Eddie Murphy was honoured by his peers for his outstanding contribution to film, TV, music and stand-up over his 30 + year career.
Chris Rock, Jamie Foxx, Adam Sandler, and Russell Brand were just some of the famous faces at the Beverley Hills gala being aired on Spike later this month (it airs Nov. 14 at 10 p.m. on Spike). Murphy's friends and co-stars had nothing but praise for Murphy, with his appearances on such comedy classics as Coming To America and The Beverley Hills Cop being recalled by co-stars Arsenio Hall and Judge Reinhold. Jeffrey Katzenberg of Dreamworks Animation also gave his heart to Murphy's Donkey character from the Shrek films, whilst his Life co-star, Martin Lawrence, told him from onstage, “You’ve got a friend for life."
There were also video highlights from the funny man's seminal stand-up performances from the 80's, Raw and Delirious, although despite much attempted persuasion Murphy declined to get back on stage and perform stand up again.
Continue reading: Eddie Murphy Honoured By Fellow Stars For Spike TV
Against all odds, the e-happy Santa Clause series is back with a third installment, which involves Santa (Tim Allen) facing off against the Napoleon-complexed Jack Frost (Martin Short), who's got his eyes on the prize of being the supremo wintertime icon. His idea is to take advantage of a rare "escape clause" which lets Santa step down willingly if he says a certain phrase, so Frost can sieze the big red suit. Naturally, trickery is involved. Apparently Jack Frost is a very bad boy. You can tell by the fright wig hairdo.
Continue reading: The Santa Clause 3: The Escape Clause Review
Apart from the North Pole, much has changed since the original Santa Clause. Calvin's son, Charlie (Eric Lloyd), has become an embittered teenager who rebels against society by spraying graffiti on the walls of his school. Charlie's mother and stepfather (Wendy Crewson and Judge Reinhold), blame his misbehavior on Calvin's absence, but Principal Newman (Elizabeth Mitchell) doesn't care about the reasons behind the misbehavior, she just wants it to stop.
Continue reading: The Santa Clause 2 Review
Saddled with the worst title you could give to a comedy, Enemies of Laughter gives us David Paymer as Paul, a semi-failed sitcom writer whose experiences in Hollywood are echoed in his love life. He ends up on dozens of dates with your typical collection of L.A. airheads, but it isn't until he meets Carla (Rosalind Chao) that Paul figures he's met his match. Too bad he ruins their date with paranoid crazy-talk, sending Carla running for the hills.
Continue reading: Enemies Of Laughter Review
Beverly Hills Cop is actually a bit of a nutty idea -- combine a standard cop actioner with a fish out of water tale. Who would've thought that would be any good? But it works, and how, with Murphy turning in perhaps his funniest performance ever -- mocking the supporting cast at every turn (favorite targets: gay men, uptight men, and gay/uptight men) and tossing off one-liners like he's got a wad of them stuffed in his pocket. His Axel Foley, one of the most widely impersonated characters in film (remember the popularity of the "Mumford Phys. Ed." sweatshirt?), heads from rough-and-tumble Detroit to prim-and-proper Beverly Hills to investigate the murder of his best friend, uncovering a much bigger plot, of course.
Continue reading: Beverly Hills Cop Review
Credit that to a clever script that has Santa falling from a roof on Christmas Eve (and presumably dying in the process -- be ready to explain that to the kids) and Allen's Scott taking up his job after donning the Santa suit. Scott then has a year to prepare to take over the job full time. This mainly works out to Scott's putting on a ton of weight and growing a Santa-style beard, all the while denying he is becoming Mr. Claus.
Continue reading: The Santa Clause Review
All that was dead the moment Bill Murray threw the candy bar in the pool in Caddyshack. Critics hated Caddyshack, and called Saturday Night Live skits "mean-spirited," but for everyone else, it was finally OK to be crude, clever, offensive -- and funny. Subsequent films like Stripes, often featuring one or more cast members from SNL (Murray, et al.) or Second City TV (Harold Ramis, John Candy), set the mold. The formula hasn't needed much tweaking since then, either; the successful comedies of recent years (There's Something About Mary, American Pie, etc.) owe everything to them.
Continue reading: Stripes Review
At least one of the seven credited writers of the sequel-for-sequel's-sake holiday kiddie flick "The Santa Clause 2" clearly felt obliged to try to remedy the picture's contemptibly contrived premise by writing some really funny dialogue. And at least for-hire director Michael Lembeck (a sitcom vet making his screen debut) managed to infuse the movie with a fun, touching, sweet spirit.
But these acts are akin to Christmas miracles, coming as they do under the burden of a plot -- scratch that, a gimmick -- that revolves around finding even more fine print on the calling card of a dead St. Nick, which turned divorced suburban dad Scott Calvin (Tim Allen) into Santa Claus in the original family comedy from 1994.
It seems the elves waited eight years to inform their new Santa that he has until this Christmas to find a Mrs. Claus -- or else. "The de-Santafication process has already begun," frets head elf Bernard (David Krumholtz) as he shoos Scott off to find a wife. Meanwhile cherubic techie-elf Curtis (played by Spencer Breslin, one of those child actors who runs all his lines together without taking a breath or showing a hint of inflection) clones a big, rubbery toy Santa automaton (played by Allen in heavy prosthetic makeup) to stand in for Scott (unconvincingly) so the other elves won't learn of his predicament and panic at his absence.
Continue reading: The Santa Clause 2 Review
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