Six years after his Harvard cred, Hynes seems to have returned to more fertile and vital ground with The Go-Getter, his second full-length film and a minor hit at the 2007 Sundance Film Festival. Hynes, who also wrote the film, never shows up on screen but the nerdy impresario he embodied years ago can be seen in the guise of Mercer White (Lou Taylor Pucci), a high-school dropout who takes to the road with a stolen car not long after his mother's death. Initially, Mercer's voyage has two goals: to find and inform his half-brother Arlen (Jsu Garcia) of their mother's death, and to get all sweaty-like with Joely (Jena Malone), a thong-sporting, middle-school crush of Mercer's.
Continue reading: The Go-Getter Review
Cute premise, and Klepto is indeed plenty charming... but ultimately it becomes too serious for its own good, forgetting that it's basically, you know, a love story between a kleptomaniac (and otherwise troubled) teen and shopping mall security guard that is better played for ironic laughs.
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Some of these boogeymen are the real deal -- Leatherface (The Texas Chainsaw Massacre) at the end of the film, Freddy Krueger (A Nightmare on Elm Street) in his finest hour, Jason (Friday the 13th) chasing a towel-wrapped co-ed, Pinhead (Hellraiser) ripping apart some dude. These are memorable horror baddies who haunted us during our youth. Then there are scenes from Wishmaster, Leprechaun, The Guardian, and even The Dentist -- not only is it not scary, it's silly and insulting to the other villains (like Psycho's Norman Bates) in the lineup. The Puppetmaster? And The Ugly? I've never even heard of The Ugly.
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Mel Gibson plays yet another idealized and idealistic father-of-five war hero, bursting at the seams with charge-leading integrity in "We Were Soldiers," a detailed and staggering account of the first harrowing battle of the Vietnam War.
This may sound like a bit much to take so soon after he single-handedly vanquished the British as a choleric colonial in "The Patriot." But Gibson is well cast in this far heavier and historically accurate picture that only falls back on hackneyed Hollywoodisms when it takes a break from the battlefield (and that isn't very often).
Gibson stars as Lt. Col. Hal Moore, the man who reluctantly but boldly lead the first American ground troops into the Ia Drang Valley on November 14, 1965 -- 11 years after the occupying French were trounced in the same location (as established in the film's brutal World War I-styled prologue).
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The terrorists in "Collateral Damage" must have coordinated with the movie's screenwriters when they were planning their big bombing for the finale. Their getaway vehicle for the scene is a motorcycle, which, of course, seats two. But there are three people who'd have to get away, according to their plan. How did they know in advance that one of them would be left behind? How did they know they'd only need a motorbike?
That's one of the more abstract plot holes in this Arnold Schwarzenegger action dud about an average (6'2", 250 lbs., heavy Austrian accent) American firefighter out to avenge his wife and son after they're killed in a terrorist bombing. But don't worry, there are plenty more common-sense gaffes that are far more obvious, especially the plethora of laughable security breach blunders that betray the movie's pre-Sept. 11 origins.
Quickly realizing those self-serving wonks at the CIA, FBI and State Department aren't going to get the bomber -- a cocaine-running Colombian rebel called "The Wolf" -- Arnie engineers his own one-man mission to Central America to smoke the guy out and kill him. He hikes, rides beaten-up busses and bribes poor boat fishermen to get him into rebel territory. There he poses as a mechanic to infiltrate a bad-guy stronghold, "MacGuyvers" himself a couple do-it-yourself bombs and starts blowing stuff up.
Continue reading: Collateral Damage Review
'Smalls Change (Meditations Upon Ageing)' arrives in April.
Mel Gibson plays yet another idealized and idealistic father-of-five war hero, bursting at the seams...
The terrorists in "Collateral Damage" must have coordinated with the movie's screenwriters when they were...