Somebody is committing increasingly gruesome and elaborate murders and the FBI don't know where to begin with tracking down the suspect. A team, led by special agent Joe Merriweather, decide that they have no choice but to enlist a veteran doctor named John Clancy, whose psychic abilites allow him to see things that no-one else can see no matter how much detective work they do. He has been living a life of solitude for the last two years after his own daughter died, but agrees to help for the sake of his old friend Joe. Unfortunately for him, this case is more than a match for his powers because their serial killer is constantly one step ahead of them. Clancy soon deduces that they are looking at somebody with psychic skills far superior to his own, and that the FBI agents are little more than flies running towards Charles Ambrose's sprawling web of death with each move.
Continue: Solace Trailer
Kill the Messenger follows the real life story of Journalist Gary Webb (Jeremy Renner), as he stumbles upon the story of a lifetime. When Webb hears that the US government was aware of the exportation of drugs to America, he begins following up the story. This, in turn, leads him to uncover a conspiracy where the CIA imported vast amounts of cocaine to sell in the US in order to raise money for the Nicaraguan Contras rebel army. Webb is then faced with the option to leave the story alone, or continue his investigation and put his career, family and own life at risk.
Continue: Kill The Messenger Trailer
With the drama and devastation that befell the East Coast of America, with the arrival of Hurricane Sandy last week, US movie fans seem to have opted for the feel-good factor with their box office choices. Wreck It Ralph currently sits atop the US Box Office chart but the generation-spanning animation should prepare to be ousted this week, with the release of two major players: Skyfall and Lincoln.
Skyfall has already been hailed as the best Bond movie ever. Directed by Sam Mendes, Skyfall marks the 50th anniversary of Bond movies and has already proved to be a box office sensation in the UK and Europe. There’s a question mark hanging over how much longer Daniel Craig will play Bond, which is only adding to the sense of urgency in getting to the movie theaters to check out Skyfall.
Mary and Mark Hughes vacate to their country vacation home with their 9-year-old son Brendon to help rebuild their troubled marriage following the traumatic and sudden death of their 6-year-old daughter. Guilt, blame and grief are causing tensions within the family and, understandably, all Mary is concerned with is making sure her little boy is safe. It's a quiet time of year when they make their way to their secluded cottage, however it isn't long before a new set of seemingly friendly neighbors, Bobby and Jane Sakowski with their son Jared, make themselves known to the Hugheses who politely ask them to join them for dinner despite feeling less than sociable. It soon becomes clear that the Sakowskis have invested far too much interest in the family and, sure enough, they turn on the Hugheses, setting out on a murderous quest to steal the identity of what they believe is the perfect family.
This brutal home-invasion thriller is a spine-tingling journey that will have you double checking the locks on your doors for weeks. It has been directed and produced by Jeremy Power Regimbal ('Marilyn' producer) in his directorial debut, while the screenplay was tackled by Joshua Close (actor in 'Diary of the Dead' and 'The Exorcism of Emily Rose') who is also set to star in the movie as Mark Hughes. It is set to hit screens in the US on November 9th 2012.
Continue: In Their Skin Trailer
This jagged, meandering exploration of a Scientology-style movement is hauntingly mesmerising and packed with meaty performances. As he did in There Will Be Blood, writer-director Anderson is exploring how people control and influence each other, this time focussing on a twisted mentor-protege relationship that's strikingly well-played by Hoffman and Phoenix.
The story takes place just after the war, as seaman Freddie Quells (Phoenix) struggles to overcome his physical and psychological injuries and fit back into society. After drifting across America, he stows away on a boat captained by Lancaster Dodd (Hoffman), who is known as the Master to followers of the Cause. He takes Freddie under his wing and coaches him to tap into his eternal soul by exploring who he was in past lives. So Freddie becomes part of the family with Dodd's strong-willed wife (Adams), doubtful son (Plemons) and more gung-ho daughter and son-in-law (Childers and Malek). And Freddie's stubbornness both annoys and challenges Dodd.
It's fascinating to watch these two men develop a tight connection while quietly jostling for power. The cycles of interaction make the film lurch in fits and starts as Freddie tries to elevate himself using Dodd's process, but continually finds another way all his own. In other words, both men are using each other to work out their own inner turmoil. While Hoffman gives a layered performance that bristles with quiet shadows and superficial bravado, Phoenix contorts his body and face into a man who has literally been crumpled up by his past. Meanwhile, the darkly intense Adams sneaks up and steals every scene she's in.
Continue reading: The Master Review
Freddie Quell is a violent and often drunk drifter who, whilst going through some of the most intense struggles of his life, meets a charismatic and scholarly gentleman on a boat called Lancaster Dodd who writes books based on a new religious organisation that he founded following World War II. Quell becomes his main partner and the new religion begins to grab the nation's attention earning it a keen following. However, some of the members believe that Quell's erratic behaviour is beyond the help of the organisation despite Dodd's insistences that he can be helped. Quell begins to question the teachings of the man the calls himself the Master and starts feeling as if everything that he is being made to believe is one big made-up story.
Continue: The Master Trailer
After the initial frames turn an immigrant family into a bunch of slow-moving flesh-chewers taped by a local newsman, the perspective shifts directly to Creed's camera as he shoots the zombie rampage that was meant to be his senior thesis for his professor (Scott Wentworth), a world-class alcoholic. As his star (Philip Riccio) takes off for his mansion with the sound girl, Creed and his crew start hearing broadcasts over the internet and the radio about the dead coming back to life: the death of death indeed.
Continue reading: Diary Of The Dead Review
It's down at the donut shop that young Oliver (Joshua Close), a runaway who has grown up in foster homes, meets Dodge (Nick Stahl), a streetwise, hollow-eyed hustler who's always on the lookout for new recruits to present to the local pimp, Fagin (Gary Farmer). The thoroughly unpleasant Fagin, who usually greets his charges with a punch in the face when they return to the ratty hustler rooming house he runs, quickly brings the nervous Oliver into the fold. The only ray of light in this ugly world is Nancy (Michele-Barbara Pelletier), a friendly diner waitress who also happens to be the girlfriend of the unseen Bill Sykes, the terrifying mastermind who apparently controls the entire Toronto underworld, Fagin included.
Continue reading: Twist (2003) Review
'Smalls Change (Meditations Upon Ageing)' arrives in April.
The two awards have made for a great 72nd birthday present for the country music icon.
Somebody is committing increasingly gruesome and elaborate murders and the FBI don't know where to...
Kill the Messenger follows the real life story of Journalist Gary Webb (Jeremy Renner), as...
Mary and Mark Hughes vacate to their country vacation home with their 9-year-old son Brendon...
This jagged, meandering exploration of a Scientology-style movement is hauntingly mesmerising and packed with meaty...
Freddie Quell is a violent and often drunk drifter who, whilst going through some of...
Diary Of The Dead Trailer The master of horror returns to the kind of filmmaking...