Returning ‘SNL’ star Andy Samberg gives fans another Lonely Island shot with the hilarious new ‘HUGS’ SNL digital short.
SNL's legendary digital shorts made a grand return when Andy Samberg hosted the weekend entertainment show for the first time. The Brooklyn Nine-Nine star made his name as a cast member on Saturday Night Live for seven years and was welcomed back last weekend (17th May) to see the show off on its 39th season finale.
Andy Samberg Made Sure That His Grand 'SNL' Return Was One To Remember.
It just wouldn't be a Samberg SNL special without the musical comedy collective The Lonely Island and Samberg made sure to recruit his buddies Akiva Schaffer and Jorma Taccone for more funny music video madness. The sight of Samberg and co. settling back into making expanding their discography was enough for fans but when Pharrell Williams dropped by to contribute his own ode to hugging, social media went into meltdown.
Akiva Schaffer, Jorma Taccone and Andy Samberg of comedy band The Lonely Island discuss their new album 'The Wack Album' which features celebrity collaborations with Hugh Jackman, Kristen Wiig, Adam Levine and Kendrick Lamar.
Andy Samberg, Jorma Taccone, The Lonely Island and Emmy Awards - Andy Samberg, Jorma Taccone and Akiva Schaffer of The Lonely Island Los Angeles, California - 63rd Primetime Emmy Awards, held Nokia Theater LA LIVE - Arrivals Sunday 18th September 2011
MacGruber (Forte) has been presumed dead for 10 years after the villainous Dieter (Kilmer) blew up his wedding, including his bride (Rudolph). But now Dieter has a Russian nuke aimed at Washington, and only MacGruber can stop him.
Recruited by a colonel (Booth), MacGruber bumbles through the operation, rescued frequently by his former colleague and current love interest Vicki (Wiig) and bright-spark sidekick Piper (Philippe). But time is running out for an '80s-style hero struggling to adapt to the 21st century.
Continue reading: MacGruber Review
This parallel world has no internal logic, but neither does any single scene.
We don't really expect logic in a goofy movie like this, but is it too much to ask why Holly speaks fluent monkey-language only some of the time? And while there are plenty of amusing moments (the vampire mosquito, the T-rex pole vault), there's not a single big laugh. Or any real reason for this film to have been made, for that matter.
Those are but two of the many strange (and yes, strangely funny) things Will Ferrell does in Brad Silberling's Land of the Lost, an acid-trip take on Sid and Marty Krofft's already kitschy television series that aired on NBC in the mid-'70s. Ferrell tones down his trademark immaturity but ramps up the crippling ego to play Dr. Rick Marshall, a scientist focused on unraveling time travel who's discredited after a televised spat with Today show host Matt Lauer (convincing as himself).
Continue reading: Land of the Lost Review
But the appeal of Hot Rod is simpler than viral internet paradigm shifts: it is a very silly movie with a nature equal parts good and strange. Samberg plays Rod, who we infer from other characters to be a twentysomething, but who based on demeanor, ambition, and Samberg's crooked, sometimes crazed smile may be as young as 12. Rod's goal of becoming a much-loved, professional, stand-alone stuntman is such a deliberate anachronism that it's almost completely original, if not for the faintly memorable existence of Evel Knieval -- an existence that gives Rod a lot of hope (his deceased father's profession is explained as more or less Knieval's understudy).
Continue reading: Hot Rod Review