It's hard not to want to be Josh Rouse. He writes effortlessly catchy melodic pop songs about his idyllic life, which seems to be an endless stream of lazy Sundays. There's not a hint of misery in his recent life, with his marriage and subsequent move to Valencia infusing his last few studio efforts with some Spanish sunshine. He's built his own studio in Spain and has a devoted fan base, which has helped to fund the release of his newest album. He's also prolific having released 10 records in just 15 years. Who indeed wouldn't want to be Josh Rouse? New album The Happiness Waltz is just the latest reason why he's apparently one of the most contented men in music.
While the album is an easy going 40 minutes, it's full of autobiographical touches and heartfelt honesty. The Spanish guitars have also taken a backseat with a return to the alt country of Rouse's youth guiding many of the musical choices made here. He quite literally invites you into his world on the opening track 'Julie (Come Out Of The Rain)', although it's about the only time I can remember California ever being described as cold and grey. Musically, it's a perfect example of the Nashville tinged pop that Rouse mastered on previous albums, with a wonderfully downbeat solo thrown in. "Give me a smile and say, everything's ok", Rouse insists as the song nears its end; it's a sign that album number 10 is likely to live up to its title.
And for the most part, The Happiness Waltz delivers on that promise. It's full of positivity ("You've seen a lot of bad times, right now would be a good time, to turn it around and start up a family"), which could be problematic if the songs weren't quite so catchy. Usually sugar coated songs about how good life is are a sign that an artist has encountered a creative lull. But in Rouse's case he's not showboating, nor does he need to mine his inner demons to engage with his audience. The songs here are on a par with much of his earlier work, and while there's a nostalgic tone to many of the tracks, he doesn't seem to be reliving past glories. Instead, he's writing about the present and the prospect of growing old gracefully.
Continue reading: Josh Rouse - The Happiness Waltz Album Review
Country Mouse, City House
Continue reading: Josh Rouse, Country Mouse, City House, Album Review
The sound of a songwriter treading water (probably in his swimming pool in Spain between glasses of Sangria), Subtitulo unfortunately comes from the same man who, earlier in his career, was able to generate painfully gorgeous songs like Late Night Conversation.
However, the success of the tossed-off 1972 and Nashville pop albums has obviously convinced him that 'throwaway' is what the public wants. Here, Subtitulo doesn't even aim for quantity, clocking in at 33 minutes, that might, just might, have taken 34 minutes to write. If Jack Johnson's 'laid back guitar guy' is a touch too raw and inventive for you (ahem), Subtitulo will be right up your street.
It is terrible to hear a songwriter of Rouse's quality chasing the dollar in a direction away from his remarkable talent.
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