When you need someone to break into a place and steal something, a career cat burglar is your best bet. Scott Lang (Paul Rudd) is in jail, which isn't the best start, but when Dr. Hank Pym (Michael Douglas) needs a thief, Lang is still his man. Pym was once a miniature superhero known as Ant-Man, yet when Darren Cross (Corey Stoll) takes over his company and tries to mass-market the powerful Ant-Man suits, Pym hires Lang to break in and steal the suit back. From there, he must become the Ant-Man - no matter how much he hates the name.
Continue: Ant-Man Trailer
An awful lot has happened in the world - A Second World War super soldier has risen from the dead, a billionaire playboy has revealed himself as a costumed superhero, and the Norse God of thunder himself has come to earth on four occasions. So for Scott Lang (Paul Rudd), a petty criminal entrusted with the secret of his mentor's super-secret substance designed to shrink a person, it should be seen as just another day in the life for a person of planet Earth. Now, with the ability to shrink his down to a minuscule size while increasing his strength, Ant-Man is born.
In August of 1819, The Essex set sail from New England. The whaling ship set out beyond the edges of the map to hunt in unknown waters. What the 21-man crew discovered, was far from what they could ever have imagined. A sperm whale - absolutely gigantic and hell-bent on destroying their comparatively tiny ship. While battling the demon of a sea beast, the ship was destroyed, and many of the crew were killed. As the few survivors struggled to find land and make their way back to South America, they faced a harrowing adventure, and fought insanity, storms, starvation and despair. All with the great whale fresh in their minds. The crew referred to it as Moby Dick.
Continue: In The Heart of The Sea - Teaser Trailer
Vin Diesel and filmmaker David Twohy wrestle their iconic intergalactic character back to his leaner, meaner roots in this bluntly titled thriller. This movie harks back to what made 2000's Pitch Black such a discovery: one misunderstood man fighting idiotic reactions to real danger. Thankfully, the filmmakers have set aside the murky mythologising of the 2004 sequel The Chronicles of Riddick.
There's a brief mention of things like necromongers and the underverse before Riddick (Diesel) is abandoned on a harsh desert planet apparently populated by only two species: stripy, spiky-haired wild dingos and slimy two-legged scorpion-stinging beasts. Riddick gets to grips with both, even domesticating one of the doggies, then sends a distress signal that is answered by two teams of bounty-hunting mercenaries. First up is a motley crew led by Santana (Molla), and they're soon joined by a muscle-head team captained with military precision by the steely Johns (Nable), who has a secret personal reason for being here. But of course Riddick is ready for them.
All of the characters are beefy hotheads, challenging each other's authority with gruffly shouted taunts. Even as they play it straight, the cast members have a lot of fun with this banter. As Johns' first officer, Sackhoff is clearly in her element as the only female in sight, happily giving the men a taste of their own machismo. Even man-mountain Bautista gets into the fun as Santana's brutish thug, calmed down by Danby's true-believer nice guy. Everyone is sure they can capture Riddick easily, of course, but he picks them off one-by-one until they accept his terms. This heightened human interaction gives the movie a kick of energy that holds our attention even as things begin to feel faintly ridiculous.
Continue reading: Riddick Review
Ex-convict Richard B. Riddick is back and more formidable than ever before. He is alone after being left for dead on a burning planet (not for the first time) but, as he is preyed upon by a new army of deadly creatures, he becomes more and more powerful making himself the biggest predator on the planet. His adversaries soon return, however, determined to finally have his head (literally) but with more than one advantage over them such as the ability to see in the dark, it becomes a brutal and deadly chase with only one likely victor. Riddick has his enemies just where he wants them in his bloody scheme to rescue his home planet Furya.
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Jordi Molla and Fred Segal Wednesday 21st September 2011 Spanish actor, Jordi Molla in a stripped t-shirt leaving Fred Segal before hosting an art show at the Chateaux Marmont. One of his art pieces will show a canvas which he shot at the gun range and then painted over Los Angeles, California
In Colombia, feisty 9-year-old Cataleya (Stenberg) witnesses her parents' massacre of by Marco (Molla), henchman the drug kingpin Luis (Benites). Years layer (now Saldana) she's in Chicago, where she's been raised by her uncle (Curtis) to be a stealthy assassin. Now she's trying to draw Marco and Luis out of protective CIA custody by leaving clues at each murder scene. And it seems to be working. With an FBI agent (James) on her trail and a boyfriend (Vartan) who knows nothing, she's playing a dangerous game.
Continue reading: Colombiana Review
After June (Diaz) bumps into Roy (Cruise) in the airport, she finds herself in a mid-air shootout and a cornfield crash-landing. But she wakes up at home as if everything is fine. And so continues her adventure, as Roy turns out to be a possibly rogue federal agent trying to stay one step ahead of the spies chasing him (Davis and Sarsgaard) and keep June safe from the bad guys as they dart to the Azores and across Europe, where they meet a technology nerd (Dano) and a smirking arms dealer (Molla).
Continue reading: Knight and Day Review
For one thing, historical costume dramas rarely spawn second chapters, particularly ones that struggle to make back their production budgets. Kapur's critically acclaimed original Elizabeth earned multiple Oscar nominations but was largely overshadowed (at the ceremony and in the public eye) by John Madden's opposing Golden Age tryst Shakespeare in Love.
Continue reading: Elizabeth: The Golden Age Review
The first Bad Boys shouldn't have been any good at all, but ended up a huge hit that remade the careers of just about everyone involved. It was directed by a guy known only for commercials (Michael Bay), produced by a team (Jerry Bruckheimer and Don Simpson) desperate for a hit, and starring two sitcom actors (Martin Lawrence and Will Smith) with no proven movie clout. Somehow, it all came together into a near classic, with lovingly choreographed explosions and Lawrence and Smith doing hilarious, improvised riffs over the by-the-numbers script.
Continue reading: Bad Boys II Review
Yet such is the world of Blow, the most wildly anticipated drug thriller since, well, last year's Traffic. Welcome to the "based on a true story" tale of George Jung (the inimitable Johnny Depp), just a suburban boy from New England who tires of his conservative life and heads for -- where else -- L.A. Here (in the 1960s, natch), Jung hooks up with the local hair stylist/drug dealer and starts his own small pot distributorship. Soon enough he's running drugs back to Boston with the help of his friends and flight attendant girlfriend (Run Lola Run's Franka Potente). But just as he's made a name for himself, he gets busted and lands in prison.
Continue reading: Blow Review