Sheesh, here we have one of those You've Got Mail-style romances, with dueling heroes (here, Gellar is the little bistro chef, doing battle with Flanery's shopping center epicurian palace). Gellar's little shop is headed south, so it's Flanery to the rescue, right? Well, the secret that makes movies like The Shop Around the Corner work is that the heroes hate each other at first, then grow to love one another. Here, it's love at first sight, courtesy of a magic crab.
Continue reading: Simply Irresistable Review
"Fast Food, Fast Women" is a considerably imperfect movie, the intangible charm of which has to grow on you.
Most everything wrong with it can be summed up by the fact that it absolutely screams "my first low-budget indie," yet writer-director Amos Kollek has been making movies for 15 years (all small independent films, straight-to-videos or quickie sequels).
It's uneven and under-rehearsed. It's clear that Kollek had only one or two takes to choose from in editing some scenes. It has all the trappings of a Woody Allen wannabe, including Allenesque opening credits, Allenesque handheld camerawork, an Allenesque ensemble ranging in age and recognition, Allenesque quirky characters (how about a stuttering hooker?) and nervously insecure Allenesque leads. The picture even co-stars Louise Lasser ("Mary Hartman, Mary Hartman"), Woody Allen's ex-wife and frequent collaborator.
Continue reading: Fast Food, Fast Women Review
Many ticket-holders couldn't get into the O2 Arena show on Tuesday night (September 19th) because they didn't bring photo ID to match their booking.
An album re-release, a new song and a documentary mark the singer's legacy this year.
The film will be the first in the Marvel Cinematic Universe led by a person of colour.
The actor plays the titular hero in the forthcoming adaptation.