Josh Pais

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5 Flights Up Trailer


Ruth (Dianne Keaton) & Alex (Morgan Freeman) moved to Brooklyn back before it was cool. The two live on the fifth floor of an apartment with their dog, content to live their retirement with one another and painting. But with them both so old, the five flights of steps are becoming a problem for them to manage. As they go through the motions of trying to sell their apartment, they come face to face with new couples and younger people looking to move to the area, learning more about love and life in the process. 

Continue: 5 Flights Up Trailer

Touchy Feely Review


OK

After a couple of gimmicky transgressive comedies (Humpday and Your Sister's Sister), writer-director Lynn Shelton takes a more observant approach this time. So even if, as before, the script never quite fills in the gaps in the story, it at least knowingly recreates relational awkwardness in a remarkably sensitive way. And the characters are almost eerily easy to identify with.

The centre of the story is Abby (Rosemarie DeWitt), who is debating whether she should move in with her rebound boyfriend (Scoot McNairy). This sparks her to think about her whole life, and she ends up recoiling at the idea of touching human flesh. Which is a problem since she's a massage therapist. By contrast, her dentist brother Paul (Josh Pais) believes he might have the ability to heal his patients, so he consults Abby's reiki-practitioner colleague (Alison Janney) for advice. Meanwhile, Paul's daughter Jenny (Ellen Page) is terrified to tell her father that she hates working as his assistant. And she's even more afraid to admit that she has a crush on her aunt's boyfriend.

Along the way, Abby, Paul and Jenny are all pushed into a turning point in their lives by an unexpected change in circumstances, which of course feels a bit contrived. But the film's real strength is in the messy connection between family members who have issues with themselves and each other, all of which are expressed through clumsy conversations and uncomfortable physicality. As insecure siblings, DeWitt and Pais are terrific in complex roles that draw on the actors' nervous energy. But only Pais and McNairy are genuinely likeable: men who haven't a clue what to do. By contrast, the always terrific Page and Janney have much less-developed roles.

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That Awkward Moment Review


Grim

Even a strongly likeable cast can't breathe life into this ill-conceived film, which poses as a sex comedy but is ultimately timid and sappy. The premise is intriguing enough to catch our interest, but it ends up being three badly written romantic-comedies woven together in a way that makes them neither romantic nor comedic.

The story strands centre on three best buddies enjoying their late-20s in New York. Jason (Efron) is the womaniser, breaking up the moment any girl begins to get serious. Daniel (Teller) is the clown, using humour to find women, usually with the help of his friend Chelsea (Davis). And Mikey (Jordan) is the responsible one, a medical doctor happily married to Vera (Lucas). Except that she leaves him, prompting Jason and Daniel to promise to stay single with him in solidarity. Then instantly, each of them finds himself in a relationship: Jason falls for wild-girl Ellie (Poots), Daniel realises that he's in love with Chelsea, and Mikey secretly tries to get Vera back.

The problem is that there's very little chemistry between any of the characters. Not only are the love stories strained and implausible, but the bromance never even gets off the ground because filmmaker Gormican is clearly terrified of any kind of male affection. He's also not very good at depicting sexuality, with only a couple of scenes played for comedy value. In fact, all of the film's sharp edges have been surgically removed, leaving only the illusion of gross-out humour.

Continue reading: That Awkward Moment Review

That Awkward Moment Trailer


If there's no clear cut message between two people who like other, nobody knows where they stand, what to say or when to call. Jason, Daniel and Mikey go through just that when all three find themselves with girlfriends that they aren't quite sure are really girlfriends. None of them are planning on settling into a relationship, especially since Mikey has only just come out of one, but things take an unforeseen turn when Jason meets Ellie who he wants to spend all of his time with and finds himself being accused of having a girlfriend. Pretty soon though, Daniel also finds his feelings are deepening for Chelsea and Mikey still has a lot of emotions to overcome. Even when their love lives start becoming less complicated, they find themselves struggling to adapt to monogamous lives.

This romantic comedy deals with the all too real circumstances of fledgling love. It has been directed and written by Tom Gormican (co-producer of 'Movie 43') in his directorial and screenwriting debut, and production was undertaken by Scott Aversano ('School of Rock', 'Killers'), Justin Nappi ('All Is Lost'), Andrew O'Connor ('Peep Show') and Kevin Turen. 'That Awkward Moment' is set to be released in the UK on January 31st 2014.

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Ellen Page's 'Touchy Feely' Gets To Grips With Indie-Drama Genre [Trailer]


Ellen Page Rosemarie DeWitt Lynn Shelton Josh Pais Kate Bayley Alycia Delmore

The trailer for Touchy Feeling, the new indie-flick written and directed by Humpday's Lynn Shelton, has rolled out online. It stars Rosemarie DeWitt as Abby, a well-respected massage therapist who lives life to the fullest, while her quiet brother Paul struggles with his angst-ridden teenage daughter, played by Ellen Page.

Things get a little complicated when Abby's boyfriend offers her a home at his place and things go from bad to worse when she finds herself unable to face a new client having developed a phobia of skin-to-skin contact. Oh, and Abby's niece develops a crush on her boyfriend and attempts to seduce him. OH NO SHE DIDN'T.

Meanwhile, brother Paul's life begins to turn around when a patient claims his healing hands cured his toothache. Suddenly, his waiting room is packed, though can his newfound 'magic touch' help his sister Abby regain the fun in her life?

Continue reading: Ellen Page's 'Touchy Feely' Gets To Grips With Indie-Drama Genre [Trailer]

Touchy Feely Trailer


Abby is a particularly well-rated massage therapist who enjoys living life to the fullest while her quiet and correct brother Paul is the opposite with his failing dental practise and an awkward teenage daughter to look after. Abby needs a new place to live and when her boyfriend offers her a home at his place, things start to get complicated for her. On a regular day at work, she finds herself unable to face her new client having developed a phobia of skin-to-skin contact which not only puts her career in the gutter, but also drastically affects her relationship with her boyfriend. Meanwhile, her niece Jenny develops a crush on him and attempts to seduce him despite his love for Abby. Paul's life has also taken a dramatic change after a patient claimed that Paul's healing hands cured his toothache, leading to a much fuller waiting room at his surgery. But will his new found magic touch help Abby regain her life back? 

'Touchy Feely' is the hearting-tugging drama about the unpredictability of our futures and the importance of family support. Directed and written by Lynn Shelton ('My Effortless Brilliance', Humpday', 'Your Sister's Sister'), it's a movie that will see a few laughs, a few sighs and definitely a few tears. 

Click here to read - Touchy Feely movie review

Arbitrage Trailer


Robert Miller is billionaire hedge fund businessman who at first glance seems to have the perfect life; successful, plenty of money, a supportive wife and a daughter/ business partner willing to take on the company when he retires. However, something much darker is going on underneath as he is struggling to cover up many years of fraudulent activities while trying to sell away his business to a bank. Not only this, but he has also embarked on an illicit affair with the young and beautiful Julie Cote who he attempts to whisk away with him for a while. As fate would have it, Robert finds himself drifting off to sleep in the car as they drive out of town and subsequently fails to prevent a crash that instantly kills Julie. As he attempts to cover his tracks by setting fire to the vehicle, his whole life is on the line with suspicious police officers, a mistrustful wife and a daughter with an unfortunate eye for detail threatening to collapse the empire he has worked so hard for.

This gripping thriller drama premiered in the US in September 2012 and serves as the full-length feature directorial debut of Nicholas Jarecki ('The Informers' screenwriter) who was also responsible for writing the fantastic screenplay.

Starring: Richard Gere, Susan Sarandon, Tim Roth, Brit Marling, Laetitia Casta, Nate Parker, Stuart Margolin, Chris Eigeman, Graydon Carter, Bruce Altman, Larry Pine, Curtiss Cook, Reg E. Cathey, Felix Solis, Monica Raymund, Gabrielle Lazure, Shawn Elliott, Maria Bartiromo, David Faber, Josh Pais, Alyssa Sutherland, Paula Devicq, Zack Robidas & Betsy Aidem.

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Detachment Trailer


Henry Barthes is a highly recommended substitute teacher, a compliment he doesn't really accept. His latest job is subbing at an inner city high school for a month, where exam grades are slipping; the pupils are unruly and the head teacher is under fire for the decline in standards there.

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Please Give Review


Excellent
Writer-director Holofcener cleverly keeps the emotions gurgling right under the surface of this engaging interpersonal comedy. It's more about smiles than laughing out loud, but the superior cast members get terrific characters to play with.

Kate and Alex (Keener and Platt) are socially active New Yorkers, supporting charities and trying to help their feisty teen daughter (Steele) understand what's important. But Kate's beginning to feel guilty about their work; they buy furniture from families with recently deceased relatives and resell it at a profit. This is taken to the extreme as they wait for their aging neighbour (Guilbert) to die so they can annex her apartment, and Kate and Alex struggle with how to interact with her very different granddaughters (Hall and Peet).

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Picture - Josh Pais New York City, USA, Thursday 25th March 2010

Josh Pais Thursday 25th March 2010 Screening of the new movie 'Leaves of Grass' held at the Sunshine Cinema New York City, USA

Josh Pais

Picture - Josh Pais New York City, USA, Wednesday 3rd September 2008

Josh Pais Wednesday 3rd September 2008 The Samsung Imagination Icon Series premiere of 'The Red Thread: The Inspiration and Passion of Valentino Garavani' held at The Grace Building New York City, USA

Teeth Review


Weak
There are three bitten-off penises in plain sight in Mitchell Lichtenstein's Teeth, all three accompanied by shots of the gaping, below-the-equator wound. One of them, in the film's most grotesque sight gag, plops onto the carpeted floor like a freshly-pinched turd. 2007 gave us Quentin Tarantino's melting junk in Planet Terror. Welcome to 2008.

Decked out with odes to the 1950s bargain-basement sci-fi films that Lichtenstein grew up on, Teeth tells the delightful yarn of a teenaged girl named Dawn (Jess Weixler) and her shark-tooth-lined vagina. (The press kit, and one seriously unlucky gynecologist, is quick to point out that the Latin term is actually vagina dentate.) Bopping back and forth from churches and schools, Dawn spends her time as an abstinence-is-rockin' faith promoter. After a speech, she meets Tobey (Hale Appleman), and the purity sparks fly. Their idea of a fun date includes a wild night of popcorn and the latest animated feature at the multiplex.

Continue reading: Teeth Review

Year of the Dog Review


Grim
There's a passage in Evelyn Waugh's The Loved One that lends itself directly to Mike White's Year of the Dog, regardless of where the film runs with this idea. Said by the owner of a pet mortuary to a lowly employee concerning normal funeral homes: "Why wouldn't I be [jealous of] all that dough going to relations they've hated all their lives, while the pets who've loved them and stood by them, never asked no questions, never complained, rich or poor, sickness or health, get buried anyway like animals?" Correctly assuming that as a public we take the love we can't find with humans and bestow it on animals, Waugh's criticism has more than a leg up on Mike White's directorial debut.

Peggy (Molly Shannon) dotes on Pencil, her puppy, with the affection only rewarded to the luckiest of children from the most spoiling of parents. So, when Pencil gets into some toxic shrubbery and goes, as all dogs do, to heaven, Peggy is inconsolable. Not that there aren't plenty of people who want to help her. Her oafish neighbor (John C. Reilly) wants to date her, her best friend (Regina King) wants to set her up with someone, and the receptionist at the vet (the invaluable Peter Sarsgaard) wants to get her a new dog ASAP. It's the receptionist, Newt, who gets Peggy into veganism and, ostensibly, sends her on a path of social destruction the likes of which are rarely seen.

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Safe Men Review


Good
See what Sam Rockwell and Steve Zahn looked like before they both let their hair go insane. This very little-known (and just plain little) indie comedy is extremely witty and often perverse. Even without the humor, the film is worth seeking out to see all the other roles by up-and-comers (at least at the time), including Paul Giamatti and Mark Ruffalo. The nutty premise involves two wannabe singers (Rockwell and Zahn) who are mistaken for safecrackers and threatened into doing a series of safecracking jobs. Not a single serious moment ensues. Excellent.

Music of the Heart Review


Good
The creator of A Nightmare on Elm Street and Scream is toying with our conscience again, only this time his weaponry isn't Freddy's claws or a murderous prank caller. Director Wes Craven's latest endeavor, Music of the Heart, switches gears to more virtuous human emotions in order to tell us the story of one woman's triumph and the revival of a downtrodden urban community. Oddly enough, this film is just as powerful as any of Craven's horror films and can evoke strong emotion and sentiment, if you let it.

Music of the Heart begins like any of the other "triumphant teacher" dramas we've all seen. Stand and Deliver and Dangerous Minds both crossed my mind as I sat through the first hour of Roberta Guaspari's (Meryl Streep) struggle to teach a handful of young urban kids how to play the violin. This part of the story is hackneyed and clichéd, and you've seen it before--if not in a previous movie than in some boring after-school special. But where other "triumphant teacher" dramas fail because they concentrate too much on the saintliness of the teacher, this movie succeeds in its captivation of Roberta Guaspari's character flaws, and her struggle as a single mother attempting to raise her two children in East Harlem. When the film expands beyond the existence of just "Roberta the teacher" and into the rest of her life, the film becomes genuinely enjoyable.

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