Jude Ciccolella

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Sin City 2: A Dame To Kill For - International Trailer


It's all about revenge in Sin City now as the wounded (both physically and mentally) set out on a trail of death and destruction in a bid to make sure justice is served in their town. Dwight McCarthy is on another rescue mission to save an abused wife as Ava Lord claims she is a prisoner at the hands of her wealthy husband Damien. Unfortunately, it seems her intentions are of the dishonest kind. Thought to be have been executed, Marv wakes up among several corpses with little memory of his alleged crimes, but a strong desire for vengeance. Nancy is heartbroken to the point of insanity following  police officer John Hartigan's suicide, and there's no stopping her when she decides to sentence the father of child-killer Roark Junior, Senator Roark, to death. Notorious gambler Johnny is a newbie in the town with his own scores to settle, but it isn't long before he realises he's messing with criminals much bigger than him.

The second instalment of the 'Sin City' film franchise 'Sin City: A Dame To Kill For' is due for release nearly ten years following the 2005 original. Author of the original graphic novel Frank Miller ('300', 'Batman: The Dark Knight Returns', 'Daredevil: Born Again') has adapted the screenplay and co-directs the movie with Robert Rodriguez ('Machete', 'Once Upon a Time in Mexico', 'From Dusk Till Dawn'). 'Sin City 2' is set to hit UK screens on August 25th 2014.

Click here to read Sin City 2: A Dame To Kill For movie review

The L.A. Riot Spectacular Review


Weak
A film that works overtime to offend each and every ethnic group and economic class that makes up the smoggy purgatory of Los Angeles while simultaneously patting itself on the back for being so putatively daring, The L.A. Riot Spectacular is a cynical exercise in erstwhile satire that's all the more frustrating for the wasted opportunity it represents.

Like a series of linked MAD TV skits done without regard to network censors - the humor is about that intelligent - the film presents the 1992 Rodney King beating and subsequent riots as a grand comic opera of greed and stupidity, going after everybody involved with equal vigor. One can get a feel for how writer/director Marc Klasfeld intends to approach his subject a few minutes in, when the car chase and police beating of King (T.K. Carter) is done as a jokey game, with a police helicopter pilot serving as the announcer ("and they're off!"), while the cops themselves, having pulled King over, place beats over the ethnicity of the guy inside. Then Snoop Dogg shows up - serving, appropriately enough, as the film's narrator and chorus - to introduce the film proper, while fireworks go off behind him.

Continue reading: The L.A. Riot Spectacular Review

The L.A. Riot Spectacular Review


Weak
A film that works overtime to offend each and every ethnic group and economic class that makes up the smoggy purgatory of Los Angeles while simultaneously patting itself on the back for being so putatively daring, The L.A. Riot Spectacular is a cynical exercise in erstwhile satire that's all the more frustrating for the wasted opportunity it represents.

Like a series of linked MAD TV skits done without regard to network censors - the humor is about that intelligent - the film presents the 1992 Rodney King beating and subsequent riots as a grand comic opera of greed and stupidity, going after everybody involved with equal vigor. One can get a feel for how writer/director Marc Klasfeld intends to approach his subject a few minutes in, when the car chase and police beating of King (T.K. Carter) is done as a jokey game, with a police helicopter pilot serving as the announcer ("and they're off!"), while the cops themselves, having pulled King over, place beats over the ethnicity of the guy inside. Then Snoop Dogg shows up - serving, appropriately enough, as the film's narrator and chorus - to introduce the film proper, while fireworks go off behind him.

Continue reading: The L.A. Riot Spectacular Review

Washington Heights Review


Weak
When are directors and screenwriters going to learn to take their time in telling a story? That you don't need two million events and people to create a compelling narrative? OK, anyone else aside from Miguel Arteta and Mike White (the directing/writing team behind The Good Girl and Chuck & Buck).

Director Alfredo De Villa is another director who hasn't learned that lesson and his film, Washington Heights, is a stampede of characters and subplots that has no hope of being corralled into a cohesive story.

Continue reading: Washington Heights Review

Head Of State Review


OK

Smart, sharp political satire it's not. But Chris Rock's "Head of State" -- the comedian's directorial debut in which he plays a black man running for president -- mixes a few stinging zingers into its generally crowd-pleasing brand of snickers and knee-slappers.

When asked if he'll step in for the Democratic candidate who died when his plane and his running mate's plane "crashed into each other over Virginia," Mays Gilliam (Rock), a Washington, D.C. alderman, has a split-second flash forward to being shot at his inaugural address before even finishing the line "My fellow Americans..." But he accepts the nomination anyway.

He's provided a specially trained, sworn-to-secrecy "super whore" -- a post-Clinton perk devised to help Democratic candidates avoid sex scandals.

Continue reading: Head Of State Review

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Jude Ciccolella Movies

Sin City 2: A Dame To Kill For Trailer

Sin City 2: A Dame To Kill For Trailer

It's all about revenge in Sin City now as the wounded (both physically and mentally)...

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Washington Heights Movie Review

Washington Heights Movie Review

When are directors and screenwriters going to learn to take their time in telling a...

Head Of State Movie Review

Head Of State Movie Review

Smart, sharp political satire it's not. But Chris Rock's "Head of State" -- the comedian's...

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