Josh Zuckerman, Jonathan Silverman, Jay Ali, Emma Fitzpatrick , Santa - 2015 Hollywood Christmas Parade at Hollywood Blvd, Hollywood Christmas Parade - Hollywood, California, United States - Monday 30th November 2015
Jonathan Silverman, Josh Zuckerman, Nathaniel Buzolic, Emma Fitzpatrick , Jay Ali - Celebrities attend the CBS, The CW, and Showtime 2015 Summer TCA Party at Pacific Design Center. at Pacific Design Center - Los Angeles, California, United States - Tuesday 11th August 2015
In 1973, New York nightclub CBGB opened as a venue for Country, BlueGrass and Blues acts led by music entrepreneur Hilly Kristal. However, it soon became clear that that wasn't the way the music scene was going in the city and he soon began to book new rock and punk bands - excluding all cover and tribute bands - to play regular shows there which helped raise the profile of several musical pioneers including Talking Heads, Blondie, The Ramones and the Patti Smith Group. It wasn't the easiest ride for Kristal, however, who suffered many money troubles due to his vision and ambition for the bands that he showcased, as well as much scrutiny over the general poor health and safety of the venue. Nonetheless (and despite its closure in 2006), it will always been known as the kick off point for so many 70s and 80s bands.
Randall Miller ('Nobel Son', 'Bottle Shock', 'Houseguest') directs this music drama alongside his frequent writing partner Jody Savin as it follows the highs and lows of Hilly Kristal's life and ambition to give innovative local bands a chance at success. The movie will premiere at the CBGB Festival over its October 10th-13th weekend; not far off the anniversary of its 2006 official closure.
Josh Zuckerman - Holly Holcomb, David Mixner and Josh Zuckerman New York City, USA - 'From the Front Porch: An Evening with David Mixner' - A benefit for Dixon Place and the Ali Forney Center held at Dixon Place Theatre Space Monday 11th July 2011
I feel similarly about Sex Drive. It has a certain comic dexterity, a willingness to set up sight gags, cutaways, and funny lines, many of the latter coming from Duke as an unlikely nerd-lothario encouraging his virginal buddy Ian (Josh Zuckerman) to get laid by any means necessary. But while the movie produces a fair amount of chuckles, it also cobbles together a whole lot of scenes with no discernible endgame apart from a gross-out punch line. The movie's first half-hour, in particular, spends an unseemly amount of time ripping off American Pie -- parents walking in on that, characters slipping and falling on this -- with a devotion that would seem more at home in an eleventh grade screenwriting class.
Continue reading: Sex Drive Review
Perhaps not coincidentally, a decade back is about when the novel version of The Hottest State came out. Webber/Hawke's William is an aspiring actor, apparently, though if this aspect of the character is autobiographical, Hawke left out any details that explain how exactly he got through any auditions without clever asides or other low-key hipster gestures. William is the type of guy who talks about acting almost exclusively in terms of personal metaphors about pretending and deception, despite never appearing to act like anyone but his own insecure, talkative self. While I don't doubt that some young actors behave this way, I have a little more trouble believing they'd somehow get flown down to Mexico to star in an Alfonso Cuarón movie (the name of the fictional film's director is never mentioned, but it's briefly visible on a clapboard, just long enough to register vague disbelief, even if it is just an autobiographical in-joke -- the real-life Hawke appeared in Cuarón's version of Great Expectations).
Continue reading: The Hottest State Review
Ben Affleck plays the lonely but wealthy media marketing executive Drew Latham. He prefers to ditch his family this holiday and take his materialistic girlfriend Missy (Jennifer Morrison) on a first-class trip to Fiji. Missy emphatically rejects his offer and dumps him for wanting to take her away from her family at Christmas. At the advice of Missy's quack psychologist, Drew's therapy is to write down all of his grievances with his family and burn them in front of his childhood home. While this ridiculously manufactured scenario presents a good treatment option for Drew, to the rest of us, it reeks of rotten eggnog.
Continue reading: Surviving Christmas Review
Like some sketch-comedy Frankenstein monster made from the cutting-room entrails of "Clueless," "The Opposite of Sex," "To Die For," "Election" and "Heathers," the puerile social satire "Pretty Persuasion" is stinging only insomuch as its unsophisticated wit and overwhelming smugness are painful to sit through.
Writer Skander Halim and director Marcos Siega clearly watched all these movies before cranking out this disingenuous dark comedy about a manipulative, 15-year-old private-school tart (Evan Rachel Wood) who accuses a teacher (Ron Livingston) of sexual harassment just to get famous. But they didn't learn a thing from those droll, original pictures about sardonic nuance or creating a feeling of camaraderie towards an unsympathetic anti-heroine.
Wood ("Thirteen"), in a rudimentary role far beneath her proven talent, never shies away from the dangerously sharp edges of Beverly Hills brat Kimberly Joyce, who takes down her two best friends (and fellow accusers), an ambitious TV reporter (Jane Krakowski) and her father's business in her pursuit of her 15 minutes. But there's no wicked delight to be had in her machinations, which are so transparently premeditated that all the other characters in the movie (detectives, judges and lawyers included) have to be certifiable morons in order to advance the plot.
Continue reading: Pretty Persuasion Review
Five years after his first stint as hitman Arthur Bishop in The Mechanic, Jason Statham has returned to the role for Mechanic: Resurrection.
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In 1973, New York nightclub CBGB opened as a venue for Country, BlueGrass and Blues...
Speaking in semi-awe of two snorting, greasy teenage vulgarians, Lance (Clark Duke) diagnoses their problem...
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Like some sketch-comedy Frankenstein monster made from the cutting-room entrails of "Clueless," "The Opposite of...