@BearlyReadyBrod He didn't actually, but the end is amazing!!!!
There has never been a team quite like fourth-grade schoolkids George Beard and Harold Hutchins. When they are not wreaking havoc at their school with a variety of impressive pranks, they are writing and illustrating their very own comic book series based on their character Captain Underpants. Their fun is threatened, however, by their mean principal Mr. Krupp who wants to split up the 9-year-old besties for good to prevent any more mischievous antics. Determined not to be separated, they decide to hypnotize the teacher into being convinced that he is the real Captain Underpants. As hilarious as that may sound, the kids have a hard time looking after him as he gets into all sorts of trouble trying to save people. Then when a crazy scientist known as Professor Poopypants threatens to take over the world, the three of them must band together to defeat him.
Leave it to a comedian to make one of the scariest movies in recent memory. Jordan Peele moves into writing and directing with this offbeat comedy, a fresh and fiendishly smart story with engaging characters and provocative themes. It's a combination of a knowing issue-based drama, lively romantic comedy and unhinged horror that hits all of its targets with precision. And it keeps us gleefully entertained with its escalating terror.
The story centres on Chris (Sicario's Daniel Kaluuya), whose girlfriend Rose (Girls' Allison Williams) invites him home for a weekend to meet her parents Missy and Dean (Catherine Keener and Bradley Whitford). Rose assures Chris that they're so liberal that they won't mind at all that he's black. But things don't feel quite right from the start. For one thing, there are two creepy servants (Betty Gabriel and Marcus Henderson) who seem to be lurking everywhere. And Rose's brother Jeremy (Caleb Landry Jones) revels in stirring up problems. As things get increasingly freaky, Chris calls his best friend Rod (Lil Rel Howery), an airport security officer back in New York, for advice. Then things take an even more bizarre turn when Missy and Dean's friends arrive for an annual party.
Peele begins to play with the audience right from the start, using Michael Abels' disorienting music and Toby Oliver's quirky camerawork to maximum effect. Often this involves pushing us far too close to a character whose behaviour is just a bit off. Every moment is undercut with humour, including awkward moments and snappy gags that serve as a relief valve even as they set us up for something scary. It's such clever filmmaking that we have little choice but to sit back and enjoy the ride. And woven through all of this is an inventive and lacerating exploration of attitudes toward race in American society.
Continue reading: Get Out Review
Kaluuya is the star of 'Get Out', the debut film from first-time director Jordan Peele.
Low-budget satirical horror film Get Out is turning into one of the early front-runners for the best movie of 2017, receiving ecstatic reviews and tearing up the box offices.
In a new interview, one of its cast members, Bradley Whitford, has attributed this to the vision of first-time director Jordan Peele and its talented young lead star, 27 year old British actor Daniel Kaluuya.
Get Out has been doing great business in the States since its release at the end of February, grossing over $84 million worldwide so far against its modest budget of just $4.5 million, with reports of many people going to the cinema to see it a second, or even third, time.
Continue reading: Bradley Whitford Praises Jordan Peele And Daniel Kaluuya
Comedian Jordan Peele (of Key & Peele fame) has surprised everyone by making his directing debut in the horror genre with the film Get Out.
Get Out is about a young black man who (Daniel Kaluuya) who travels with his white girlfriend (Allison Williams) to meet her parents (Catherine Keener and Bradley Whitford). And things turn far more terrifying than expected.
While there are comical elements in the movie, Peele deliberately designed it to scare the audience. And he also wanted to make a comment on racism. "Race, specifically, is the American horror that has gotten the least attention within the genre," Peele says. "Every other social dynamic or fear has been tackled, but there's been something taboo about race. And we need to discuss these racial issues in a way that doesn't bum us out."
Jordan Peele had a busy year in 2016 with the release of Storks and Keanu
Continue reading: Jordan Peele Mixes Horror And Deeper Themes With Get Out
When Chris packs up for the weekend to go and meet his girlfriend Rose's family for the first time, his biggest concern is that they might not approve of him being a black man. Thankfully, they seem to be accepting, but he's slightly disturbed by a pair of strange black housekeepers that live there named Georgina and Walter. When his pal back home discovers that black people have been going missing from the area for years, he tries to brush it off in order to get through the weekend, but he can ignore it no longer when one of the missing people shows up at a garden party on the estate looking particularly disturbed and warning him to 'get out'. But it's much too late for that now.
Continue: Get Out Trailer
There's nothing particularly original about this animated comedy adventure by Nicholas Stoller (Neighbors). It has the standard fast-paced snarky tone and too-frantic imagery, but the script is smarter than average, dropping deranged lines of hilarious dialogue into every scene. This gives the conversations an improvisational quality that keeps the audience laughing all the way through, unsure what might happen next.
It's set 20 years after the storks decided that there wasn't enough money in delivering babies, so they shifted to delivering parcels instead. The boss Hunter (voiced by Kelsey Grammer) is now planning to become board chairman, so he brings in his protege Junior (Andy Samberg) as the new boss. To prove himself, Junior needs to sack Tulip (Katie Crown), an annoying human who was left behind when the old business closed. Unable to do this, Junior transfers her to a back mailroom where no one will notice her, except that she inadvertently fires up the baby factory by answering a request from Nate (Anton Starkman) to bring a brother to his parents (Jennifer Aniston and Ty Burrell). So now Junior and Tulip need to deliver this infant before Hunter finds out.
While the plot is fairly predictable, the way it plays out is riotous. The film is a barrage of random asides, unexpected twists and loveably ridiculous characters. A smarmy corporate spy called Pigeon Toady (Stephen Kramer Glickman) is amusingly smarmy, while a pair of bickering arctic wolves (Keegan-Michael Key and Jordan Peele) add some snarling suspense, even though they're too funny to be scary. Everything is so energetic and colourful that it's difficult to mind that the plot makes very little logical sense. And the loose style of vocal performance gives the whole film a zing of comical anarchy.
Continue reading: Storks Review
Over the centuries Stalks have been entrusted to create and deliver human babies to their new families. Junior's father has built up a successful business with just those deliveries but profits aren't what they used to be and now Junior's father has decided to branch out into package delivery.
Junior is set to inherit the family business and all he has to do is get through the next 24 hours but his ride goes anything but smoothly after he accidently creates a new baby by mistake. Junior asks for help from Tulip, the only human working at Stalks & Co. Tulip is an orphan who's always wanted to find her real mother and father but in the meantime takes delight in helping others fulfil their dreams.
Along the way, Tulip, Junior and their special care package run into all sorts of problems, they're being chased by Pigeon Toady who thinks he knows an unauthorised baby is about to be imminently delivered and also a pack of stealthy wolves who can't decide if they want to eat or adopt the baby.
Continue: Storks Trailer
An entertaining hybrid of satirical comedy and action thriller, this madcap adventure swerves wildly between grisly violence and silly slapstick. Thankfully, its central characters are played by the likeable Keegan-Michael Key and Jordan Peele, with able support from a range of up-for-it A-list supporting players. Plus perhaps the most adorable kitten ever put on film.
Key and Peele play Clarence and Rell, a family man and his stoner best pal living in suburban Los Angeles. Rell is wallowing in a recent breakup when he finds a cute little cat and adopts him, naming him Keanu. Then his house is burgled and Keanu is stolen. So he and Clarence team up to find the lost kitty. The problem is that their search leads them to vicious gang boss Cheddar (Method Man), who has fallen for Keanu's charms. When Rell and Clarence stumble into the gang's lair, they are mistaken for a pair of notorious hitmen, and decide to play along with it, straining to pose as vicious assassins in a series of escalating situations in which everyone is trying to kill everyone else.
This is a very clever play on the stereotype that every black man must be a violent thug. Rell and Clarence are nice guys from a relatively well-off neighbourhood trying with increasing desperation to mimic the vicious, street-smart goons they've seen in movies, which are their only point of reference. Along the way, they poke pointed fun at both urban crime thrillers and black subculture movies. Plus constant allusions to the career of Keanu Reeves, who even voices the kitten in a dream sequence. Key and Peele play these characters with a mixture of warm affection and dorky charm. And their interaction with the starry supporting cast is hilarious, from Cheddar's sharp henchwoman (Tiffany Haddish) to riotous cameos from the likes of Anna Faris, Will Forte and Luis Guzman.
Continue reading: Keanu Review
Keegan-Michael Key , Jordan Peele - Los Angeles premiere of 'Keanu' at the ArcLight Cinerama Dome Theatre - Arrivals at ArcLight Cinerama Dome Theatre - Los Angeles, California, United States - Wednesday 27th April 2016
Rell has just broken up with his partner and he's in a complete self-absorbed world. Continuously housebound and alone, he feels like his life has ended. Enter Keanu. When Rell hears a faint meowing coming from outside his house he discovers a young kitten on his doorstep just waiting to find a new home. Suddenly, Rell feels a new sense of life, his kitten is the best thing to ever happen to him and Rell's best friend, Clarence, completely confirms these feelings.
Finally able to leave the house, Rell and Clarence go out only to return to find Keanu gone and only his little kitten collar left. So begins a quest to save Keanu. It turns out that the kitten has been taken by a local gangster, in order to get Rell's new pride and joy back, the two are going to have to get down and dirty in a world far from their usual suburban lifestyle.
Keanu was directed by Peter Atencio and written by Jordan Peele and Alex Rubens.
Since ancient times, humans have known how valuable Storks are to humanity, they're the long legged and beaked birds that are responsible with delivering our babies, now we get a little glimpse into the factory and process they go through to give mums and dads the greatest gift they could wish for. However, times are tough for the Storks of today and they have to turn to alternative delivery options and they're now delivering merchandise for internet shops.
Junior isn't exactly the most respected Stork in his factory and when he accidentally creates a baby with no one to deliver it to, Junior must fix the error before he causes huge problems.
Storks was directed by Nicholas Stoller and Doug Sweetland
Date of birth
21st February, 1979
@BearlyReadyBrod He didn't actually, but the end is amazing!!!!
Romero started it. https://t.co/i4dnxi8EFV
Check out the trailer for my boy @marlonwayans hilarious romantic comedy NAKED on @netflix AUGUST 11. https://t.co/oD2GR0p3mk
Thoughts and prayers go out to the friends and family of John Bernecker. So sad to lose him. He was so nice, so cool and great at his job.
RT @donallogue: Thank you ALL for the love and support. We are good. Kasey and I wish to thank the NYPD. FBI, @MissingKids and countless ot…
RT @ColorsEffect: Get Out (2017) Director: Jordan Peele Cinematography: Toby Oliver Production Design: Rusty Smith https://t.co/wLXn0WWUd2
Love this story telling by @nasmaraj . Excellent work. https://t.co/W4IUiVW1k0
Wow, great technique, Ta'lia! https://t.co/vxJVblbjRl
Zadie is so good. https://t.co/7X76pI4nOV
RT @OnePerfectShot: GET OUT (2017) DP: Toby Oliver | Director: Jordan Peele https://t.co/Kpdc4Zf3nO
Happy Father's day to my Mom!!! The original Wonder Woman who did the job of two parents while working a 9 to 5! Badass.
@MatthewACherry Matthew. You need to stop for a minute so I can pull myself together and make it through the day.
Story about a show that almost was. https://t.co/4FBrg8eLes
RT @smartphoneff: Our special presentation tonight is @MatthewACherry's #9Rides, our first feature film screening ever⠀ ⠀ #thefestiv… https…
RT @MELODY_ROSE: So this just happened!!!!! @JordanPeele #normanlear #ProducedBy2017 thanks for a great interview! https://t.co/hO0b0OvXNv
There has never been a team quite like fourth-grade schoolkids George Beard and Harold Hutchins....
There's nothing particularly original about this animated comedy adventure by Nicholas Stoller (Neighbors). It has...
Over the centuries Stalks have been entrusted to create and deliver human babies to their...
An entertaining hybrid of satirical comedy and action thriller, this madcap adventure swerves wildly between...
Rell has just broken up with his partner and he's in a complete self-absorbed world....