Controversy has engulfed "The Believer" since its premiere at last year's Sundance Film Festival, where it won the Grand Jury Prize but still couldn't find a distributor because it's a frank and frightful portrayal of an angry young Jew who hates his own heritage so much he becomes a neo-Nazi.
An intense examination of faith and a challenge to the notion of blind faith, it has been misunderstood by filmgoers who can't stomach being inside the head of Danny Balint (played by "Murder by Numbers" killer Ryan Gosling). That is certainly understandable -- it's an ugly place full of intolerance and self-loathing.
The film has also been criticized over the possibility that it might find an audience among hate groups who may hear Danny's articulate, even well-argued malevolence and not see that in his obsession he's discovered a new, more profound (if twisted) devotion to his congenital creed.
Continue reading: The Believer Review