The seed of an idea that something is not quite right gets planted during their honeymoon, when Gregory convinces Paula - even though she's obviously still traumatized by her aunt's horrible murder - that they should move into the old London house together; he's just a little too insistent about it, in a way that would set any sane person's alarm off. But Paula goes blithely along, and they return to the house. It isn't long before Gregory is chipping away at Paula's self-confidence, convincing her that she's forgetful ("But, dear, I already told you, don't you remember?") and insinuating in a not-too-subtle manner that she's going crazy. At the same time, he's always finding excuses for them not to leave the house, Paula keeps hearing noises and wonders why the gaslight keeps inexplicably getting turned down low. All you need are hints of the dead aunt's jewelry and the longing way that Gregory stares at the Crown Jewels in a rare trip out of the house to the Tower of London, to figure out that there's a financial reward at the end of his chicanery.
Continue reading: Gaslight Review
Sia gets a string of Hollywood stars involved in her latest music video, a festive number entitled 'Santa's Coming For Us' from her newly released...
A startling new video has been unveiled by Alt-J to go with their newest single 'Pleader'.
Green Day have long been known for having political undertones in their music, and their new song 'Back In The USA' is no different.
The film is almost half an hour longer than 'The Force Awakens'.