyfriend. Quoyle spends his time grieving and in denial and soon decides to follow a long lost aunt to the homeland of his family in Newfoundland. There, he stumbles into a job as the shipping news reporter for the local newspaper.
Continue reading: The Shipping News Review
The Victorians were well known for keeping a stiff upper lip about everything, and their romance was absolutely no exception. Their entire world was constructed around subtlety, and, in tune with that, the one word that can be used to describe An Ideal Husband is subtle.
Continue reading: An Ideal Husband Review
First she was reduced to an allergic-to-everything blob of flesh in Safe. Now she's emotionally torn asunder as her husband goes gay and the only man she can turn to happens to be black.
Continue reading: Far From Heaven Review
Assassins is essentially an updating of a well-established story line. Robert Rath (Stallone) is the best in the world at what he does--killing people for money. But he's getting tired of it all and wants out of the business. Unfortunately, you can't just give two weeks notice to your faceless hit contractor; it's a bit more difficult than that. So it's understandable that Rath barely flinches when he finds out Miguel Bain (Antonio Banderas), the #2 assassin, is after him.
Continue reading: Assassins Review
Cal (Crudup) is a Manhattan architect with a wife and 3-year old son who, for a largely unexplained reason, is discontent. His interior landscape is entirely his own, as he revels in the brooding inner drive that propels him to abandon his family and set out on the road. To help convey the mental anguish he's experiencing, the film employs hallucinatory images, flashbacks, time phase cuts, and other borrowings from films like the successful Memento, though without the consistency or effectiveness of that fine work.
Continue reading: World Traveler Review
In Evolution, you get David Duchovny, (former) star of TV's The X-Files who has failed miserably to cross over to any kind of success in film. Julianne Moore, former independent darling before she started making movies like The Lost World and Hannibal. Orlando Jones, 7-Up pitchman and easily typecast goofball. And Seann William Scott, whose most visible role was as a stoner in Dude, Where's My Car?
Continue reading: Evolution Review
Even if "The End of the Affair" didn't invite comparisons to "The English Patient" with Ralph Fiennes' auto-pilot performance as another reflective World War II-era Englishman immersed heart and soul in an adulterous love affair, this Neil Jordan adaptation of Graham Greene's novel would still be an ambitious misfire.
Beset by the oversimplification of abstract and heavy concepts of heart, mind and religion, the film looks beautiful with its foggy and well-heeled London society appointments, and it's nothing if not emotional, what with the likes of Fiennes and Julianne Moore as the (naturally!) doomed lovers and Jordan staple Stephen Rea as the betrayed, milquetoast husband/best friend.
But while Jordan's talent for screenwriting and direction are evidenced in dialogue ("I'm jealous of these shoes because they take you away from me. I'm jealous of this stocking because it kisses your entire leg...") and structure (Fiennes' point of view transitions into Moore's as he reads her stolen diary), the director's use of other stale and banal plot devices betray the pedestrian underpinnings of this seemingly complex film.
Continue reading: The End Of The Affair Review
"The Hours" is an Oscar voter's nightmare. An adaptation of Michael Cunningham's novel about three women in three different time periods whose lives are profoundly affected by Virginia Woolf's "Mrs. Dalloway," the film features equally magnificent performances of nearly equal screen time from three of the best actresses working in film today.
Meryl Streep submerges herself in the self-sacrificing soul of Clarissa Vaughan, a modern Manhattan book editor whose longtime dear friend -- and volatile ex-lover -- Richard (Ed Harris) likes to ruffle her feathers by comparing her to the heroine of Woolf's book. Both women are externally serene, perfectionist party-throwers hiding deep reservoirs of regret over missed opportunities while living lives as mother-hen caretakers to others.
Julianne Moore plays Laura Brown, a fragile, pregnant 1950s housewife in the midst of reading "Mrs. Dalloway," whose deep depression (like Woolf's) and suicidal musings (like Dalloway's) go all but unnoticed by everyone except her young son (Jack Rovello), who clings to her apron strings with worry.
Continue reading: The Hours Review
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