Just from the press book, Hit and Runway had the smell of a misguided idea. A gay, Jewish man and a straight, masculine Italian guy join pen and prose together to write the perfect movie script for action superstar Jagger Stevens. The Italian guy is homophobic and doesn't understand the meaning of irony. The Jewish guy is Woody Allen's lost twin brother who berates everything and everyone around him with "witty" Allen-esque dialogue. It's a quirky romantic comedy about a straight man and a gay man coming to terms with each other's personal identities and dreams and learning to love, and yadda yadda yadda...
Continue reading: Hit And Runway Review
Once upon a time George Lucas -- the man who virtually invented the "Bigger! Faster! More!" school of blockbuster filmmaking -- was a freshly minted film school graduate stretching tiny budgets into entire worlds. "THX 1138," currently showing in a new director's cut, was one of his oddest, earliest efforts, and one of the slowest and most deliberately minimalist science fiction films ever made.
Shot in San Francisco's then-uncompleted BART tunnels on a relatively low budget with the help of producer Francis Ford Coppola, Lucas shamelessly cribs from Stanley Kubrick's "2001: A Space Odyssey" and George Orwell, not to mention tidbits from Carl Dreyer's "The Passion of Joan of Arc" and other classic films. But at the same time, fans can get a glimpse of early "Star Wars" ideas simmering on the back burner.
Continue reading: THX 1138 (The Director's Cut) Review
"Hit and Runway" is the kind of shoestring budget, mock-autobiographical, tongue-in-cheek film festival trinket that has an endearing charm despite the fact that it just screams "my first feature."
Written and directed by unpolished rookie Christopher Livingson, the story is about Alex (Michael Parducci), a hopelessly inept struggling screenwriter whose only ambition is to get rich banging out simplistic action movies in which the hero sleeps with supermodels and belts out zingers like "Freeze you scuzbucket piece of Eurotrash!"
He lives in the basement of his family's Greenwich Village cafe, busses tables part time and dreams of signing a ruggedly wooden action megastar named Jagger Evans (Hoyt Richards) to one of his creations.
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