Surprise! As DeMille himself tells us in a (somewhat silly) opening narration -- where he comes out from behind a curtain and addresses the audience -- the Bible skips Moses' formative years altogether. One minute, as a baby he's fished out of the Nile by Pharoah's daughter, the next he's banished to the desert for killing an Egyptian who is beating a Hebrew man. There's certainly no talk of Moses' rise to power under Pharoah -- which comprises the first two hours of this nearly four-hour film. In DeMille's rendition (based, he says, on the works of ancient scholars), Moses (Charleton Heston, in the role that would define his career) toils under Pharoah (Cedric Hardwicke) as his adopted grandson, working hard building a treasure city for his glory. His rival is Pharoah's son Rameses (Yul Brynner), who isn't only also up for the future job of Pharoah, he's also competing for the hand of Nefretiri (All About Eve's title character Anne Baxter).
Continue reading: The Ten Commandments Review
Thus read the ads for the original 1946 release of the classic, under-appreciated film noir The Strange Love of Martha Ivers, and although the tagline refers to the character, the name that the title brings to mind is that of star Barbara Stanwyck. As Martha, Stanwyck plays a woman with a secret, living in the kind of anywhere-in-America town that film noir sketched so indelibly on the big screen, a town where everything would seem peaceful to a stranger, but the locals know that intrigue simmers just out of sight. If you have to talk about Martha - a woman who's not only notorious but powerful as well - it probably is best to lower your voice. In a town this size, word gets around.
Continue reading: The Strange Love Of Martha Ivers Review
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