Six months after their son was killed in a tsunami, Janet and Paul (Beart and Sewell) are still living in Phuket nursing their grief. But Janet is convinced that he must be alive and living up-river in Burma, so convinces Paul to fund a desperate expedition. Their first guide (Pankratok) is a bit of a crook, but they soon link with Thaksin (Osthanugrah) and another expat, Kim (Dreyfus). And the further they venture into this strange region, the more bizarre things get.
Continue reading: Vinyan Review
Ostensibly a mash-up of tsunami-inspired tragedy and Lord of the Flies-styled allegory, Vinyan opens with an Anglo couple, Paul (Rufus Sewell) and Jeanne (Emmanuelle Béart), living on the Thai coast and trying to get on with their lives six months after the tsunami swept their little boy away. Attending an art opening, they see a grainy film of Burmese children left to fend for themselves in abandoned jungle outposts and Jeanne sees her son among them. While the image is never clear (the child is hobbling away from the camera), Jeanne is convinced and immediately plunges into the Bangkok night, a riot of neon and prostitution, to find a human smuggler who can take her to where the film was shot. Led by Thaksin Gao (played by the affable and afroed Petch Osathanugrah), Paul and Jeanne sail into war -torn Burma to find the "white child" in the country's fog, mud, and forest. Of course, that's when things get bizarre, and the film spins out leisurely towards a mind-boggling conclusion.
Continue reading: Vinyan Review
The story features a flustered father named Jean Vereecken (Josse De Pauw) who has a crazy vision of grandeur when he contemplates the notion of turning his talent-challenged, plump daughter Marva (Eva van der Gucht) into a glorified, moneymaking pop star. The poor gal is so earnest in her attempt to please her weary middle-aged father that she subjects herself to constant humiliation. This includes entering karaoke contests in which laryngitis-inflicted patients have a better chance at winning than the put-upon diva wannabe. But despite the obvious void in Marva's singing ability, Jean still stubbornly pens songs for his little gal to vocalize, with uneven results.
Continue reading: Everybody's Famous! Review
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